Environmental sound artists : in their own words

Content: COVER 
 Environmental Sound Artists In Their Own Words
 COPYRIGHT
 CONTENTS 
 FOREWORD 
 PREFACE 
 ACKNOWLEDGMENTS 
 Introduction 
 Chapter 1: Sonifications of Global Environmental Data 
 Heat and the Heartbeat of the City 
 N. 
 Chapter 2: Sewer Pipe Organ 
 Chapter 3: Biophonic Sound Sculptures in Public Spaces 
 Chapter 4: A Philosophical Report from Work-in-Progress 
 Means and Mechanisms 
 Sound Monitoring 
 Non-Linear Chaotic Circuits 
 Compression of Time and Space 
 Pinion Engraver Beetle 
 A Further Metaphor 
 Chapter 5: Listening to the Earth 
 Earth Sound Deep Earth Dome (2006-2008) The Significance of Listening to the Earth 
 A Farewell to Wilderness? 
 Chapter 6: The Place Where You Go to Listen : An Ecosystem of Sound and Light 
 Mapping the Terrain 
 The Colors of Noise and Tone 
 \"An Orchestration of Untouched Material\" 
 Chapter 7: Meltwater 
 January 9, 2009 
 A Sense of Wonder 
 Antarctica: Music from the Ice 
 Meltwater 
 Chapter 8: Hearing Curved Space 
 Hearing Curved Space 
 Midsummer Celebration, Kökar, Åland, Finland, Sunday, June 26, 2005 
 Outcome 
 Chapter 9: River Listening 
 Chapter 10: Sun Boxes Chapter 11: Bridge Music and Tower Music Bridge Music 
 Tower Music 
 Chapter 12: Data as Music 
 Audio Information Design Issues 
 Chapter 13: Sonic Landscapes (finding a sense of place with my ears) 
 DAY 0: Sidney International Airport-Arrival in a Non-Place. 
 DAY 1: Western Riverina-Hearing the Old Birrego School. 
 DAY 2: An open field-Listening to the Song of the tree. 
 Day 4: The Murrumbidgee River-Mapping the mental soundscape. 
 Day 6: A nearby water hole-In search of the \"kinda-blue-bird.\" 
 Day 7: The Old Birrego School-The ears warn, the eyes confirm. Day 9: The Strong\'s Farm-The ears inform. Day 12: How to save 100,000 on sensors (or how to open a window and listen). 
 Epilogue 
 Chapter 14: Sonic Migrations 
 Migrations 
 Sounding Underground 
 Listening and Remembering -Networked Improvisation for Four Commuters 
 Networked Migrations : Listening to and Performing the In-Between Space 
 Final Reflection 
 Chapter 15: Sound Architecture 
 Chapter 16: The Sonic Ecology of Structures 
 Chapter 17: Why Bring Nature into Your Music? 
 Chapter 18: The Dawn Chorus 
 Chapter 19: Bivvy Broadcasts Chapter 20: A Philosophy of Eco-acoustics in the Interdisciplinary Project \"Fragments of Extinction\" Statement and Project Background 
 Fragments, One Installation/Performance 
 Part I: The Immersive Experience 
 Part II: Nature Explained 
 Part III: Nature Integrated 
 Conclusions and Current Developments 
 Coda 
 Chapter 21: Towards Activist Sound 
 Chapter 22: The Listening Experience of Paramnesia 
 Paramnesia 
 Daytime in Promenade 
 Night-time in Repose 
 Flashbacks 
 Cadence 
 Chapter 23: Musical Heuristics in Six Ecoacoustic Quintets