Cultural Exchange between the Low Countries and Italy (1400-1600)

Florentine Bankers, Flemish Friars, and the Patronage of the Portinari Altarpiece, p. 1
Diane Wolfthal
	
The Annunciation by Joos Ammann in Genoa: Context, Function and Metapictorial Quality, p. 23
Michael Rohlmann
	
Piero and Bouts, p. 41
Creighton Gilbert	
	
Sources and Documents for the Use of the Oil Medium in Fifteenth-Century Italian Painting, p. 47
Francis Ames-Lewis	
	
Aspects of Antonello da Messina’s Technique and Working Method in the 1470s: Between Italian and Flemish Tradition, p. 63
Maria Clelia Galassi
	
Flying Pictorial Carpets: Tapestries’ Transalpine Agendas, p. 87
Colin Eisler	
	
Agostino Chigi’s Flemish Connection, p. 113
Ingrid D. Rowland
	
Mainz at the Crossroads of Utrecht and Venice: Erhard Reuwich and the Peregrinatio in terram sanctam (1486), p. 123
Elizabeth Ross
	
Northern Realism and Carthusian Devotion: Bergognone’s Christ Carrying the Cross for the Certosa of Pavia, p. 145
Ingrid Alexander-Skipnes
	
Critical Mass: Importing Luxury Industries Across the Alps, p. 161
Marina Belozerskaya
	
Memling’s Impact on the Early Raphael, p. 179
Barbara G. Lane
	
Regional Styles and Political Ambitions: Margaret of Austria’s Monastic Foundation at Brou, p. 193
Laura D. Gelfand
	
Moralised Triumphal Chariots - Metamorphosis of Petrarch’s Trionfi in Northern Art (c. 1530- c. 1560), p. 203
Yona Pinson
	
Spiriti veramente divini: Sculptors from the Low Countries in Italy, 1500-1600, p. 225
Frits Scholten
	
Brussels Tapestries for Italian Customers: Cardinal Montalto’s Landscapes with Animals made by Jan II Raes and Catherine van den Eynde, p. 239
Nello Forti Grazzini
	
Selected Bibliography, p. 267
	
Colour Plates, p. 275