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دانلود کتاب Ecstasy and Terror: From the Greeks to Game of Thrones
دانلود کتاب خلسه و وحشت: از یونانی ها تا بازی تاج و تخت
مشخصات کتاب
Ecstasy and Terror: From the Greeks to Game of Thrones
ویرایش:
نویسندگان: Daniel Mendelsohn
سری:
ISBN (شابک) : 9781681374093, 9781681374055
ناشر: New York Review Books
سال نشر: 2019
تعداد صفحات:
زبان: English
فرمت فایل : EPUB (درصورت درخواست کاربر به PDF، EPUB یا AZW3 تبدیل می شود)
حجم فایل: 578 Kb
قیمت کتاب (تومان) : 54,000
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توجه داشته باشید کتاب خلسه و وحشت: از یونانی ها تا بازی تاج و تخت نسخه زبان اصلی می باشد و کتاب ترجمه شده به فارسی نمی باشد. وبسایت اینترنشنال لایبرری ارائه دهنده کتاب های زبان اصلی می باشد و هیچ گونه کتاب ترجمه شده یا نوشته شده به فارسی را ارائه نمی دهد.
توضیحاتی در مورد کتاب خلسه و وحشت: از یونانی ها تا بازی تاج و تخت
توضیحاتی درمورد کتاب به خارجی
“The role of the critic,” Daniel Mendelsohn writes,
“is to mediate intelligently and stylishly between a work
and its audience; to educate and edify in an engaging and,
preferably, entertaining way.” His latest collection
exemplifies the range, depth, and erudition that have made him
“required reading for anyone interested in dissecting
culture” (The Daily Beast). In Ecstasy and
Terror, Mendelsohn once again casts an eye at literature,
film, television, and the personal essay, filtering his
insights through his training as a scholar of classical
antiquity in illuminating and sometimes surprising ways.
Many of these essays look with fresh eyes at our
culture’s Greek and Roman models: some find an arresting
modernity in canonical works (Bacchae,
the Aeneid), while others detect a “Greek
DNA” in our responses to national traumas such as the
Boston Marathon bombings and the assassination of JFK. There
are pieces on contemporary literature, from the
“aesthetics of victimhood” in Hanya
Yanagihara’s A Little Life to the
uncomfortable mixture of art and autobiography in novels by
Henry Roth, Ingmar Bergman, and Karl Ove Knausgård.
Mendelsohn considers pop culture, too, in essays on the
feminism of Game of Thrones and on recent
films about artificial intelligence—a subject, he reminds
us, that was already of interest to Homer.
This collection also brings together for the first time a
number of the award-winning memoirist’s personal essays,
including his “critic’s manifesto” and a
touching reminiscence of his boyhood correspondence with the
historical novelist Mary Renault, who inspired him to study the
Classics.
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