Critica Musica: Essays in Honour of Paul Brainard

Contents
Preface
Principal Publications of Paul Brainard
Introduction to the Series
Some Considerations of the Sources of Cristobal Galan’s Music • John H. Baron
The Speaking Body: Gaspero Angiolini’s Rhetorique Muette and the Ballet d’Action in the Eighteenth Century • Ingrid Brainard
Costanzo Festa’s lnviolata, integra et casta es Maria: a Double Homage Motet • Mitchell P. Brauner
Bach, Theology, and Harmony: A New Look at the Arias • Stephen A. Crist
The Symphony and the Artist\'s Creed: Camille Saint-Saens and His Third Symphony • Ludwig Finscher
The Letter as Convention in Seventeenth-Century Venetian Opera • Beth L. Glixon
Poetic and Musical Forms in the Laude of Innocentius Dammonis • Jonathan Glixon
Melody and Motive in Schenker’s Earliest Writings • Allan Keiler
Twins, Cousins, and Heirs: Relationships among Editions of Music Printed in Sixteenth-Century Venice • MaryS. Lewis
Rhetoric, Rhythm, and Harmony as Keys to Schlitz’s Saul, Saul, was verfolgst du mich? • Eva Linfield
Bach’s tempo ordinaria: A Plaine and Easie Introduction to the System • Robert L. Marshall
Amorous Dialogues: Poetic Topos and Polyphonic Texture in Some Polytextual Songs of the Late Middle Ages • Virginia Newes
The Violins in Bach’s St. John Passion • Joshua Rifkin
French Opera in Transition: Silvie (1765) by Trial and Berton • Lois Rosow
Kindling the Compositional Fire: Haydn’s Keyboard Phantasiren • Hollace A. Schafer
When Sources Seem to Fail: The Clarinet Parts in Mozart’s K. 581 and K. 622 • Joel Sheveloff
From Madrigal to Toccata: Frescobaldi and the Seconda Prattica • Alexander Silbiger
Beethoven and Shakespeare • Caldwell Titcomb
Tenors Lost and Found: The Reconstruction of Motets in Two Medieval Chansonniers • Mary E. Wolinski
Index