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ویرایش:
نویسندگان: Jennifer Coates. Eyal Ben-Ari
سری: Routledge Culture, Society, Business in East Asia Series
ISBN (شابک) : 9780367722975, 9781003154259
ناشر: Routledge
سال نشر: 2021
تعداد صفحات: [233]
زبان: English
فرمت فایل : PDF (درصورت درخواست کاربر به PDF، EPUB یا AZW3 تبدیل می شود)
حجم فایل: 4 Mb
در صورت تبدیل فایل کتاب Japanese Visual Media: Politicizing the Screen به فرمت های PDF، EPUB، AZW3، MOBI و یا DJVU می توانید به پشتیبان اطلاع دهید تا فایل مورد نظر را تبدیل نمایند.
توجه داشته باشید کتاب رسانه های تصویری ژاپنی: سیاسی کردن صفحه نمایش نسخه زبان اصلی می باشد و کتاب ترجمه شده به فارسی نمی باشد. وبسایت اینترنشنال لایبرری ارائه دهنده کتاب های زبان اصلی می باشد و هیچ گونه کتاب ترجمه شده یا نوشته شده به فارسی را ارائه نمی دهد.
Cover Half Title Series Page Title Page Copyright Page Contents Figures Acknowledgments Note on the Romanization of Japanese Introduction Framing visual media studies through politicization and depoliticization Key themes Historicization Transnational ties Intentionality and agency Contemporary issues Organization of the chapters Politicizing the screen: Japanese visual media Note Bibliography Section A: Historical contexts 1. A question of form: dissent and the nouvelle vague Notes Bibliography 2. Negotiating sex, the bizarre, and politics: the Abe Sada incident in films Immediately after the Abe Sada incident After the Second World War From the late 1960s to the 1970s The 26 February incident on film Abe Sada and the 1970s Abe Sada on stage Abe Sada on film in the late 1990s Abe Sada and the twenty-first century Bibliography Filmography 3. The four lives of Matsugorō the Lawless: agency, constraint, and what is "worthy" of film censorship in trans-war Japan Production background Wartime deletions Postwar cuttings Traditions of censorship Censorship's ghostly traces Subtle and not-so-subtle hints of love Conclusion Notes Bibliography Filmography 4. Tarzan and Japan: racial portraits of a nation in Boy Kenya The birth of Tarzan: colonial mission and pop culture Swinging to Japan: Tarzan's reception and reproduction Reimagining Tarzan: Yamakawa Sōji and heroic defeat Blackboard, white chalk: national fantasies on an African stage Conclusion Acknowledgements Notes Bibliography Section B: Critique, contestation, and resistance 5. Down in the dumps: Tokyo wastelands and marginalized groups in Japanese film and anime Tokyo garbage dumping: dirty facts behind metaphors Example 1: Dodes'kaden - humanity affirmed through the rubble of imagination Example 2: Swallowtail Butterfly - a garbage dump is the only place immigrants feel at home in "Yentown" Example 3: Tokyo Godfathers - homeless characters teach the value of "home" Conclusion: depoliticized garbage Notes Bibliography 6. Cinema at the edge of the world: visions of precarity in the films of Kumakiri Kazuyoshi Introduction Framing the new face of poverty in Japan Sketches of Kaitan City: together and alone on a cliff My Man: desperation at the edge of the world Conclusion: framing and (de)politicizing precarity Notes Bibliography 7. How to remember 3.11? Post-Fukushima documentary and the politics of Tōhoku Documentary Trilogy (2011--2013) Introduction Departing from post-Fukushima documentary NHK's 3.11 archives "On the Scene" at Fukushima Tōhoku Documentary Trilogy: beyond the annihilated landscape Towards a modern political cinema The position of the camera(s) and the fictional timeline Interviewing, listening, talking Talking bodies Coda Acknowledgements Notes Bibliography Filmography Section C: Creating the political subject through media 8. The Japanese self-defence forces and cinematic productions: resonance and reverberation in the normalization of organized state violence Introduction Documentaries Feature films Television dramas Anime Productions in context: resonances and reverberations Conclusion Notes Bibliography 9. Politicizing the audience? Film fans' experiences of cinema in the 1960s Film organizations and political ideologies in postwar Japan Kyoto Kiroku Eiga o Miru Kai: Kyoto society for viewing documentary cinema Japanese cinema in the politicized 1960s An ethno-history of the politicized cinema audience Political cinemas, politicized audiences? Cinematic role models for political action Cinema as escape, demos as disruption "Film allows you to experience things you can't experience in reality" Conclusion Note Bibliography 10. Fading away from the screen: cinematic responses to queer ageing in contemporary Japanese cinema Revisiting Hashiguchi Ryōsuke: ageing from youth to early 30s Discourses on ageing within the LGBTQ community Fading away from the screen The rise of kirakira seishun eiga Conclusion Notes Bibliography Index