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دسته بندی: باستان شناسی ویرایش: نویسندگان: Alexandre G. Mitchell سری: ISBN (شابک) : 1107658098 ناشر: Cambridge University Press سال نشر: 2012 تعداد صفحات: 392 زبان: English فرمت فایل : PDF (درصورت درخواست کاربر به PDF، EPUB یا AZW3 تبدیل می شود) حجم فایل: 33 مگابایت
در صورت تبدیل فایل کتاب Greek Vase-Painting and the Origins of Visual Humour به فرمت های PDF، EPUB، AZW3، MOBI و یا DJVU می توانید به پشتیبان اطلاع دهید تا فایل مورد نظر را تبدیل نمایند.
توجه داشته باشید کتاب گلدان یونانی-نقاشی و منشأ طنز بصری نسخه زبان اصلی می باشد و کتاب ترجمه شده به فارسی نمی باشد. وبسایت اینترنشنال لایبرری ارائه دهنده کتاب های زبان اصلی می باشد و هیچ گونه کتاب ترجمه شده یا نوشته شده به فارسی را ارائه نمی دهد.
این کتاب بررسی جامع طنز بصری در یونان باستان با تاکید ویژه بر آثار خلق شده در آتن و بئوتی است. الکساندر میچل رویکردی میان رشتهای را به این موضوع ارائه میکند و نظریهها و روشهای تاریخ هنر، باستانشناسی و آثار کلاسیک را با انسانشناسی طنز ترکیب میکند و از این طریق راههای جدیدی برای نگاه به هنر و بهویژه طنز بصری ایجاد میکند. درک اینکه طنز بصری برای پیشینیان چیست و چگونه به عنوان ابزاری برای انسجام اجتماعی عمل می کند تنها یک جنبه از این مطالعه است. میچل همچنین بر حقایق اجتماعی که مطالعه اش در مورد طنز آشکار می کند تمرکز می کند: دموکراسی و آزادی بیان، سیاست و مذهب، گلدان های یونانی و گرایش های مد، تولید مبتنی بر بازار، رفتار مناسب و نادرست، فرهنگ عمومی در مقابل نخبگان، کارناوال در محل، و جایگاه زنان، خارجی ها، کارگران و کارگران در داخل شهر یونانی. این مطالعه با بیش از 140 طراحی و عکس، و همچنین با جداول تحلیلی از بازنماییهای کمیک با توجه به مضامین، نقاشان و تکنیکهای مختلف به تصویر کشیده شده است. قرن چهارم قبل از میلاد
This book is a comprehensive study of visual humour in ancient Greece, with special emphasis on works created in Athens and Boeotia. Alexandre Mitchell brings an interdisciplinary approach to this topic, combining theories and methods of art history, archaeology, and classics with the anthropology of humour, and thereby establishing new ways of looking at art and visual humour in particular. Understanding what visual humour was to the ancients and how it functioned as a tool of social cohesion is only one facet of this study. Mitchell also focuses on the social truths that his study of humour unveils: democracy and freedom of expression, politics and religion, Greek vases and trends in fashion, market-driven production, proper and improper behaviour, popular versus elite culture, carnival in situ, and the place of women, foreigners, workers, and labourers within the Greek city. Richly illustrated with more than 140 drawings and photographs, as well as with analytical tables of comic representations according to different themes, painters, and techniques, this study amply documents the comic representations that formed an important part of ancient Greek visual language from the 6th through 4th centuries BC.
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