Current Directions in Eleventh- and Twelfth-Century Sculpture Studies

Front matter (“Table Of Contents”,“Acknowledgments”, “List of Illustrations”), p. I
	
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Introduction: Romanesque Sculpture Studies at a Crossroads, p. 1
Robert A. Maxwell, Kirk Ambrose
https://doi.org/10.1484/M.SVCMA-EB.4.6001
	
	
Iconography beyond Iconography: Relational Meanings and Figures of Authority in the Reliefs of Souillac, p. 23
Jérôme Baschet
https://doi.org/10.1484/M.SVCMA-EB.4.6002
	
	
The Status of Sculpture in the Early Middle Ages: Liturgy and Paraliturgy in the Liber miraculorum sancte Fidis, p. 47
Martin Büchsel
https://doi.org/10.1484/M.SVCMA-EB.4.6003
	
	
The Nude at Moissac: Vision, Phantasia, and the Experience of Romanesque Sculpture, p. 61
Thomas E. A. Dale
https://doi.org/10.1484/M.SVCMA-EB.4.6004
	
	
The Date of the Moissac Portal, p. 77
Ilene H. Forsyth
https://doi.org/10.1484/M.SVCMA-EB.4.6005
	
	
(Re)framing Early Romanesque Sculpture in Italy, p. 101
Dorothy F. Glass
https://doi.org/10.1484/M.SVCMA-EB.4.6006
	
	
Sculpturing Architecture, Framing Sculpture, and Modes of Contextualizing the Arts in the Eleventh and Twelfth Centuries, p. 119
Klaus Niehr
https://doi.org/10.1484/M.SVCMA-EB.4.6007
	
	
Between Rupture and Continuity: Romanesque Sculpture at the Monastery of Santo Domingo de Silos, p. 141
José Luis Senra
https://doi.org/10.1484/M.SVCMA-EB.4.6008
	
	
Romanesque Sculpture in Italy: Form, Function, and Cultural Practice, p. 169
Andrea von Hülsen-Esch
https://doi.org/10.1484/M.SVCMA-EB.4.6009
	
	
The Emergence of Spanish Romanesque Sculpture: A Century of Scholarship, p. 185
John Williams
https://doi.org/10.1484/M.SVCMA-EB.4.6010
	
	
Back matter (“Notes on Contributors”, “Index of Place Names”,“Index of Subjects”), p. 201