Form as Harmony in Rock Music (Oxford Studies in Music Theory)

Cover
Half Title Page
Series Page
Title Page
Copyright Page
Contents
About the CompanionWebsite
Note on theMusical Examples
Introduction
1 Harmonic Syntax
	Category, Prediction, Syntax:Three Views of Harmonic Function
	The Functional Circuit
	Tonic Function
	Pre-Dominant Function
	Dominant Function
	Cadence and Closure
	Summary
2 Verses
	Sectional Verses as Periods
	Sectional Verses as Srdc
	Sectional Verses as Small aaba
	Sectional Verses with Blues Progressions
	Refrains
	Initiating Verses
3 Choruses
	Identifying Choruses
	Sectional Choruses
	Continuation Choruses
	Telos Choruses
	Chorus Types: Summary
4 Prechoruses, Bridges, and Auxiliary Sections
	Prechoruses
	Bridges
	Solos and Instrumental Breaks
	Other Auxiliary Passages
	Formal Layout versus Formal Process
5 AABA and Strophic Forms
	Verses in AABA and Strophic Forms
	Large-Scale Trajectories
	Issues in AABA Form
6 Sectional Verse–Chorus
	Verse–Chorus Forms
	Sectional Verse–Chorus Form
	Sectional Verse + Sectional Chorus
	Initiating Verse + Sectional Chorus
	Verse and Chorus in Different Keys
	Initiating Verse + Telos Chorus
	Bridges and Full-Song Layouts
7 Continuous Verse–Chorus
	Initiating Verse + Continuation Chorus
	Expansions
	Sectional Verse + Continuation Chorus
	Large-Scale Trajectory
8 Verse–Prechorus–Chorus
	Initiating Verse + Prechorus + Telos Chorus
	Phrase Rhythm
	Verse-Prechorus Fusion
	Verse–Prechorus–Chorus Form with Sectional Chorus
	Verse–Prechorus–Chorus Form with Continuation Chorus
	Full-Song Layouts
Conclusion
	Looking Ahead
Acknowledgments
Bibliography
Song Index by Artist
Song Index by Title
Subject Index