History of Musical Style

Cover
 Title Page
 Copyright Page
 Preface
 Acknowledgments
 Contents
 Part I Chant 700-1150
 1 Before the Beginning: Gregorian Chant
 The Franks and Gregorian chant
 Roman liturgy
 Recitation formulas
 Office psalmody
 Propers of the mass
 Chant theory
 2 New Frankish Forms 700-1000
 Laudes and melismas
 Tropes
 Acclamations of the mass
 Texted melismas
 Prose and sequence
 Kyrie eleison
 Hymn
 3 Versus and Related Forms 1000-1150
 Rhyming Chant
 Rhyme and scansion
 Versus
 Effects on other forms
 Troubadours
 Trouvères
 Theory and Polyphony
 Chant theory
 Early polyphony
 Polyphonic versus. Other polyphonic formsPart II Part Music on a Discant Basis 1150-1600
 4 Parisian Leadership in Part Music 1150-1300
 Polyphony for the mass
 Leonin's Organum
 Leonin's discant
 Polyphonic conductus
 Perotin and discant
 Parisian motet
 Other motet styles
 English polyphony
 5 Expansion of Part Music 1300-1450
 Stabilization in Motet and Song Form
 Philippe de Vitry's motets
 Between motet and song form
 Liturgical polyphony
 Guillaume de Machaut
 Guillaume's song forms
 Italian song forms
 After Guillaume de Machaut
 French and English Developments
 Dunstable and la contenance angloise. Dufay and his contemporariesCyclic mass
 Binchois and others
 6 Franco-Flemish Mass and Motet 1450-1500
 Harmony and the new style
 Dufay and Ockeghem
 Ockeghem's mature works
 Obrecht's masses
 Josquin Des Pres
 Tuning and temperament
 Petrucci and music printing
 7 Diffusion of Franco-Flemish Style 1500-1600
 After Josquin: Varied Applications
 Mouton and the lyric style
 Frottola, chanson, madrigal
 Publications for lute and keyboard
 Gombert and Clement
 Willaert and Cipriano de Rore
 Liturgical polyphony
 After 1550: The Classic Style
 De Monte
 Palestrina
 Kerle
 Lasso
 Byrd
 Victoria. Italian madrigal and concerto toward 1600France and England at the end of the century
 Instrumental music and pageants
 Part III Part Music on a Triadic Basis 1600-1750
 8 New Italian Dramatic Styles 1600-1650
 Italy
 The new triadic foundation
 Early music-drama and monody
 Monteverdi
 Keyboard music and Frescobaldi
 Other instrumental music
 North of the Alps
 Schütz and Schein: sacred concerto and historia
 Other German music
 9 Trends Toward Clarity 1640-1690
 Italy
 Monteverdi's Poppea
 Cavalli and opera in Venice
 Cantata
 Sacred music and Carissimi
 Instrumental music : the trio sonata. Cesti's operatic styleNorth of the Alps
 French music for lute and keyboard
 French opera: Lully
 Charpentier's sacred music
 Froberger
 Buxtehude and others
 Pachelbel and Biber
 10 International Style and National Tastes 1680-1750
 Italy
 Aria styles toward 1700
 Corelli and Torelli
 Scarlatti and opera around 1700
 Vivaldi
 North of the Alps
 Purcell and English music
 German keyboard publications
 Sacred concerto and cantata
 Hamburg opera and Händel
 François Couperin
 German sacred music: Bach at Weimar
 Handel's Brookes' Passion
 Bach's instrumental works at Cöthen
 Bach at Leipzig.