Law and the Visual: Representations, Technologies, Critique

Cover
Copyright
Contents
Introduction: Imaginal Law
Part One: Representations – The Origins of LegalModernity from the Sixteenth to the Nineteenth Centuries
	1: Blindness Visible: Law, Time, and Bruegel’s Justice
	2: Faces and Frames of Government
	3: An Emblematic Representation of Law: Hogarth and the Engravers’ Act
	4: Law and the Revolutionary Motif after Jacques-Louis David
	5: Legal Imagery on the Edge of Symbolism: The Decoration Projects for the Belgian Cour de Cassation
	6: The Visual Force of Justice in the Making of Liberia
Part Two: Technologies – Excesses of Legal  Modernity in the Twentieth Century
	7: “You Will See My Family Became So American”: Race, Citizenship, and the Visual Archive
	8: From Sentimentality to Sadism: Visual Genres of Asylum Seeking
	9: Images of Victims: The ECCC and the Cambodian Genocide Museum
	10: The Exceptional Image: Torture Photographs from Guantánamo Bay and Abu Ghraib as Foucault’s Spectacle of Punishment
Part Three: Critique – Irony and Legal Modernity in the Twenty-First Century
	11: T-Shirt’s Guevara: The Visual Jurisprudence of the New Man
	12: The Art of Bureaucracy: Redacted Ready-mades
	13: Illicit Interventions in Public  Non-Spaces: Unlicensed Images
	14: What Authorizes the Image? The Visual Economy of Post-Secular Jurisprudence
Contributors
Index