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دانلود کتاب Jazz Theory: From Basic to Advanced Study
دانلود کتاب تئوری جاز: از مطالعه پایه تا پیشرفته
مشخصات کتاب
Jazz Theory: From Basic to Advanced Study
ویرایش:
نویسندگان: Dariusz Terefenko
سری:
ISBN (شابک) : 9780203380000
ناشر: Routledge
سال نشر: 2014
تعداد صفحات: [719]
زبان: English
فرمت فایل : PDF (درصورت درخواست کاربر به PDF، EPUB یا AZW3 تبدیل می شود)
حجم فایل: 30 Mb
قیمت کتاب (تومان) : 33,000
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توجه داشته باشید کتاب تئوری جاز: از مطالعه پایه تا پیشرفته نسخه زبان اصلی می باشد و کتاب ترجمه شده به فارسی نمی باشد. وبسایت اینترنشنال لایبرری ارائه دهنده کتاب های زبان اصلی می باشد و هیچ گونه کتاب ترجمه شده یا نوشته شده به فارسی را ارائه نمی دهد.
توضیحاتی در مورد کتاب تئوری جاز: از مطالعه پایه تا پیشرفته
تئوری جاز: از مطالعات پایه تا پیشرفته یک کتاب درسی جامع ایده‌آل برای دوره‌های تئوری جاز یا به‌عنوان یک راهنمای خودآموز برای نوازندگان آماتور و حرفه‌ای است. این کتاب که با هدف پل زدن تئوری و عمل نوشته شده است، یک پایه نظری قوی را فراهم می‌کند که با مبانی موسیقی از طریق تئوری پس از تونال شروع می‌شود، در حالی که آموزش گوش، مهارت‌های کیبورد و بداهه نوازی را ادغام می‌کند. این شامل یک دی‌وی‌دی با 46 قطعه صوتی Play Along و یک وبسایت همراه است که میزبان کتاب کار، تمرین‌های آموزش گوش، و آهنگ‌های صوتی نمونه‌های موسیقی موجود در کتاب است.
توضیحاتی درمورد کتاب به خارجی
Jazz Theory: From Basic to Advanced Studyis a comprehensive textbook ideal for Jazz Theory courses or as a self-study guide for amateur and professional musicians. Written with the goal of bridging theory and practice, it provides a strong theoretical foundation beginning with music fundamentals through post-tonal theory, while integrating ear training, keyboard skills, and improvisation. It includes a DVD with 46 Play Along audio tracks and a companion website, which hosts the workbook, ear training exercises, and audio tracks of the musical examples featured in the book.
فهرست مطالب
Cover Half Title Title Page Copyright Page Dedication Table of Contents Preface Acknowledgments Part One Basics 1 Music Fundamentals Concepts and Terms Pitch Major Scales Key Signatures Minor Scales Rhythm Meter and Time Signatures Notating Rhythm Intervals Inversion of Intervals Triads Inversion of Triads Suspended Triad 2 Jazz Rhythm Concepts and Terms General Characteristics Syncopation Swing Practicing Rhythm Placement of Swing 8ths Phrasing Playing with a Metronome 3 Harmonic Function Concepts and Terms Functional Tonality Triads in Major Keys Triads in Minor Keys Notational Conventions Lead-Sheet Notation Roman Numerals Function Symbols Functional Families Major Key Minor Key Voice-Leading Principles Basic Keyboard Applications 4 Four-Part Chords Concepts and Terms Characteristics of Jazz Harmony Chord Categories Major Category Minor Category Dominant 7th Category Intermediary Category Inversions of Four-Part Chords Functional Families Major Key Minor Key “Drop 2” Voicings 5 Five-Part Chords Concepts and Terms Chordal Extensions Addition of Extensions Chord Categories Major Category Minor Category Dominant and Suspended Chords Dominant 7th Category Suspended Dominant Category Intermediary Category Positions of Chords “Drop 2” Voicings 6 The II–V–I Progression Concepts and Terms A Brief History The ii7−V7−Imaj7 Progression The −V7−i7 Progression Secondary Dominant 7th The Diminished 7th Chord Transformation of the Diminished 7th Chord 7 Modes Concepts and Terms Parent-Scale Derivation of Diatonic Modes The Modes’ Characteristics Diatonic Modes Major Modes—Ionian Major Modes—Lydian Major Modes—Mixolydian Minor Modes—Aeolian Minor Modes—Dorian Minor Modes—Phrygian Minor Modes—Locrian Parent-Scale Derivation of Chromatic Modes Chromatic Modes Minor Modes—Melodic Minor Minor Modes—Dorian ♭2 Minor Modes—Locrian ♮2 Major Modes—Lydian Augmented Major Modes—Mixolydian ♯11 Major Modes—Mixolydian ♭13 Major Modes—Altered 8 Chord—Scale Theory Concepts and Terms Objectives of Chord-Scale Theory Chord-Scale Relationships Major Category Minor Category Dominant Category Suspended Dominant Category Intermediary Category The ii7−V7−Imaj7 Progression The −V7−i7 Progression 9 The Blues Concepts and Terms Generic Blues Telling a Story Call and Response The Blues Scale Major Blues Scale Basic Blues Progression Keyboard Realization Chord-Scale Relationships Minor Blues Chord-Scale Relationships 10 Improvisation Concepts and Terms Getting Started Blues Riffs The Role of Guide Tones The Charleston Rhythm Exploring Guide Tones Using 3rds and 7ths Using 3rds or 7ths The 3rd and 7th lines Motivic Development Repetition Transposition Expansion and Interpolation Contraction and Fragmentation Inversion Part Two Intermediate 11 Jazz Lead Sheets Concepts and Terms What Does a Lead Sheet Tell Us? Two-Level Analysis “My Romance” “All the Things You Are” 12 Keyboard Textures Concepts and Terms Models of Keyboard-Style Playing Model I Model II Model III Model IV Model V Model VI Model VII 13 Idiomatic Jazz Progressions Concepts and Terms Tritone Substitutions The ii7−V7−Imaj7 Progression and Tritone Substitutions Turnarounds The Imaj7−vi7−ii7−V7 Progression Harmonic Transformations Tag Endings The Cycle of Dominant 7ths Progression The “Lady Bird” Progression “Coltrane” Substitutions Aural Identification of Four-Bar Progressions The [ii7−V7]/X Interpolation Four-Bar Modulations The [−V7]/x Interpolation Two ii7−V7 Interpolations Miscellaneous Four-Bar Progressions 14 Voicings Concepts and Terms Upper-Structure Triads Dominant Aggregate Rootless Formations Incomplete Voicings 15 Bebop Concepts and Terms Bebop Scales Major Bebop Scale Minor Bebop Scales Dominant Bebop Scale The Intermediary/Dominant Bebop Complex Practicing Bebop Improvisation Metric Placement—Scalar and Arpeggiation Patterns Addition of Extra Chromatic Notes Altered Bebop Scales The Diminished 7th Chord Triplets The ii7−V7−Imaj7 Progression Negotiating the Minor Seven Flat Five Chord The −V7−i7 Progression 16 Octatonic Scales Concepts and Terms The 1/2 Octatonic Scale Harmonic Potential Melodic Potential The 2/1 Octatonic Scale 17 Bebop Blues Concepts and Terms Three Harmonic Variants Variant 1 Variant 2 Variant 3 Improvisation 18 “Confirmation” Concepts and Terms “Confirmation”—An Analysis Form and Harmony Melody and Rhythm An Analysis of the Transcription Chord−Scale Relationship: Modes Chord−Scale Relationship: Bebop Scales 19 “Moose the Mooche” Concepts and Terms “I Got Rhythm” Contrafacts “Moose the Mooche”—An Analysis Form and Harmony Melody and Rhythm An Analysis of the Transcription Harmonic Reworkings of Rhythm Changes Rhythm Changes Improvisation The A Section: A Single-Scale Approach The A Section: A Two-Scale Approach The A Section: Chord Arpeggiations The B Section: A Single-Scale Approach Part Three Advanced 20 Pentatonics and Hexatonics Concepts and Terms Methodology Pentatonics Basic Pentatonics Diatonic Pentatonics Chromatic Pentatonics Altered Pentatonics The Pentatonic System Major Category Minor Category Dominant Category Suspended Dominant Category Intermediary Category Harmonic Potential Melodic Potential Hexatonics Major Category Minor Category Dominant Category Suspended Dominant Category Intermediary Category Harmonic Potential Melodic Potential 21 Phrase Models Concepts and Terms Phrase Prototypes Jazz Rule of the Octave Diatonic Phrase Models Phrase Model 1 Phrase Model 2 Phrase Model 3 Phrase Model 4 Phrase Model 5 Chromatic Phrase Models Phrase Model 6 Phrase Model 7 Phrase Model 8 Phrase Model 9 Phrase Model 10 Phrase Model 11 Phrase Model 12 Phrase Model 13 22 The AABA Song Form Concepts and Terms Formal Prototypes The AABA On-Tonic Design Classification of Standard Tunes The AABA Off-Tonic Design Classification of Standard Tunes “Have You Met Miss Jones?”—An Analysis The Verse The Chorus 23 The ABAC Song Form Concepts and Terms The ABAC On-Tonic Design Classification of Standard Tunes The ABAC Off-Tonic Design Classification of Standard Tunes “All Of You”—An Analysis The Verse The Chorus 24 Extended and Unusual Song Forms Concepts and Terms Extended and Unusual Song Forms—A Compilation “Dream Dancing”—An Analysis The Verse The Chorus 25 Jazz Reharmonization Concepts and Terms Introduction Basic Reharmonization Techniques Addition of Extensions Harmonic Expansion of Structural Chords Tonicization Tritone Substitutions Diminished 7th Chords Upper-Structure Triads Neighbor Formations Pedal Points Functional Exchange Melodic Recontextualization Interpolation of Auxiliary Progressions Linear Approaches to Reharmonization “All the Things You Are” “Stella By Starlight”—A Reharmonization 26 “Line up” Concepts and Terms Introduction Analytical Annotations An Analysis of the Transcription Rhythmic Displacement Melodic Interpolation Playing Outside Structural Approach Advanced Techniques The “Tristano Style” of Improvisation Rhythmic Syntax Melodic Syntax Harmonic Syntax Voice Leading Phrasing Advanced Techniques 27 Post-Tonal Jazz Concepts and Terms Introduction Basic Concepts Integer Notation Pitch and Pitch Classes Intervals and Interval Classes Trichords Methodology for Figuring Out Normal and Prime Forms “Clock Face” as a Visual Aid to Identify Sets Families of Trichords Harmonic Potential of Trichords “Diatonic” PC-Set Complexes Whole-Tone PC-Set Complexes “Triadic” PC-Set Complexes Semitone PC-Set Complexes Modal Potential of Trichords Transposition and Inversion of Sets Aural Identification of Trichords Appendix A Play Along DVD Bibliography Credits Index
