James Joyce's Finnegans Wake

Cover
Volume1
	Cover
	Half Title
	Title Page
	Copyright Page
	Original Title Page
	Original Copyright  Page
	Table of Contents
	Acknowledgments
	A Note on the pagination of extracts
	Biographical note
	Introduction to the Novels
		1: Dubliners, page 358
		2: A Portrait of the Artist as a Young Man, page 232
		3: Ulysses, page 139
		4: Finnegans Wake, page 182
	'A Portrait of the Artist as a Young Man'
		5: A Portrait of the Artist as a Young Man, page 211
		6: A Portrait of the Artist as a Young Man, page 247
		7: A Portrait of the Artist as a Young Man, pages 87-9
		8: A Portrait of the Artist as a Young Man, pages 71-7
		9: A Portrait of the Artist as a Young Man, pages 174-6
		10: A Portrait of the Artist as a Young Man, pages 184-6
		11: A Portrait of the Artist as a Young Man, pages 218-20
		12: A Portrait of the Artist as a Young Man, page 252
	'Ulysses'
		13: Ulysses, pages 6-9
		14: Ulysses, pages 9-11
		15: Ulysses, pages 32-4
		16: Ulysses, pages 36-8
		17: Ulysses, pages 516-7
		18: Ulysses, page 674
		19: Ulysses, pages 680-13
		20: Ulysses, pages 814-5
		21: Ulysses, page 65-6
		22: Ulysses, pages 74-5
		23: Ulysses, pages 114-5
		24: Ulysses, pages 109-10
		25: Ulysses, pages 444-9
		26: Ulysses, page 507
		27: Ulysses, pages 568-9
		28: Ulysses, pages 606-12
		29: Ulysses, pages 669-70
		30: Ulysses, pages 702-3
		31: Ulysses, page 765
		32: Ulysses, page 827
		33: Ulysses, pages 864-5
		34: Ulysses, pages 881-2
		35: Ulysses, pages 903-4
		36: Dubliners, pages 510-14
	'Finnegans Wake'
		37: Finnegans Wake, page 231
		38: Finnegans Wake, page 34
		39: Finnegans Wake, page 51
		40: Finnegans Wake, pages 5-6
		41: Finnegans Wake, page 24
		42: Finnegans Wake, page 29
		43: Finnegans Wake, page 33
		44: Finnegans Wake, page 57
		45: Finnegans Wake, pages 85-6
		46: Finnegans Wake, pages 86-7
		47: Finnegans Wake, pages 93-5
		48: Finnegans Wake, pages 107-8 & 111-2
		49: Finnegans Wake, pages 169-79
		50: Finnegans Wake, page 196
		51: Finnegans Wake, pages 201-2
		52: Finnegans Wake, pages 206-7
		53: Finnegans Wake, pages 215-6
		54: Finnegans Wake, pages 219-21
		55: Finnegans Wake, pages 558-9
		56: Finnegans Wake, pages 619-28
	Bibliography
Volume2
	Cover
	Half Title
	Title Page
	Copyright Page
	Original Title Page
	Original Copyright Page
	Table of Contents
	Note on References
	Preface
	I: The Early Stories in Dubliners
	II: A Portrait of the Artist as a Young Man: Disengagement
	III: A Portrait of the Artist as a Young Man: Drama
	IV: Ulysses: Styles
	V: Ulysses: The Symbolic Scenario
	VI: Ulysses: Philosophical Themes
	Notes
	Index
Volume3
	Cover
	Half Title
	Title Page
	Copyright Page
	Original Title Page
	Original Copyright Page
	Dedication
	Table of Contents
	Acknowledgments
	Editor's Note
	Introduction
	A Working Outline of Finnegans Wake
	Part I: Assessments
		Dreaming Up the Wake
		An Introduction to Finnegans Wake
		Shem the Textman
		The Femasculine Obsubject: A Lacanian Reading of FW 606-607
		Quinet in the Wake: The Proof or The Pudding?
		Finnegans Wake: All the World's a Stage
		The Convertshems of the Tchoose: Judaism and Jewishness in Finnegans Wake
		Joyce's "Blue Guitar": Wallace Stevens and Finnegans Wake
	Part II: Joyce's Textual Self-Referentiality
		Every Man His Own God: From Ulysses to Finnegans Wake
		Joyce's Nonce-Symbolic Calculus: A Finnegans Wake Trajectory
		The Female Word
	Part III: Performance
		"Group drinkards maaks grope thinkards or how reads rotary" (FW 312.31): Finnegans Wake and the Group Reading Experience
		Notes for Staging Finnegans Wake
		Mary Ellen Bute's Film Adaptation of Finnegans Wake
		Thoughts on Making Music From the Hundred-Letter Words in Finnegans Wake
	Index
Volume4
	Cover
	Half Title
	Title Page
	Copyright Page
	Original Title Page
	Original Copyright Page
	Dedication
	Table of Contents
	Acknowledgements
	Abbreviations
	Introduction: Defusing the Patriarchal Can(n)on
	1: Through a Cracked Looking-Glass : Desire and Frustration in Dubliners
	2: Stephen Dedalus and Women: A Portrait of the Artist as a Young Narcissist
	3: Interpreting Exiles: The Aesthetics of Unconsummated Desire
	4: Uncoupling Ulysses: Joyce’s New Womanly Man
	5: Molly Bloom : The Woman’s Story
	6: Reading Finnegans Wake: The Feminiairity which Breathes Content
	Ricorso: Anna Livia Plurabelle and Ecriture Feminine
	Notes
	Bibliography
	Index
Volume5
	Cover
	Half Title
	Title Page
	Copyright Page
	Original Title Page
	Original Copyright  Page
	Dedication
	Table of Contents
	Acknowledgments
	Notes on the Text
	1: Old Ireland
		1 A Portrait of the Artist as a Young Parnellite
		2 Literature and the National Consciousness
	2: Young Europe
		1 Trieste
		2 Rome
	3: Perspectives: Socialism and Anarchism
		1 'A Portrait of the Artist'
		2 Stephen Hero
		3 Dubliners
		4 Ulysses
	4: The National Scene
		1 Ourselves, oursouls alone
		2 'Zürichschicken': Waging the Inkbattle
		3 'The Reawakening'
		4 Forged Documents
	5: Literary Politics
		1 Dublin's Dante
		2 'Creeping Jesus'
		3 The Impossibilities of Siegfried Bakoonin
		4 Literature and the Conscience
		5 The Soul of the Artist under Anarchism
		6 Finnegans Wake: 'Anarxaquy' and the Eternal Struggle
		7 The Reaction to Fascism
	Notes
	Index
Volume6
	Cover
	Half Title
	Title Page
	Copyright Page
	Original Title Page
	Original Copyright Page
	Dedication
	Table of Contents
	Acknowledgments
	Introduction
	1: Joyce's 'Dubliners' and the futility of modernism
	2: Two More Gallants
	3: 'Planetary music': James Joyce and the Romantic example
	4: Joyce and the displaced author
	5: Leaving the Island
	6: Nightmares of history : James Joyce and the phenomenon of Anglo-Irish literature
	7: Martello
	8: 'Ulysses', modernism, and Marxist criticism
	9: 'Ulysses' in history
	10: Reflections on Eumaeus: Ways of error and glory in 'Ulysses'
	11: Joyce and literary tradition: Language living, dead, and resurrected, from Genesis to Guinnesses
	12: Reading 'Finnegans Wake'
	13: James Joyce and Hugh MacDiarmid
	Index
Volume7
	Cover
	Half Title
	Title Page
	Copyright Page
	Original Title Page
	Original Copyright Page
	Dedication
	Table of Contents
	Preface
	Table of Periodical Abbreviations
	Introduction
	Part 1: Primary Bibliography
		A: Major Works
		B: Collected and Selected Works
		C: Letters
		D: Concordances
	Part 2: Secondary Bibliography
		E: Bibliographies
		F: Biographies, Memoirs, Reminiscences, Interviews
		G: Book-Length Critical Studies and Essay Collections
		H: General Critical Articles or Chapters
		J: Studies of Dubliners
			i. Books and Essay Collections
			ii. General Critical Articles or Chapters
			iii. Studies of Individual Stories
		K: Studies of a Portrait of the Artist as a Youngman
			i. Books and Essay Collections
			ii. General Critical Articles or Chapters
		L: Studies of Exiles
			i. Books and Essay Collections
			ii. General Critical Articles or Chapters
		M: Studies of Ulysses
			i. Books and Essay Collections
			ii. General Critical Articles or Chapters
			iii. Studies of Individual Episodes
		N: Studies of Finnegans Wake
			i. Books and Essay Collections
			ii. General Critical Articles or Chapters
		P: Studies of joyce's Miscellaneous Writings
			i. Books and Essay Collections
			ii. General Critical Articles or Chapters
	Part 3: Major Foreign-Language Studies
		Q: Bibliographies
		R: Biographies, Memoirs, Reminiscences, Interviews
		S: Book-Length Critical Studies and Essay Collections
		T: General Critical Articles or Chapters
		U: Studies of Dubliners
			i. Books and Essay Collections
			ii. General Critical Articles or Chapters
			iii. Studies of Individual Stories
		V: Studies of a Portrait of the Artist as a Youngman
			i. Books and Essay Collections
			ii. General Critical Articles or Chapters
		W: Studies of Exiles
		X: Studies of Ulysses
			i. Books and Essay Collections
			ii. General Critical Articles or Chapters
			iii. Studies of lndividual Episodes
		Y: Studies of Finnegans Wake
			i. Books and Essay Collections
			ii. General Critical Articles or Chapters
		Z: Studies of Joyce's Miscellaneous Writings
			i. Books and Essay Collections
			ii. General Critical Articles or Chapters
	Appendix: Study Guides
	Indexes
		Author Index
		Title Index
		Subject Index
Volume8
	Cover
	Half Title
	Title Page
	Copyright Page
	Original Title Page
	Original Copyright  Page
	Dedication
	Table of Contents
	Acknowledgments
	Introduction: James Joyce's Method in Dubliners
	1: "The Sisters": The Three Fates and the Opening of Dubliners
	2: "An Encounter": Joyce's History of Irish Failure in Roman, Saxon, and Scandinavian Dublin
	3: "Araby": The Self-Discovery of a Double Agent
	4: "Eveline": Eveline and the Blessed Margaret Mary Alacoque
	5: "After the Race": Our Friends the French, the Races of Castlebar, and Dun Laoghaire
	6: "Two Gallants": a Walk through the Ascendancy
	7: "The Boarding House": The Sacrament of Marriage, the Annunciation, and the Bells of St George's
	8: "A Little Cloud": The Prisoner of Love
	9: "Counterparts": Hell and the Road to Beggar's Bush
	10: "Clay": Maria, Samhain, and the Girls Next Door in Drumcondra
	11: "A Painful Case": The View from Isolde's Chapel, Tower, and Fort
	12: "Ivy Day in the Committee Room": Fanning the Phoenix Flame, or the Lament of the Fianna
	13: "A Mother": Ourselves Alone
	14: "Grace": Drink, Religion, and Business as Usual
	15: "The Dead": I Follow St Patrick
	Conclusions: Joyce, Dublin, Dubliners, and After
	Index