Hidden in the Mix: The African American Presence in Country Music

Contents
Introduction: Country Music and Racial Formation - Diane Pecknold
Part One: Playing in the Dark
	Chapter 1. Black Hillbillies: African American Musicians on Old-Time Records, 1924-1932 - Patrick Huber
	Chapter 2. Making Country Modern: The Legacy of Modern Sounds in Country and Western Music - Diane Pecknold
	Chapter 3. Contested Origins: Arnold Shultz and the Music of Western Kentucky - Erika Brady
	Chapter 4. Fiddling with Race Relations in Rural Kentucky - The Life, Times, and Contested Identity of Fiddlin\' Bill Livers - Jeffrey A. Keith
Part Two: New Antiphonies
	Chapter 5. Why African Americans Put the Banjo Down - Tony Thomas
	Chapter 6. Old-Time Country Music in North Carolina and Virginia: The 1970s and 1980s - Kip Lornell
	Chapter 7. \"The South\'s Gonna Do It Again\": Changing Conceptions of the Use of \"Country\" Music in the Albums of Al Green - Michael Awkward
	Chapter 8. Dancing the Habanera Beats (in Country Music): The Creole-Country Two-Step in St. Lucia and Its Diaspora - Jerry Wever
	Chapter 9. Playing Chicken with the Train: Cowboy Troy\'s Hick-Hop and the Transracial Country West - Adam Gussow
	Chapter 10. If Only They Could Read between the Lines: Alice Randall and the Integration of Country Music - Barbara Ching
	Chapter 11. You\'re My Soul Song: How Southern Soul Changed Country Music - Charles L. Hughes
	Chapter 12. What\'s Syd Got to Do with It? : King Records, Henry Glover, and the Complex Achievement of Crossover - David Sanjek
Bibliography
Contributors
Index