Imagination Beyond Nation: Latin American Popular Culture

Contents
	Acknowledgments
Introduction: The Politics of the Popular in Latin American Popular Culture
1 / Gender, Ethnicity and Piety: The Case of the China Poblana
2 / Caipira Culture: The Politics of Nation in Mazzaropi’s Films
3 / Big Snakes on the Streets and Never Ending Stories: The Case of Venezuelan Telenovelas
4 / From Mafalda to Boogie: The City and Argentine Humor
5 / Framing the Peruvian Cholo: Popular Art by Unpopular People
6 / You’re All Guilty: Lo Cubano in the Confession
7 / The Cueca of the Last Judgment: Politics of Chilean Resistance in Tres Marías y una Rosa
8 / Tango, Buenos Aires, Borges: Cultural Production and Urban Sexual Regulation
9 / Myth, Modernity, and Postmodern Tragedy in Walter Lima’s The Dolphin
10 / “Useless Spaces” of the Feminine in Popular Culture
11 / Masculinities at the Margins: Representations of the Malandro and the Pachuco
	Notes
	Bibliography
	Contributors
	Index