Creative Product Design With Cultural Codes

Preface
Acknowledgements
Contents
About the Author
List of Figures
List of Tables
1 Introduction
	1.1 General Background Information of the Book
	1.2 Motive of the Book
	1.3 Objective of the Book
	1.4 Terminology of the Book
	1.5 Object and Scope of the Book
	1.6 Subjects of the Book
	1.7 Main Research Methods
	1.8 Framework and Description of the Book
	References
2 Research Methods
	2.1 Research Methods and Process
	2.2 Qualitative Research
	2.3 Quantitative Analysis
	References
3 Literature Review
	3.1 Field Survey
	3.2 Domestic and International Development Trends of Cultural and Creative Industries
	3.3 Definition and Categorization of Cultural and Creative Products
		3.3.1 Categories of Cultural and Creative Products
		3.3.2 Analysis of Cultural and Creative Commodities with Monopolistic Consumption Characteristics in Taiwanese Museums, Communities, and Local Areas
	3.4 Consumers’ Perceptions of Cultural and Creative Products
	3.5 Relevant Domestic and International Research and Positioning
	References
4 Construction of the Knowledge Base Concept Form and Process
	4.1 Literature on Semiotics
		4.1.1 Relevant Theories of Various Semiotic Scholars
		4.1.2 Symbol Conversion and Interpretation
	4.2 Design Models and Procedures of Cultural and Creative Products
	4.3 The Contents and Steps for the Construction of Cultural and Creative Products Design and Development Model
		4.3.1 Step 1: The Original Concept of the Knowledge Base of Cultural and Historical Design Symbols
		4.3.2 Step II: Build Knowledge Base Horizontal and Vertical Axis Design and Format Content
		4.3.3 Step III: Select Local Resources
		4.3.4 Step IV: Complete the Construction of the Knowledge Base Form
		4.3.5 Step V: Application and Procedure of Knowledge Base
	4.4 Results of Cultural and Creative Product Design as Viewed in Knowledge Base
	4.5 Results of Knowledge Base Feasibility Research and Analysis
		4.5.1 Definition of Terms Related to Statistics
		4.5.2 Questionnaire
		4.5.3 Analysis of the Basic Data of the Subjects
		4.5.4 Knowledge Base Training Appropriate Time Analysis
		4.5.5 Feasibility Analysis of the Conceptual Form of the Knowledge Base of Cultural and Historical Design Symbols to Assist Designers in Developing Products
		4.5.6 Analysis of Differences Before and After Using the Knowledge Base
		4.5.7 Analysis and Comparison of the Ease or Difficulty of the Development Mode of Cultural Creative Products
		4.5.8 Analysis of Satisfaction of Cultural Creative Product Achievements After Design
	References
5 Cultural and Creative Products Exhibition and Its Analysis Based on Scenario-Oriented Design
	5.1 Literature on Scenario-Oriented Design
	5.2 Cultural and Creative Products Exhibition and Its Procedure Based on Scenario-Oriented Design
	5.3 Scenario Composition and Setting
		5.3.1 “Initiate” Planning Steps
		5.3.2 “Inherit” Planning Steps
		5.3.3 “Transfer” Planning Steps
		5.3.4 “Integration” Planning Steps
		5.3.5 Scenario Planning of the Culture Creative Commodities Exhibition
	5.4 Space Planning of Cultural and Creative Product Exhibitions
	5.5 Cognitive Appraisal and Analysis of Cultural and Creative Product Exhibitions
		5.5.1 Questionnaire
		5.5.2 Basic Data Analysis of Subjects
		5.5.3 Analysis of Cognition of Caotun Cultural Resource Impression
		5.5.4 Consumption and Analysis of the Cultural Creative Products on Exhibit
		5.5.5 Analysis of the Cognition Towards the Cultural Creative Products Exhibition
		5.5.6 Effect Analysis of Scenario-Based Method
		5.5.7 Definition and Status Snalysis of Local Cultural Creative Products
	References
6 Comprehensive Discussion
	6.1 Analysis Results and Discussion of Knowledge Base Conceptual Form Establishment and Process
	6.2 Analysis Results and Discussion of the Scenario-Based Cultural Creative Product Exhibition
7 Conclusions and Recommendations
	7.1 Summary of the Book
	7.2 Recommendations of the Book
Index