Egypt in Croatia: Croatian Fascination with Ancient Egypt from Antiquity to Modern Times

Title Page
Copyright page
Contents Page
Preface
Chapter I: Ancient Egyptian Culture in Croatia in Antiquity
	Early Penetration of Ancient Egyptian Artefacts and Aegyptiaca (7th–1st Centuries BCE)
		Mladen Tomorad
	Diffusion of Ancient Egyptian Cults in Istria and Illyricum (Late 1st – 4th Centuries BCE)
		Mladen Tomorad
	Possible Sanctuaries of Isaic Cults in Croatia
		Mladen Tomorad
	Professions Related to the Diffusion of Egyptian Cults in Croatia and Surrounding Regions (Central and South-Eastern Europe)
		Mladen Tomorad
	Presence of Ancient Egyptian Gods and Artefacts in Croatia
		Mladen Tomorad
	Ancient Egyptian Decorative and Architectural Elements Along the Eastern Adriatic Coast
		Mladen Tomorad
	Catalogue of the Selected Artefacts Related to the Early Penetration and Diffusion of Ancient Egyptian Cults in Istria, Dalmatia, and Pannonia (1st Millennium BCE – 4th Century CE)
		Mladen Tomorad
Chapter II. Croatian Travellers to Egypt from the 16th to the Middle of the 20th Century
	Croatian Travellers to Egypt: from the Early Modern Period to the Round Cruises of the ‘Yugoslav Lloyd’ Shipping Company in the 1930s
		Mladen Tomorad
	The Croatian Traveller George Husz from Rascinia: His Life in Egypt and the Near East (1532–1541)
		Mladen Tomorad
	Jakov Šašel (1832–1903) and His Travels To Egypt in 1853/4
		Sanda Kočevar
	The Photographs of Antonio Beato in the Dubrovnik Archaeological Museum
		Mladen Tomorad
	Fran Gundrum Oriovčanin in Egypt at the End of 1902
		Mladen Tomorad
	Croatian Emigration to Egypt in the 19th and 20th Centuries
		Mladen Tomorad
	Ivan Meštrović in Egypt, May 1927
		Zorana Jurić Šabić
	Ivan Meštrović: His Fascination with Ancient Civilisations, as Reflected in His Postcards to Ruža Meštrović, May 1927
		Sabina Kaštelančić
	The ‘Yugoslav Lloyd’ Shipping Company and Cruising Around the Mediterranean in the 1930s
		Mladen Tomorad
	Grga Novak and his First Research Trip to Egypt (December 1932 – February 1933)
Chapter III. Egyptian Collections in Croatia
	Early Collectors and the Genesis of the Most Important Egyptian Collections in Croatia (1820 – 1950s)
		Mladen Tomorad
	Egyptian Collections in Croatia
		Mladen Tomorad
	History of Egyptian Objects in the Osijek Archaeological Museum
		Marina Kovač
	Catalogue of Selected Artefacts from Institutional Collections in Croatia
		Mladen Tomorad
Chapter IV. Egyptology in Croatia
	Development of Egyptology in Croatia
		Mladen Tomorad
Chapter V. Egyptian Revival and ‘Egyptomania’ in Croatia
	Egyptian Revival and Modern ‘Egyptomania’ in Croatia
		Mladen Tomorad
	Egypt as Imaged by 19th- and 20th-Century Zagreb: Buildings, Monuments and Street Furniture
		Marina Bagarić
	Ivan Meštrović – Creating Art for Eternity: Meštrović’s Fascination with Ancient Egypt as Illustrated by the Family Mausoleum in Otavice
		Zorana Jurić Šabić
	Influences of Egyptian Style in Furniture Making: Examples from the Museum of Arts and Crafts, Zagreb
		Vanja Brdar Mustapić
	‘Egyptomania’ and Clock Production: Examples from the Museum of Arts and Crafts, Zagreb
		Vesna Lovrić Plantić
	Project Croato-Aegyptica
		Mladen Tomorad
Map 1. Aegyptiaca and the presence of Egyptian cults in Croatia. © Mario Žerjav & Mladen Tomorad.
Map 2. The travels of Juraj Hus Rasinjanin (1532 – 1541). © Mario Žerjav & Mladen Tomorad.
Map 3. Jakov Šašel and his travel to Egypt and Sudan during 1853 – 1854. © Mario Žerjav & Mladen Tomorad.
Map 4. Fran Gundrum Oriovčanin and his travel to Egypt in 1902. © Mario Žerjav & Mladen Tomorad.
Map 5. Round trips wih steam boats during 1930’s. © Mario Žerjav & Mladen Tomorad.
Map 6. Pilgramage to the Holy Land and Egypt (9th July – 4th August 1937). © Mario Žerjav & Mladen Tomorad.
Map 7. Grga Novak and his travel to Egypt in 1932/1933. © Mario Žerjav & Mladen Tomorad.
Chapter I: Ancient Egyptian Culture in Croatia in Antiquity
	Figure 1. Shabti in blue-glazed faience, from Solin. Zagreb: Archaeological Museum – Egyptian department, E-561. © Mladen Tomorad.
	Figure 2. Bone handle of knife with image of Hathor or Isis, from Sesvete-Grabarje. Požega: City Museum, GMP 21.628. © Požega: City Museum.
	Figure 3.  Ptolemaic coin of Ptolemy VI Philometor (avers/revers), from Mazin near Gračac. Zagreb: Archaeological Museum – Numismatic department, A3870.© Mladen Tomorad
	Figure 4. Ptolemaic coin of Ptolemy VI Philometor (avers/revers), from Mazin near Gračac. Zagreb: Archaeological Museum – Numismatic department, A3892. © Mladen Tomorad.
	Figure 5. Ptolemaic coin of Ptolemy VIII Euergetes II (avers/revers), from Gračac. Zagreb: Archaeological Museum – Numismatic department, A9371. © Mladen Tomorad.
	Figure 6. Terracotta shabti of lady Mehytweskhet, from Krk. Košljun: Franciscan Monastery – Archaeological Collection, 642. © Mladen Tomorad.
	Figure 7. Terracotta pseudo-shabti, from Krk. Košljun: Franciscan Monastery – Archaeological Collection, 641.© Mladen Tomorad.
	Figure 8. Terracotta shabti of Djed-Ptah-iuankh, from Solin. Zagreb: Archaeological Museum – Egyptian Department, E-563. © Mladen Tomorad.
	Figure 9. Blue-glazed faience shabti, from Solin. Zagreb: Archaeological Museum – Egyptian Department, E-564. © Mladen Tomorad.
	Figure 10. Green-enamelled faience shabti, from Solin. Private collection Marović, Split. © Petar Selem.
	Figure 11. Green-enamelled faience shabti, from Solin. Private collection Marović, Split. © Petar Selem.
	Figure 12. Green-glazed calcareous stone shabti, from unknown site in the region of Central Dalmatia. Split: Archaeological Museum, B214. © Split: Archaeological Museum.
	Figure 13. Dark granite shabti, from unknown site in the region of Central Dalmatia. Split: Archaeological Museum, B215. © Split: Archaeological Museum.
	Figure 14. Green-glazed faience shabti, from unknown site in the region of Central Dalmatia. Split: Archaeological Museum, G1623. © Split: Archaeological Museum.
	Figure 15. Green-glazed faience shabti, from unknown site in the region of Central Dalmatia. Split: Archaeological Museum, G1624. © Split: Archaeological Museum.
	Figure 16. Green-glazed faience shabti, from Hvar. Split: Archaeological Museum, G1625. © Split: Archaeological Museum.
	Figure 17. Amulet-shaped Sistrum, from Vizače. Pula: Archaeological Museum of Istria, A-5048. © Mladen Tomorad.
	Figure 18. Bronze statuette of goddess Neith, from unknown site in the region of Istria. Pula: Archaeological Museum of Istria, A-5220. © Mladen Tomorad.
	Figure 19. Small figure-amulet of Harpocrates, from unknown site in the region of Istria. Pula: Archaeological Museum of Istria, A-5221. © Mladen Tomorad.
	Figure 20. Apis, from unknown site in the region of Istria. Pula: Archaeological Museum of Istria, A-5223. © Mladen Tomorad.
	Figure 21. Young Egyptian prince or Pharaoh in kneeling position, from unknown site in the region of Istria. Pula: Archaeological Museum of Istria, A-5210. © Mladen Tomorad.
	Figure 22. Osiris, from Bale. Pula: Archaeological Museum of Istria, A-5224. © Mladen Tomorad.
	Figure 23. Green-glazed faience scarab, from Krk. Košljun: Franciscan Monastery. © Mladen Tomorad.
	Figure 24. Hard-paste scarab, from Krk. Košljun: Franciscan Monastery. © Mladen Tomorad.
	Figure 25. Hard-paste scarab, from Krk. Košljun: Franciscan Monastery. © Mladen Tomorad.
	Figure 26. Bes amulet, from Zadar. Zadar: Archaeological Museum, KV.72a.© Zadar: Archaeological Museum.
	Figure 27. Isis-Fortuna, from Savudrija. Pula: Archaeological Museum of Istria, A-4620. © Mladen Tomorad.
	Figure 28. Marble fragment of head relief depicting theEgyptian goddess Hathor, from Pula. Pula: Archaeological Museum of Istria, A-8712. © Mladen Tomorad.
	Figure 29. Monolith block of part of an altar parapet with a head in the image of Jupiter Ammon, from Pula. Pula: Archaeological Museum of Istria, A-391. © Mladen Tomorad.
	Figure 30. Statue of Isis in white marble, from Nin. Zagreb: Archaeological Museum, Ancient Department, A-34. © Mladen Tomorad.
	Figure 31, Isis-Fortuna, from unknown site in the region of Lika. Zagreb: Archaeological Museum, Ancient Department, A-4633. © Mladen Tomorad.
	Figure 32. A votive altar dedicated to Isis, from Galižana. Pula: Archaeological Museum of Istria, A-41. © Mladen Tomorad.
	Figure 33. Oil lamp with Harpocrates riding a crocodile, a sacred animal of Isis-Thermouthis, from Nin. Zadar: Archaeological Museum, 381. © Zadar: Archaeological Museum.
	Figure 34. Altar dedicated to Isis, from Bribirska Glavica. Šibenik: Šibenik City Museum, 11748. © Šibenik: City Museum.
	Figure 35. Round terracotta oil-lamp with an image of Isis and Serapis, from Nin. Archaeological Museum in Zadar, A-10180. Zadar: Archaeological Museum.
	Figure 36. Standing terracotta oil-lamp with an image of Harpocrates, from Nin. Zadar: Archaeological Museum, A-10178. © Zadar: Archaeological Museum.
	Figure 37. Relief with representation of the Isis-Fortunareligious ceremony, from Varaždinske Toplice. Varaždinske Toplice: Archaeological Park Aqua Iasae. © Mladen Tomorad.
	Figure 38. Statuette of Hermes-Thoth, from Osijek. Zagreb: Archaeological Museum, Ancient Department, A-4597. © Mladen Tomorad.
	Figure 39. Pedi-Hor-Pa-Khered votive stele, from Osijek. Osijek: Archaeological Museum, AA-2590. © Osijek: Archaeological Museum.
	Figure 40. Blue-green-glazed faience shabti, from Osijek. Osijek: Archaeological Museum, AA-6243. © Osijek: Archaeological Museum.
	Figure 41. Red-granite Egyptian head, from Solin. Split: Archaeological Museum, C-161. © Split: Archaeological Museum.
	Figure 42. Fragment of a fountain with Nilotic relief, from Solin. Split: Archaeological Museum, D-150. © Split: Archaeological Museum.
	Figure 43. Monolith stone block with protome of the head of Jupiter-Ammon. Zadar: Archaeological Museum, A-10560. © Mladen Tomorad.
	Figure 44. Altar dedicated to Isis and Serapis, from Varaždinske Toplice. Varaždinske Toplice: Archaeological Park Aqua Iasae, VT-ks78. © Mladen Tomorad.
	Figure 45. Inscription dedicated to Serapis and nymphs, from Varaždinske Toplice. Varaždinske Toplice: Archaeological Park Aqua Iasae. © Mladen Tomorad.
	Figure 46. Grey jasper gem with the figure of Hermanubis, from Solin. Split: Archaeological Museum, I-1321. © Split: Archaeological Museum.
	Figure 47. Black granite sphinx. In situ, peristyle of Diocletian’s Palace, Split. © Mladen Tomorad.
Chapter II. Croatian Travellers to Egypt from the 16th to the Middle of the 20th Century
	Figure 48. George Husz drawing of the pyramid. © Vatican: Biblioteca Apostolica Vaticana.
	Figure 49. Jakob Schaschel, self-portrait. Taken from Bilder aus dem Oriente aufgenommen während einer Reise nach Aegypten, Nubien, Sudan in Jahren 1853 und 1854. Karlovac: City Museum, GMK-KP-460. © Karlovac: City Museum.
	Figure 50. Jakob Schaschel, Two-wheeled hunting rifle of the ignition system on the cap. Karlovac: City Museum, GMK-KP-93. © Karlovac: City Museum.
	Figure 51. Schaschel, Jakob. Bilder aus dem Oriente aufgenommen während einer Reise nach Aegypten, Nubien, Sudan in Jahren 1853 und 1854. Karlovac, 1863. Karlovac: City Museum, GMK-KP-460. © Karlovac: City Museum.
	Figure 52. Schaschel, Jakob, Moga, the chief of the Bari tribe from along the White Nile in Sudan. Taken from Bilder aus dem Oriente aufgenommen während einer Reise nach Aegypten, Nubien, Sudan in Jahren 1853 und 1854. Karlovac: City Museum, GMK-KP-460. ©
	Figure 53. Schaschel, Jakob, Egyptian felaheen with a donkey. Taken from Bilder aus dem Oriente aufgenommen während einer Reise nach Aegypten, Nubien, Sudan in Jahren 1853 und 1854. Karlovac: City Museum, GMK-KP-460. © Karlovac: City Museum.
	Figure 54. Schaschel, Jakob, Egyptian family in Alexandria. Taken from Bilder aus dem Oriente aufgenommen während einer Reise nach Aegypten, Nubien, Sudan in Jahren 1853 und 1854. Karlovac: City Museum, GMK-KP-460. © Karlovac: City Museum.
	Figure 55. Schaschel, Jakob, Houses of the fellaheen. Taken from Bilder aus dem Oriente aufgenommen während einer Reise nach Aegypten, Nubien, Sudan in Jahren 1853 und 1854. Karlovac: City Museum, GMK-KP-460. © Karlovac: City Museum.
	Figure 56. Schaschel, Jakob, Cairo with Giza and the pyramids. Taken from Bilder aus dem Oriente aufgenommen während einer Reise nach Aegypten, Nubien, Sudan in Jahren 1853 und 1854. Karlovac: City Museum, GMK-KP-460. © Karlovac: City Museum.
	Figure 57. Schaschel, Jakob, The old sycamore fig tree. Taken from Bilder aus dem Oriente aufgenommen während einer Reise nach Aegypten, Nubien, Sudan in Jahren 1853 und 1854. Karlovac: City Museum, GMK-KP-460. © Karlovac: City Museum.
	Figure 58. Schaschel, Jakob, Pyramides in Giza. Taken from Bilder aus dem Oriente aufgenommen während einer Reise nach Aegypten, Nubien, Sudan in Jahren 1853 und 1854. Karlovac: City Museum, GMK-KP-460. © Karlovac: City Museum.
	Figure 59. Schaschel, Jakob, The town of Girga. Taken from Bilder aus dem Oriente aufgenommen während einer Reise nach Aegypten, Nubien, Sudan in Jahren 1853 und 1854. Karlovac: City Museum, GMK-KP-460. © Karlovac: City Museum.
	Figure 60. Schaschel, Jakob, Catholic church in Naqada. Taken from Bilder aus dem Oriente aufgenommen während einer Reise nach Aegypten, Nubien, Sudan in Jahren 1853 und 1854. Karlovac: City Museum, GMK-KP-460. © Karlovac: City Museum.
	Figure 61. Schaschel, Jakob, The transport of Egyptian soldiers. Taken from Bilder aus dem Oriente aufgenommen während einer Reise nach Aegypten, Nubien, Sudan in Jahren 1853 und 1854. Karlovac: City Museum, GMK-KP-460. © Karlovac: City Museum.
	Figure 62. Schaschel, Jakob, Ruins of Thebes. Taken from Bilder aus dem Oriente aufgenommen während einer Reise nach Aegypten, Nubien, Sudan in Jahren 1853 und 1854. Karlovac: City Museum, GMK-KP-460. © Karlovac: City Museum.
	Figure 63. Schaschel, Jakob, Colossi of Memnon. Taken from Bilder aus dem Oriente aufgenommen während einer Reise nach Aegypten, Nubien, Sudan in Jahren 1853 und 1854. Karlovac: City Museum, GMK-KP-460. © Karlovac: City Museum.
	Figure 64. Schaschel, Jakob, Temple ruins in Thebes. Taken from Bilder aus dem Oriente aufgenommen während einer Reise nach Aegypten, Nubien, Sudan in Jahren 1853 und 1854. Karlovac: City Museum, GMK-KP-460. © Karlovac: City Museum.
	Figure 65. Schaschel, Jakob, The cataract and the ruins of Aswan. Taken from Bilder aus dem Oriente aufgenommen während einer Reise nach Aegypten, Nubien, Sudan in Jahren 1853 und 1854. Karlovac: City Museum, GMK-KP-460. © Karlovac: City Museum.
	Figure 66. Schaschel, Jakob, Granite cliffs near the island of Philae. Taken from Bilder aus dem Oriente aufgenommen während einer Reise nach Aegypten, Nubien, Sudan in Jahren 1853 und 1854. Karlovac: City Museum, GMK-KP-460. © Karlovac: City Museum.
	Figure 67. Schaschel, Jakob, Camp in the desert. Taken from Bilder aus dem Oriente aufgenommen während einer Reise nach Aegypten, Nubien, Sudan in Jahren 1853 und 1854. Karlovac: City Museum, GMK-KP-460. © Karlovac: City Museum.
	Figure 68. Schaschel, Jakob, Temples at Abu Simbel. Taken from Bilder aus dem Oriente aufgenommen während einer Reise nach Aegypten, Nubien, Sudan in Jahren 1853 und 1854. Karlovac: City Museum, GMK-KP-460. © Karlovac: City Museum.
	Figure 69. Schaschel, Jakob, Camp of the Egyptian soldiers at Kuruskū. Taken from Bilder aus dem Oriente aufgenommen während einer Reise nach Aegypten, Nubien, Sudan in Jahren 1853 und 1854. Karlovac: City Museum, GMK-KP-460. © Karlovac: City Museum.
	Figure 70. Schaschel, Jakob, Punishment of the negro slave. Taken from Bilder aus dem Oriente aufgenommen während einer Reise nach Aegypten, Nubien, Sudan in Jahren 1853 und 1854. Karlovac: City Museum, GMK-KP-460. © Karlovac: City Museum.
	Figure 71. Schaschel, Jakob, Caravan in the desert. Taken from Bilder aus dem Oriente aufgenommen während einer Reise nach Aegypten, Nubien, Sudan in Jahren 1853 und 1854. Karlovac: City Museum, GMK-KP-460. © Karlovac: City Museum.
	Figure 72. Schaschel, Jakob, Arab praying in the desert. Taken from Bilder aus dem Oriente aufgenommen während einer Reise nach Aegypten, Nubien, Sudan in Jahren 1853 und 1854. Karlovac: City Museum, GMK-KP-460. © Karlovac: City Museum.
	Figure 73. Schaschel, Jakob, The village of Abū Hamad. Taken from Bilder aus dem Oriente aufgenommen während einer Reise nach Aegypten, Nubien, Sudan in Jahren 1853 und 1854. Karlovac: City Museum, GMK-KP-460. © Karlovac: City Museum.
	Figure 74. Schaschel, Jakob, A crocodile hunt. Taken from Bilder aus dem Oriente aufgenommen während einer Reise nach Aegypten, Nubien, Sudan in Jahren 1853 und 1854. Karlovac: City Museum, GMK-KP-460. © Karlovac: City Museum.
	Figure 75. Schaschel, Jakob, Stella Matutina. Taken from Bilder aus dem Oriente aufgenommen während einer Reise nach Aegypten, Nubien, Sudan in Jahren 1853 und 1854. Karlovac: City Museum, GMK-KP-460. © Karlovac: City Museum.
	Figure 76. Schaschel, Jakob, A hippopotamus. Taken from Bilder aus dem Oriente aufgenommen während einer Reise nach Aegypten, Nubien, Sudan in Jahren 1853 und 1854. Karlovac: City Museum, GMK-KP-460. © Karlovac: City Museum.
	Figure 77. Schaschel, Jakob, Chefta. Taken from Bilder aus dem Oriente aufgenommen während einer Reise nach Aegypten, Nubien, Sudan in Jahren 1853 und 1854. © Karlovac: City Museum.
	Figure 78. Schaschel, Jakob, Derar. Taken from Bilder aus dem Oriente aufgenommen während einer Reise nach Aegypten, Nubien, Sudan in Jahren 1853 und 1854. © Karlovac: City Museum.
	Figure 79. Schaschel, Jakob, Negro village in Sudan. Taken from Bilder aus dem Oriente aufgenommen während einer Reise nach Aegypten, Nubien, Sudan in Jahren 1853 und 1854. © Karlovac: City Museum.
	Figure 80. Schaschel, Jakob, Native swing. Taken from Bilder aus dem Oriente aufgenommen während einer Reise nach Aegypten, Nubien, Sudan in Jahren 1853 und 1854. © Karlovac: City Museum.
	Figure 81. Schaschel, Jakob, Transportation of slaves in Sudan. Taken from Bilder aus dem Oriente aufgenommen während einer Reise nach Aegypten, Nubien, Sudan in Jahren 1853 und 1854. © Karlovac: City Museum.
	Figure 82. Schaschel, Jakob, A mission boy by the grave of his benefactor. Taken from Bilder aus dem Oriente aufgenommen während einer Reise nach Aegypten, Nubien, Sudan in Jahren 1853 und 1854. © Karlovac: City Museum.
	Figure 83. Schaschel, Jakob, Voltures easting in the desert. Taken from Bilder aus dem Oriente aufgenommen während einer Reise nach Aegypten, Nubien, Sudan in Jahren 1853 und 1854. © Karlovac: City Museum.
	Figure 84. Schaschel, Jakob, A snake charmer. Taken from Bilder aus dem Oriente aufgenommen während einer Reise nach Aegypten, Nubien, Sudan in Jahren 1853 und 1854. © Karlovac: City Museum.
	Figure 85. Antonio Beato, Albumen photograph of pillar capital from the uncertain site. Dubrovnik: Archaeological Museum, 1683. © Dubrovnik: Archaeological Museum.
	Figure 86. Antonio Beato, Albumen photograph of the southern pylon at Karnak temple at Thebes. Dubrovnik: Archaeological Museum, 1684. © Dubrovnik: Archaeological Museum.
	Figure 87. Antonio Beato, Albumen photograph of the Temple of Amenhotep at Thebes. Dubrovnik: Archaeological Museum, 1685. © Dubrovnik: Archaeological Museum.
	Figure 88. Antonio Beato, Albumen photograph of the obelisks in Karnak temple at Thebes. Dubrovnik: Archaeological Museum, 1686. © Dubrovnik: Archaeological Museum.
	Figure 89. Antonio Beato, Albumen photograph of the northern view of Karnak temple at Thebes. Dubrovnik: Archaeological Museum, 1687. © Dubrovnik: Archaeological Museum.
	Figure 90. Antonio Beato, Albumen photograph of the inner courtyard at Philae temple. Dubrovnik: Archaeological Museum, 1688. Dubrovnik: Archaeological Museum, © Dubrovnik: Archaeological Museum.
	Figure 91. Antonio Beato, Albumen photograph of the relief in the Horus temple in Edfu. Dubrovnik: Archaeological Museum, 1689. © Dubrovnik: Archaeological Museum.
	Figure 92. Antonio Beato, Albumen photograph of the colossal statue of Ramesses II and pylons in Luxor temple at Thebes. Dubrovnik: Archaeological Museum, 1690. © Dubrovnik: Archaeological Museum.
	Figure 93. Antonio Beato, Albumen photograph of the Great temple of Ramesses II at Abu Simbel. Dubrovnik: Archaeological Museum, 1691. © Dubrovnik: Archaeological Museum.
	Figure 94. Antonio Beato, Albumen photograph of the pylon remains in Hathor temple at Dendera. Dubrovnik: Archaeological Museum, 1692. © Dubrovnik: Archaeological Museum.
	Figure 95. Antonio Beato, Albumen photograph of the relief of Cleopatra VII and Caesarion in Hathor temple at Dendera. Dubrovnik: Archaeological Museum, 1693. © Dubrovnik: Archaeological Museum.
	Figure 96. Antonio Beato, Albumen photograph of the inner courtyard in Philae temple. Dubrovnik: Archaeological Museum, 1694. © Dubrovnik: Archaeological Museum.
	Figure 97. Antonio Beato, Albumen photograph of the battle relief from the reign of Ramesses II in Karnak temple at Thebes. Dubrovnik: Archaeological Museum, 1695. © Dubrovnik: Archaeological Museum.
	Figure 98. Antonio Beato, Albumen photograph of the Trajan’s kiosk at Philae island. Dubrovnik: Archaeological Museum, 1696. © Dubrovnik: Archaeological Museum.
	Figure 99. Antonio Beato, Albumen photograph of the statue of Ramesses II in Luxor temple at Thebes. Dubrovnik: Archaeological Museum, 1697. © Dubrovnik: Archaeological Museum.
	Figure 100. Antonio Beato, Albumen photograph of the Thutmose’s gate in Medinet Habu temple at Thebes. Dubrovnik: Archaeological Museum, 1698. © Dubrovnik: Archaeological Museum.
	Figure 101. Antonio Beato, Albumen photograph of the colums in Philae temple. Dubrovnik: Archaeological Museum, 1699. © Dubrovnik: Archaeological Museum.
	Figure 102. Antonio Beato, Albumen photograph of the columns of the first courtyard in Karnak temple at Thebes. Dubrovnik: Archaeological Museum, 1700. © Dubrovnik: Archaeological Museum.
	Figure 103. Antonio Beato, Albumen photograph of the pylons of Horus temple at Edfu. Dubrovnik: Archaeological Museum, 1701. © Dubrovnik: Archaeological Museum.
	Figure 104. Antonio Beato, Albumen photograph of the date-palm trees at Luxor. Dubrovnik: Archaeological Museum, 1702. © Dubrovnik: Archaeological Museum.
	Figure 105. Antonio Beato, Albumen photograph of the pylon and the valley of Sphinx infront of Karnak temple at Luxor. Dubrovnik: Archaeological Museum, 1703. © Dubrovnik: Archaeological Museum.
	Figure 106. Antonio Beato, Albumen photograph of the 1st Cataract. Dubrovnik: Archaeological Museum, 1704. © Dubrovnik: Archaeological Museum.
	Figure 107. Antonio Beato, Albumen photograph of Luxor temple at Thebes. Dubrovnik: Archaeological Museum, 1705. © Dubrovnik: Archaeological Museum.
	Figure 108. Antonio Beato, Albumen photograph of the first courtyard at Karnak temple at Thebes. Dubrovnik: Archaeological Museum, 1706. © Dubrovnik: Archaeological Museum.
	Figure 109a. Antonio Beato, Albumen photograph of the eastern view of Philae temple. © Dubrovnik: Archaeological Museum, 1707. © Dubrovnik: Archaeological Museum.
	Figure 109b. Antonio Beato, Albumen photograph of Roman baths at Elephantine island. © Dubrovnik: Archaeological Museum, 1707. © Dubrovnik: Archaeological Museum.
	Figure 110a. Antonio Beato, Albumen photograph of Memnon Colossus at Thebes. Dubrovnik: Archaeological Museum, 1708. © Dubrovnik: Archaeological Museum.
	Figure 110b. Antonio Beato, Albumen photograph of the relief of naval battle between Ramesses II and Sea People in Medinet Habu temple at Thebes. Dubrovnik: Archaeological Museum, 1708. © Dubrovnik: Archaeological Museum.
	Figure 111a. Antonio Beato, Albumen photograph of the columns in Karnak temple at Thebes. Dubrovnik: Archaeological Museum, 1709. © Dubrovnik: Archaeological Museum.
	Figure 111b. Antonio Beato, Albumen photograph of the view at the Philae temple. Dubrovnik: Archaeological Museum, 1709. © Dubrovnik: Archaeological Museum.
	Figure 112a. Antonio Beato, Albumen photograph of the view of Medinet Habu temple at Thebes. Dubrovnik: Archaeological Museum, 1710. © Dubrovnik: Archaeological Museum.
	Figure 112b. Antonio Beato, Albumen photograph of the second courtyard in Medinet Habu temple at Thebes. Dubrovnik: Archaeological Museum, 1710. © Dubrovnik: Archaeological Museum.
	Figure 113a Antonio Beato, Albumen photograph of the inner courtyard in Medinet Habu temple at Thebes. Dubrovnik: Archaeological Museum, 1711. © Dubrovnik: Archaeological Museum.
	Figure 113b. Antonio Beato, Albumen photograph of palace high gate in Medinet Habu at Thebes. Dubrovnik: Archaeological Museum, 1711. © Dubrovnik: Archaeological Museum.
	Figure 114a. Antonio Beato, Albumen photograph of inner courtyard in Horus temple at Edfu. Dubrovnik: Archaeological Museum, 1712. © Dubrovnik: Archaeological Museum.
	Figure 114b. Antonio Beato, Albumen photograph of the inner courtyard with entrance to the closed part of the temple Horus at Edfu. Dubrovnik: Archaeological Museum, 1712. © Dubrovnik: Archaeological Museum.
	Figure 115a. Antonio Beato, Albumen photograph of the statues in Ramesseum at Thebes. Dubrovnik: Archaeological Museum, 1713. © Dubrovnik: Archaeological Museum.
	Figure 115b. Antonio Beato, Albumen photograph of the Ramesseum at Thebes. Dubrovnik: Archaeological Museum, 1713. © Dubrovnik: Archaeological Museum.
	Figure 116a. Antonio Beato, Albumen photograph of the inner courtyard in Philae temple. Dubrovnik: Archaeological Museum, 1714. © Dubrovnik: Archaeological Museum.
	Figure 116b. Antonio Beato, Albumen photograph of the northern view of obelisks in Karnak temple at Thebes. Dubrovnik: Archaeological Museum, 1714. © Dubrovnik: Archaeological Museum.
	Figure 117a. Antonio Beato, Albumen photograph of the pylons and obelisk infront of Luxor temple at Thebes. Dubrovnik: Archaeological Museum, 1715. © Dubrovnik: Archaeological Museum.
	Figure 117b. Antonio Beato, Albumen photograph of Horus temple at Edfu. Dubrovnik: Archaeological Museum, 1715. © Dubrovnik: Archaeological Museum.
	Figure 118a. Antonio Beato, Albumen photograph of Gournah temple at Thebes. Dubrovnik: Archaeological Museum, 1716. © Dubrovnik: Archaeological Museum.
	Figure 118b. Antonio Beato, Albumen photograph of the entrance to the Valley of the Kings at Thebes. Dubrovnik: Archaeological Museum, 1716. © Dubrovnik: Archaeological Museum.
	Figure 119. Antonio Beato, Albumen photograph of the Philae temple. Dubrovnik: Archaeological Museum, 1717. © Dubrovnik: Archaeological Museum.
	Figure 120a. Antonio Beato, Albumen photograph of the Bicharin tribesmen in Nubia. Dubrovnik: Archaeological Museum, 1718. © Dubrovnik: Archaeological Museum.
	Figure 120b. Antonio Beato, Albumen photograph of 1st Cataract in Nubia. Dubrovnik: Archaeological Museum, 1718. © Dubrovnik: Archaeological Museum.
	Figure 121a. Antonio Beato, Albumen photograph of Luxor temple at Thebes. Dubrovnik: Archaeological Museum, 1719. © Dubrovnik: Archaeological Museum.
	Figure 121b. Antonio Beato, Albumen photograph of the Sacred lake in Karnak temple at Thebes. Dubrovnik: Archaeological Museum, 1719. © Dubrovnik: Archaeological Museum.
	Figure 122. Fran Gundrum Oriovčanin. Križevci: City Museum, 5171. © Križevci: City Museum.
	Figure 123. The view of SS Cleopatra/Nefertari.
	Figure 124. Luxor hotel, Luxor, at the beginning of the 20th century.
	Figure 125. Fran Gundrum Oriovčanin, U Egiptu! – Putopisna crta. Zagreb, 1905.
	Figure 126. Invitation to the public lecture about the journey in Egypt organized by 'Society of Croatian writers'. Zagreb, 3rd December 1903. Križevci: City Museum, 5547. © Križevci: City Museum.
	Figure 127. Refugee camp, El-Shatt, Egypt (1944 – 1946). Zagreb: Croatian State Archive, 1736-ES1322. © Zagreb: Croatian State Archive.
	Figure 128. Refugee camp, El-Shatt, Egypt (1944 – 1946). Zagreb: Croatian State Archive, 1736-ES1323. © Zagreb: Croatian State Archive.
	Figure 129. Vitajić, Kuzma. 'Na Seuskom kanalu – At the Suez channel' (1944). Zagreb: Croatian Historical Museum, C HPM MRNH 3089. © Zagreb: Croatian Historical Museum.
	Figure 130. Vitajić, Kuzma. 'Iz El-Shatta – From El-Shatt' (1945). Zagreb: Croatian Historical Museum, HPM MRNH C 2513. © Zagreb: Croatian Historical Museum.
	Figure 131. Havona, Sofija. 'Slika iz našeg života u El-Shattu – Image from our lives in El-Shatt'. Zagreb: Croatian Historical Museum, MRNH-C 3318. © Zagreb: Croatian Historical Museum.
	Figure 132. Hodžić, Sabahudin. 'U pustinji – In the desert'. Taken from Naši pionir 4-5 (1944). Zagreb: Croatian Historical Museum, MRNH C 3538. © Zagreb: Croatian Historical Museum.
	Figure 133a-c. Egyptian president Gamal Abdel Naser and Croatian medical doctor Andrija Štampar during one of the diplomatic meetings. Zagreb: Croatian State Archive, HR-HDA-0831. © Zagreb: Croatian State Archive. © Zagreb: Croatian State Archive.
	Figure 133d. Josip Broz Tito, Gamal Abdel Naser and Jawaharlal Nehru during one of their meetings. Zagreb: Croatian State Archive. © Zagreb: Croatian State Archive.
	Figure 134. Ivan Meštrović by the Great Sphinx in Giza, in company with a local guide, a Bedouin. May 4th, 1927. Split: Meštrović Gallery. © Split: Meštrović Gallery.
	Figure 135. On the ruins of ancient Memphis, May 4th, 1927. Split: Meštrović Gallery. © Split: Meštrović Gallery.
	Figure 136. Meštrović’s travelling companions (Dr Josip Hohnjec, second on the left) in front of the Hall of Amenhotep III in the Temple of Luxor, May 8th, 1927. Split: Meštrović Gallery. © Split: Meštrović Gallery.
	Figure 137. Ivan Meštrović (seated, first on the left) with travelling companions in the shrine of the Great Temple of Amon in Karnak, May 8th, 1927. Split: Meštrović Gallery. © Split: Meštrović Gallery.
	Figure 138. Ivan Meštrović in the Great Hypostyle Hall in the Temple of Amon in Karnak, May 8th, 1927. Split: Meštrović Gallery. © Split: Meštrović Gallery.
	Figure 139. In Luxor by the bank of the Nile, in front of the Temple of Seti I, May 9th, 1927. Split: Meštrović Gallery. © Split: Meštrović Gallery.
	Figure 140. Temple of Queen Hatshepsut in Luxor, May 9th, 1927. Split: Meštrović Gallery. © Split: Meštrović Gallery.
	Figure 141. Ivan Meštrović in the Ramesseum in Luxor, May 9th, 1927. Split: Meštrović Gallery. © Split: Meštrović Gallery.
	Figure 142. Ivan Meštrović (third on the left) in front of the Colossus of Memnon in Luxor, May 9th, 1927. Split: Meštrović Gallery. © Split: Meštrović Gallery.
	Figure 143. Temple of Isis on Philae island, May 1927. Split: Meštrović Gallery. © Split: Meštrović Gallery.
	Figure 144. Monsignor Rittig’s photograph of the Ramessium with Meštrović in front, May 9th, 1927. Split: Meštrović Gallery. © Split: Meštrović Gallery.
	Figure 145. Ruža Meštrović at Casa del Arte, Montevideo, Uruguay, July 1928.
	Figure 146. Auguste Rodin by Ivan Meštrović, Rome, 1914. © Zagreb: Croatian Academy of Arts and Sciences Digital Archive.
	Figure 147a. The Pyramids at Giza and the Great Sphinx, picture postcard. Family Kaštelančić private archive. © Family Kaštelančić.
	Figure 147b. The Pyramids at Giza and the Great Sphinx, back of the picture postcard. Family Kaštelančić private archive. © Family Kaštelančić.
	Figure 148a. Abydos, Temple of Seti, picture postcard. Family Kaštelančić private archive. © Family Kaštelančić.
	Figure 148b. Abydos, Temple of Seti, back of the picture postcard. Family Kaštelančić private archive. © Family Kaštelančić.
	Figure 149a. Jerusalem, The Wailing Wall, picture postcard. Family Kaštelančić private archive. © Family Kaštelančić.
	Figure 149b. Jerusalem, The Wailing Wall, back of the picture postcard. Beginning of the letter. Family Kaštelančić private archive. © Family Kaštelančić.
	Figure 150. Jerusalem, The Kings’ Tombs, back of the picture postcard. Family Kaštelančić private archive. © Family Kaštelančić.
	Figure 151. Jerusalem, The Kings’ Tombs, picture postcard. Family Kaštelančić private archive. © Family Kaštelančić.
	Figure 152. Tombs of St. James and the propeth Zechariah in the Valley of Jehoshaphat, picture postcard. Family Kaštelančić private archive. © Family Kaštelančić.
	Figure 153. Jerusalem, Tomb of the Kings, picture postcard. Family Kaštelančić private archive. © Family Kaštelančić.
	Figure 154. Monastery in the Rocks, Kedron valley, picture postcard. Family Kaštelančić private archive. © Family Kaštelančić.
	Figure 155a-b. Nazareth, Church of the Annunciation, picture postcard. Family Kaštelančić private archive. © Family Kaštelančić.
	Figure 156a-b. Damascus, Syria, back of the picture postcard. Family Kaštelančić private archive. © Family Kaštelančić.
	Figure 157a-b. Baalbek, Syria, picture postcard. Family Kaštelančić private archive. © Family Kaštelančić.
	Figure 158a-b. Athens, Acropolis, Caryatide Porch, picture postcard. Family Kaštelančić private archive. © Family Kaštelančić.
	Figure 159. Athens, Meštrović on the Acropolis. Photograph by Monsignor Rittig. Copyright Photoarchives of the Meštrović Museums. Family Kaštelančić private archive. © Family Kaštelančić.
	Figure 160. Ruža Meštrović at Giza. Family Kaštelančić private archive. © Family Kaštelančić.
	Figure 161. Head of Shabti. Family Kaštelančić private collection. © Family Kaštelančić.
	Figure 162. Adolf Ernam, Sammlung Göschen, Die Hieroglyphen. Family Kaštelančić private collection. © Family Kaštelančić.
	Figure 163. Adolf Ernam, Sammlung Göschen, Die Hieroglyphen, pages. Family Kaštelančić private collection. © Family Kaštelančić.
	Figure 164. Steamship 'Queen Mary'. Family Kaštelančić private collection. © Family Kaštelančić.
	Figure 165. Ruža Meštrović infront of mausoleum Račić in Cavtat. Round cruise of the SS 'Queen Mary' in 1933. Family Kaštelančić private collection. © Family Kaštelančić. Privatna zbirka: obitelj Kaštelančić/Private collection: family Kaštelančić.
	Figure 166. Putnici parobroda SS 'Kraljica Marija' 1933. Passangers of the SS 'Queen Mary' in 1933. Family Kaštelančić private collection. © Family Kaštelančić.
	Figure 167. Ruža Meštrović infront of Acropolis in Athens. Round cruise of the SS 'Queen Mary' in 1933. Family Kaštelančić private collection. © Family Kaštelančić.
	Figure 168. Promo poster for the round cruise of the SS 'Queen Mary' in 1938. Family Kaštelančić private collection. © Family Kaštelančić.
Chapter III. Egyptian Collections in Croatia
	Figure 169. Franz Koller. Zagreb: Archive of the Archaeological Museum in Zagreb. © Zagreb: Archaeological Museum.
	Figure 170. Letter from Franjo Rački dated January 15, 1868 on collecting the funds for the purchase of the Koller Collection. Zagreb: Archive of the Archaeological Museum in Zagreb. © Zagreb: Archaeological Museum.
	Figure 171. Funds and costs for Koller’s collection Egyptian antiquities from 1868. Attachment A. Zagreb: Archive of the Archaeological Museum in Zagreb. © Zagreb: Archaeological Museum.
	Figure 172. Zagreb mummy' photographed at the end of the 19th century. Zagreb: Archaeological Museum, E-664. © Zagreb: Archaeological Museum.
	Figure 173. Frane Lanza. Split: Archive of the Archaeological Museum. © Split: Archaeological Museum.
	Figure 174. Frano Carrara. Split: Archaeological Museum. © Split: Archaeological Museum.
	Figure 175. Nikola Amerling. Dubrovnik: Archeological Museum. © Dubrovnik: Archaeological Museum.
	Figure 176. Medal of Benko Horvat made by Antun Augustinčić. Zagreb: Archaeological Museum. © Zagreb: Archaeological Museum.
	Figure 177. Amulet of the god Shu. Osijek: Archaeological Museum, AA-1343. © Osijek: Archaeological Museum.
	Figure 178. Blue-green-glazed faience shabti, from Osijek. Osijek: Archaeological Museum, AA-6243. © Osijek: Archaeological Museum.
	Figure 179. Pedi-Hor-Pa-Khered votive stele, from Osijek. Osijek: Archaeological Museum, AA-2590. © Osijek: Archaeological Museum.
	Figure 180a. Sculpture of the god Osiris. Osijek: Archaeological Museum, AA-1340. © Osijek: Archaeological Museum.
	Figure 180b. Relief tile featuring goddess Nephthys. Osijek: Archaeological Museum, AA-1341. © Osijek: Archaeological Museum.
	Figure 181. Bone scarab amulets. Osijek: Archaeological Museum, AA-1605 and AA-1606. © Osijek: Archaeological Museum.
	Figure 182a. Green faience amulet of the dwarf god Pataikos. Osijek: Archaeological Museum, AA-2665. © Osijek: Archaeological Museum.
	Figure 182b. Dwarf god Bes. Osijek: Archaeological Museum, AA-2670. © Osijek: Archaeological Museum.
	Figure 183. Pseudo-shabti. Osijek: Archaeological Museum, AA-19469. © Osijek: Archaeological Museum.
	Figure 184a. Clay figurine of Osiris. Osijek: Archaeological Museum, AA-194962. © Osijek: Archaeological Museum.
	Figure 184b. Green faience of the god Thoth. Osijek: Archaeological Museum, AA-1342. © Osijek: Archaeological Museum.
	Figure 184c. Hare amulet. Osijek: Archaeological Museum, AA-1344. © Osijek: Archaeological Museum.
	Figure 184d-f. Three faience scarabs. Osijek: Archaeological Museum, AA-1432, AA-1433, AA-1434. © Osijek: Archaeological Museum.
	Figure 185. Crown stelewith two lions and a basket in between, from Dalj. Osijek: Archaeological Museum, AA-6148. © Osijek: Archaeological Museum.
	Figure 186. Dark green jasper with Harpocrates. Osijek: Archaeological Museum, AA-1406. © Osijek: Archaeological Museum.
	Figure 187. Clay cup from Badari culture. Varaždin: City Museum, AO 6521. © Varaždin: City Museum.
	Figure 188. Vessel. Zagreb: Mimara Museum, ATM 230. © Zagreb: Mimara Museum.
	Figure 189. Bowl/plate. Zagreb: Mimara Museum, ATM 231. © Zagreb: Mimara Museum.
	Figure 190. Small bottle. Zagreb: Mimara Museum, ATM 233. © Zagreb: Mimara Museum.
	Figure 191. Statuette of a man. Zagreb: Mimara Museum, ATM 243. © Zagreb: Mimara Museum.
	Figure 192. Shabti. Zagreb: Archaeological Museum – Egyptian department, E-310. © Zagreb: Archaeological Museum.
	Figure 193. Funerary stele of Kay. Zagreb: Archaeological Museum – Egyptian department, E-583. © Zagreb: Archaeological Museum.
	Figure 194. Statuette of a woman. Zagreb: Mimara Museum, ATM 244. © Zagreb: Mimara Museum.
	Figure 195. Head of an unknown Pharaoh. Zagreb: Mimara Museum, ATM 229. © Zagreb: Mimara Museum.
	Figure 196. Female shabti. Zagreb: Archaeological Museum – Egyptian department, E-259. © Zagreb: Archaeological Museum.
	Figure 197. Small jug. Zagreb: Mimara Museum, ATM 1337. © Zagreb: Mimara Museum.
	Figure 198. Bowl/plate. Zagreb: Mimara Museum, ATM 234. © Zagreb: Mimara Museum.
	Figure 199. Funeral stele of Mery-Mery. Varaždin: City Museum, AO 5279. © Varaždin: City Museum.
	Figure 200. Shabti of Ta-aa-hotep. Zagreb: Archaeological Museum – Egyptian department, E-270, E-271. © Zagreb: Archaeological Museum.
	Figure 201. Shabti of Osiris Tjanefer. Zagreb: Archaeological Museum – Egyptian department, E-309. © Zagreb: Archaeological Museum.
	Figure 202. Scribe’s palette with cartouche of Ramesses II. Zagreb: Archaeological Museum – Egyptian department, E-185. © Mladen Tomorad.
	Figure 203. Shabti of the royal scribe Nebnofer. Zagreb: Archaeological Museum – Egyptian department, E-307. © Zagreb: Archaeological Museum.
	Figure 204. Shabti dedicated to a prophet of the goddess Bastet. Zagreb: Archaeological Museum – Egyptian department, E-473. © Zagreb: Archaeological Museum.
	Figure 205. Blue-glazed faience shabti. Zagreb: Archaeological Museum – Egyptian department, E-490. © Mladen Tomorad.
	Figure 206. Black-slate shabti. Zagreb: Archaeological Museum – Egyptian department, E-277. © Zagreb: Archaeological Museum.
	Figure 207. Statuette of Osiris. Zagreb: Mimara Museum, ATM 238. © Zagreb: Mimara Museum.
	Figure 208. Ba bird. Zagreb: Mimara Museum, ATM 242. © Zagreb: Mimara Museum.
	Figure 209. Green udjat-eye amulet. Pula: Archaeological Museum, P-30337. © Mladen Tomorad.
	Figure 210. Lotus/water lily flower. Pula: Archaeological Museum, P-30343. © Mladen Tomorad.
	Figure 211. Shabti of Hor-ankh-byty. Zagreb: Archaeological Museum – Egyptian department, E-549. © Zagreb: Archaeological Museum.
	Figure 212a-d. Complete set of the Canopic jars of Ketjen. Varaždin: City Museum, AO 5280, AO 5281, AO 5282, AO 5283.. © Varaždin: City Museum.
	Figure 213. Shabti of Uah-ib-re-em-akhet. Zagreb: Archaeological Museum – Egyptian department, E-442. © Zagreb: Archaeological Museum.
	Figure 214. Shabti. Zagreb: Archaeological Museum – Egyptian department, E-362. © Zagreb: Archaeological Museum.
	Figure 215. The Zagreb Mummy. Zagreb: Archaeological Museum – Egyptian department, E-664. © Zagreb: Archaeological Museum.
	Figure 216. Liber linteus zagrabiensis. Zagreb: Archaeological Museum – Egyptian department, E-665. © Zagreb: Archaeological Museum.
	Figure 217. Coffin of Kareset. Zagreb: Archaeological Museum – Egyptian department, E-668. © Zagreb: Archaeological Museum.
	Figure 218. Alabastron. Zagreb: Mimara Museum, ATM 1343. © Zagreb: Mimara Museum.
	Figure 219a-b. Marc Antony and Cleopatra VII tetradrachm. Zagreb: Archaeological Museum – Numismatic department, B1922. © Mladen Tomorad.
	Figure 219b.
	Figure 220. Small bowl. Zagreb: Mimara Museum, ATM 1350. © Zagreb: Mimara Museum.
	Figure 221av/rv. Roman imperial coin of Alexander Severus. Zagreb: Archaeological Museum – Numismatic department, C7959. © Mladen Tomorad.
	Figure 222. Fragment of Coptic linen tunic. Zagreb: Mimara Museum, ATM 246. © Zagreb: Mimara Museum.
	Figure 223. Coptic ampulla with image of St Menas. Zagreb: Mimara Museum, ATM 351. © Zagreb: Mimara Museum.
	Figure 224. Coptic oil lamp. Zagreb: Mimara Museum, ATM 357. © Zagreb: Mimara Museum.
Chapter IV. Egyptology in Croatia
	Figure 225. Heinrich Brugsch. Zagreb: Archive of the Lexicographic Institute Miroslav Krleža. © Zagreb: Lexicographic Institute Miroslav Krleža.
	Figure 226. Šime Ljubić. Zagreb: Archive of the Archaeological Museum. © Zagreb: Archaeological Museum.
	Figure 227. Fragment of the linen clothing from the wrappings of Zagreb Mummy. Zagreb: Archive of the Archaeological Museum. © Zagreb: Archaeological Museum.
	Figure 228. Gavro Manojlović. Zagreb: Archive of the Lexicographic Institute Miroslav Krleža. © Zagreb: Lexicographic Institute Miroslav Krleža.
	Figure 229. Frane Bulić. Zagreb: Archive of the Lexicographic Institute Miroslav Krleža. © Zagreb: Lexicographic Institute Miroslav Krleža.
	Figure 230. Josip Brunšmid. Zagreb: Archive of the Archaeological Museum. © Zagreb: Archaeological Museum.
	Figure 231. Grga Novak. Zagreb: Archive of the Faculty of Philosophy, University of Zagreb. © Zagreb: University of Zagreb.
	Figure 232. Petar Selem. © Mladen Tomorad.
	Figure 233. Petar Lisičar. Zagreb: Archive of the Lexicographic Institute Miroslav Krleža. © Zagreb: Lexicographic Institute Miroslav Krleža.
	Figure 234. Gavro Manojlović. Povijest starog orijenta. Knjiga I. Od najstarijih vremena do u jedanaesto stoljeće prije Isusa. Zagreb: Matica hrvatska, 1923.
	Figure 235. Grga Novak. Egipat – prethistorija, faraoni, osvajači, kultura. Zagreb, 1967.
	Figure 236. Josip Broz Tito and Jovanka Broz infront of Abu Simbel, 1962. Beograd: Museum of Yugoslavia, 1962-189-164. © Beograd: Museum of Yugoslavia.
	Figure 237. Petar Selem, Izidin trag. Split: Splitski književni krug, 1997.
	Figure 238. Igor Uranić, Stari Egipat – Povijest, književnost i umjetnost drevnih Egipćana. Zagreb: Školska knjiga, 2002.
	Figure 239. Mladen Tomorad, Staroegipatska civilizacija sv. I.: Povijest i kultura starog Egipta. Zagreb: Hrvatski studiji, 2016.
	Figure 240. Mladen Tomorad, Staroegipatska civilizacija sv. II.: Uvod u egiptološke studije. Zagreb: Hrvatski studiji, 2017.
	Figure 241. International scientific conference Istraživanje povijesti i kulture starog Istoka i Egipta na prostoru jugoistočne Europe, Zagreb, 18 – 20 June 2012.
	Figure 242. Programme of the international conference CECE7 – VIIth European Conference of Egyptologists. Egypt 2015: Perspectives of Research. Zagreb, 2 – 7 June 2015.
	Figure 243. Poster of the exhibition Egipat u Hrvatskoj – hrvatska fascinacija starim Egiptom – Egypt in Croatia – Croatian fascination with Ancient Egypt. Zagreb: Museum Mimara, 20 September – 14 October 2018.
Chapter V. Egyptian Revival and ‘Egyptomania’ in Croatia
	Figure 244. The Grubišić family tomb at the Mirogoj cemetery in Zagreb. © Mladen Tomorad.
	Figure 245. Obelisk in Maksimir park in Zagreb. © Mladen Tomorad.
	Figure 246. Obelisk infront of the Mirogoj cemetery in Zagreb. © Mladen Tomorad.
	Figure 247. One of the two sculptures entitled Egipćani - The Egyptians. Zagreb: Zoological Garden. © Mladen Tomorad.
	Figure 248. Kristofor Stanković sitting on an armchair with Egyptian sphinxes. Zagreb: Zagreb City Museum, MGZ 1269. © Zagreb: Zagreb City Museum.
	Figure 249. Hermann Bollé, Design for obelisk, Zagreb, 1895. Illustration taken from the journal Viesti družtva inžinira i arhitekta.
	Figure 250. Branko Šenoa, Obelisk in Vlaška street, Zagreb, 1915, oil on canvas. Private collection in Zagreb.
	Figure 251. Obelisks in front of the Croatian National Theater building, postcard, around 1900. Zagreb: Museum of Arts and Crafts. © Zagreb: Museum of Arts and Crafts.
	Figure 252. Viktor Kovačić, Design for The King Tomislav Square – stairs to the main railway station, 1904. Zagreb: The Archive of the Ministry of Culture of the Republic of Croatia. © Zagreb: The Archive of the Ministry of Culture of the Republic of Croa
	Figure 253. Viktor Kovačić, Egyptian tripod, drawing in a sketchbook, around 1905. Private collection in Zagreb.
	Figure 254. Letterhead paper of the Isis Pharmaceutical Company, 1918. Zagreb: State Archives in Zagreb. © Zagreb: State Archives in Zagreb.
	Figure 255. Dionis Sunko, Isis commercial and residential building, Zagreb, photo around 1925. Private collection in Zagreb.
	Figure 256. Dionis Sunko, Isis commercial and residential building, Zagreb, design for the main entrance, 1920. Zagreb: State Archives in Zagreb. © Zagreb: State Archives in Zagreb.
	Figure 257. Dionis Sunko, Isis commercial and residential building, Zagreb, design for the hallway, 1920. Zagreb: State Archives in Zagreb. © Zagreb: State Archives in Zagreb.
	Figure 258. Dionis Sunko, Isis commercial and residential building, Zagreb, detail of the main facade. © Marina Bagarić.
	Figure 259. Atelier Tri, Label design for Brunsov pamuk, Zagreb, around 1930. Zagreb: Museum of Arts and Crafts. © Zagreb: Museum of Arts and Crafts.
	Figure 260. Atelier Tri, Label design for Saharin, Zagreb, around 1930. Zagreb: Museum of Arts and Crafts. © Zagreb: Museum of Arts and Crafts.
	Figure 261. Atelier Tri, Label design for the greeting card, Zagreb, around 1935. Zagreb: Museum of Arts and Crafts. © Zagreb: Museum of Arts and Crafts.
	Figure 262. Drago Korbar, Design of the booth at Zagreb Fair, 1934. Photo taken from the journal Apotekarski vjesnik.
	Figure 263. Mausoleum of Cabas family, Mirogoj cemetery, Zagreb. © Marina Bagarić.
	Figure 264. Dwellings for giraffes in the style of an Egyptian temple, Maksimir Zoo, Zagreb, 1931. Sketch taken from the Jutarnji list.
	Figure 265. The statue of Pharaoh, Maksimir Zoo, Zagreb, photo around 1938. Zagreb: Zagreb City Museum. © Zagreb: Zagreb City Museum.
	Figure 266. Sculptor Ivo Kerdić and architect Aleksandar Freudenreich with the statue Croatian Falcon, Zagreb, photo around 1925. Zagreb: Fine Arts Archive at the Croatian Academy of Sciences and Arts. © Zagreb: Croatian Academy of Sciences and Arts.
	Figure 267. Aleksandar Freudenreich, Monument to the Croatian Falcon Society, Maksimir Park, Zagreb. © Marina Bagarić.
	Figure 268. Sculpture of Gregory of Nin by Ivan Meštrović. Split.
	Figure 269. The original positioning of Meštrović’s Monument to Gregory of Nin on the Peristyle of Diocletian’s Palace in Split, from 1929 to 1942. Foto Stühler. Split: Photographic Archives of Meštrović Atelier in Zagreb. © Split: Photographic Archives o
	Figure 270. Church of the Most Holy Redeemer – Meštrović family mausoleum in Otavice, 1930. Photograph by Zoran Alajbeg. Split: Photographic Archives of Meštrović Gallery, FGM-2815. © Split: Meštrović Gallery.
	Figure 271. Church of the Most Holy Redeemer – Meštrović family mausoleum in Otavice, a view of the interior. Photograph by Zoran Alajbeg. Split: Photographic Archives of Meštrović Gallery, FGM-2823. © Split: Meštrović Gallery.
	Figure 272. Eternally Crucified (1930), a relief by Ivan Meštrović at the altar of the Church of the Most Holy Redeemer. Photograph by Zoran Alajbeg. Split: Photographic Archives of Meštrović Gallery, FGM-2933. © Split: Meštrović Gallery.
	Figure 273-276. The four Evangelists. (1931), a relief by Ivan Meštrović at the Church of the Most Holy Redeemer. Photograph by Zoran Alajbeg. Split: Photographic Archives of Meštrović Gallery. © Split: Meštrović Gallery.
	Figure 277a-c. Commercial photographs and picture postcards that Ivan Meštrović collected on his journey around Egypt, published by Photoglob. Photograph by Zoran Alajbeg. Split: Photographic Archives of Meštrović Gallery, FGM-804, 805, 806. © Split: Mešt
	Figure 278. The uncompleted ceiling of the dome of the Church of the Most Holy Redeemer with subsequently placed fresco prototypes. Photograph by Zoran Alajbeg. Split: Photographic Archives of Meštrović Gallery, FGM-2934. © Split: Meštrović Gallery.
	Figure 279. Ivan Meštrović: Study for the Decoration of the Dome of the Church of the Most Holy Reedemer – Pharaoh. Photograph by Zoran Alajbeg. Split: Meštrović Gallery, GMS-271. © Split: Meštrović Gallery.
	Figure 280. Ivan Meštrović: Study for the Decoration of the Dome of the Church of the Most Holy Reedemer – Pharaoh. Photograph by Zoran Alajbeg. Split: Meštrović Gallery, GMS-272. © Split: Meštrović Gallery.
	Figure 281. Ivan Meštrović: Study for the Decoration of the Dome of the Church of the Most Holy Reedemer – Michelangelo. Photograph by Zoran Alajbeg. Split: Meštrović Gallery, GMS-269. © Split: Meštrović Gallery.
	Figure 282. Ivan Meštrović: Study for the Decoration of the Dome of the Church of the Most Holy Reedemer – Self-portrait. Photograph by Zoran Alajbeg. Split: Meštrović Gallery, GMS-270. © Split: Meštrović Gallery.
	Figure 283. Table, part of salon suite. Zagreb: Zagreb: Museum of Arts and Crafts, MUO 28966/1. © Zagreb: Museum of Arts and Crafts.
	Figure 284. Writing desk. Zagreb: Museum of Arts and Crafts, MUO 26661. © Zagreb: Museum of Arts and Crafts.
	Figure 285a-c. Secretaire. Zagreb: Museum of Arts and Crafts, MUO 9866. © Zagreb: Museum of Arts and Crafts.
	Figure 286. Chair. Zagreb: Museum of Arts and Crafts, MUO 14634. © Zagreb: Museum of Arts and Crafts.
	Figure 287. Longcase Clock with a Musical Mechanism. Zagreb: Museum of Arts and Crafts, MUO 15063. © Zagreb: Museum of Arts and Crafts.
	Figure 288. Mantel clock with sphinx. Zagreb: Museum of Arts and Crafts, MUO 25169. © Zagreb: Museum of Arts and Crafts.
	Figure 289. Croato-Aegyptica web site, 2004 - 2011. © Mladen Tomorad.
	Figure 290. Description of the artefact from the database 'Croato-Aegyptica Electronica', 2004. © Mladen Tomorad
	Figure 291. Croato-Aegyptica database, 2018. © Mladen Tomorad.
	Figure 292. Description of the artefact from the database 'Croato-Aegyptica Electronica', 2018. © Mladen Tomorad
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