Landscape Between Ideology and the Aesthetic: Marxist Essays on British Art and Art Theory, 1750-1850

‎Contents
‎List of Illustrations
‎Acknowledgements
‎Sources and Occasions
‎Introduction. Theoretical Apologia
‎Aesthetics and Ideology
‎Chapter 1. The Science of Taste in the Eighteenth Century: Philosophical Criticism and the Scottish Historical School
‎Chapter 2. Academic Theory versus Association Aesthetics: The Ideological Forms of a Conflict of Interests in the Early Nineteenth Century
‎Chapter 3. Bourgeois Critiques of the Monopoly of Taste
‎Chapter 4. Genius, Gender, and Progress: Benthamism and the Arts in the 1820s
‎Chapter 5. Cultural Philanthropy and the Invention of the Norwich School
‎Landscape and Ideology
‎Chapter 6. Meaning in Cotman’s Norfolk Subjects
‎Chapter 7. Sheep as a Pictorial Motif: Pastoral and Counter-Pastoral
‎Chapter 8. Artisanal Worldview in the Paintings of John Crome
‎Chapter 9. John Crome’s ‘Local Scenery’: Iconography and the Ideology of the Picturesque
‎Chapter 10. Constable and His Audience: An Argument for Iconography
‎Chapter 11. The Field of Waterloo Exposed: Turner, Byron, and the Politics of Reaction
‎Coda: Regarding Art History
‎Bibliography
‎Index