Great Adaptations: Screenwriting and Global Storytelling

""Cover""
 ""Title Page""
 ""Copyright Page""
 ""Table of Contents""
 ""FOREWORD""
 ""PREFACE""
 ""ACKNOWLEDGMENTS""
 ""PART I: INTRODUCING ADAPTATION""
 ""Chapter 1 Creative Issues: Where Do Ideas Come From?""
 ""Chapter 2 Career Issues: Writersâ#x80
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 and Producersâ#x80
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 Standpoints""
 ""Chapter 3 The Ethics and Aesthetics of Adaptation""
 ""PART II: APPLYING SCREENPLAY PRINCIPLES TO ADAPTATION""
 ""Chapter 4 Plot""
 ""Chapter 5 Setting""
 ""Chapter 6 Characters and Character Relationships""
 ""Chapter 7 Dialogue""
 ""Chapter 8 Structure: Heroes and Heroines â#x80
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 Where Are We Going?"" ""PART III: A SURVIVAL GUIDE TO ADAPTATION""""Chapter 9 The Process""
 ""PART IV: RENEWING THE SPIRIT IN MYTHS AND FAIRY TALES""
 ""Chapter 10 Fairy Tale Factors: From Spindle to Kindle""
 ""Chapter 11 The Beasts: From Cocteau to Cable""
 ""PART V: GLOBAL STORYTELLING REVISITED""
 ""Chapter 12 Stories without Borders""
 ""Chapter 13 Regional vs. International Perspectives: Universalizing Regional Stories""
 ""PART VI: MODERN PERSPECTIVES ON ROMANCE""
 ""Chapter 14 Love and Romance Adaptations""
 ""PART VII: BRINGING UP THE CLASSICS"" ""Chapter 15 From Ancient Greece to Hollywood and Nollywood""""Chapter 16 Chunhyang, Orpheus, and Other Myths""
 ""Chapter 17 Keeping It Literary in China""
 ""PART VIII: EMBRACING AND RETHINKING STRUCTURE""
 ""Chapter 18 Timing the Times""
 ""Chapter 19 Alternative Focus Topics for the Story of Malcolm X""
 ""PART IX: CENSORSHIP""
 ""Chapter 20 Retelling, Limited""
 ""PART X: FUTURE ADAPTATIONS""
 ""Chapter 21 Future Adaptations""
 ""SELECT BIBLIOGRAPHY""