Handbook of music and emotion: theory, research, and applications

Contents
List of contributors
PART I: OVERTURE
	1. Introduction: aims, organization, and terminology
PART II: MULTI-DISCIPLINARY PERSPECTIVES
	2. Emotions expressed and aroused by music: philosophical perspectives
	3. Emotion in culture and history: perspectives from musicology
	4. At the interface between the inner and outer world: psychological perspectives
	5. Towards a neurobiology of musical emotions
	6. Exploring the habitus of listening: anthropological perspectives
	7. Emotion as social emergence: perspectives from music sociology
PART III: MEASUREMENT
	8. Self-report measures and models
	9. Continuous self-report methods
	10. Indirect perceptual, cognitive, and behavioural measures
	11. Psychophysiological measures
	12. Functional neuroimaging
PART IV: MUSIC MAKING
	13. Emotion and composition in classical music: historiometric perspectives
	14. The role of structure in the musical expression of emotions
	15. Emotion and motivation in the lives of performers
	16. The role of negative emotions in performance anxiety
	17. Expression and communication of emotion in music performance
PART V: MUSIC LISTENING
	18. Music in everyday life: the role of emotions
	19. Experimental aesthetics and liking for music
	20. Strong experiences with music
	21. Musical expectancy and thrills
	22. How does music evoke emotions? Exploring the underlying mechanisms
PART VI: DEVELOPMENT, PERSONALITY, AND SOCIAL FACTORS
	23. Perspectives on music and affect in the early years
	24. Preference, personality, and emotion
	25. The influence of affect on music choice
	26. Politics, mediation, social context, and public use
	27. Cross-cultural similarities and differences
PART VII: APPLICATIONS
	28. Music education: the role of affect
	29. Music therapy
	30. Music, health, and well-being
	31. Music as a source of emotion in film
	32. Music and marketing
PART VIII: ENCORE
	33. The past, present, and future of music and emotion research
Index
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