Histories of Performance Documentation: Museum, Artistic, and Scholarly Practices

Histories of Performance Documentation- Front Cover
Histories of Performance Documentation
Title Page
Copyright Page
Contents
List of figures
Acknowledgments
Introduction: practical histories: how we do things with
performance
	Notes
	Works cited
PART I:
Interviews
Chapter 1: Museum of Modern Art, New York
Chapter 2: Whitney Museum of American Art, New York
	Works cited
Chapter 3: Tate, London
	Works cited
Chapter 4: San Francisco Museum of Modern Art
	Works cited
Chapter 5: Van Abbemuseum, Eindhoven
	Note
	Works cited
Chapter 6: The Kitchen, New York
Chapter 7: Walker Art Center, Minneapolis
Chapter 8: Performa, New York
	Works cited
Chapter 9: LIMA, Amsterdam
	Works cited
Chapter 10: Pics or it didn’t happen
	Interview
	Note
PART II:
Essays
Chapter 11: Performing the archive and exhibiting the ephemeral
	Notes
	Works cited
Chapter 12: At the edge of the ‘living present’: re-enactments and re-interpretations as strategies for the preservation of
performance and new media art
	Works cited
Chapter 13: Documenting interaction
	Challenges of documenting interaction
	From video recordings to documentary collections
	Rokeby’s Very Nervous System
	Tmema’s Manual Input Workstation
	Notes
	Works cited
Chapter 14: Screen capture and replay: documenting gameplay
as performance
	Perfect capture
	Replay history
	A performance capture tool
	Works cited
Chapter 15: Mixed reality performance through ethnography
	Ethnography and systems design
	Design ethnography in the context of artistic engagements
	Conclusion
	Notes
	Works cited
Afterword: the intention of the artist and the point of
view of the audience: performance documentation revisited
	Works cited
Index