Contemporary Popular Music Studies: Proceedings of the International Association for the Study of Popular Music 2017

Front Matter ....Pages I-VIII
 Introduction  (Marija Dumnić Vilotijević, Ivana Medić)....Pages 9-14
Front Matter ....Pages 15-15
 Defining popular music: Towards a “historical melodics”  (Sergio Mazzanti)....Pages 17-26
 Popular music studies in Kassel and the Germanies – looking back, looking ahead  (Jan Hemming)....Pages 27-38
 Urban folk music and cultural influences: Labels for narodna muzika (folk music) in Serbia in the twentieth century  (Marija Dumnić Vilotijević)....Pages 39-50
 Popular song and literary scholarship: Interactions between criticism and artistic creation  (Cláudia Neiva de Matos)....Pages 51-59
Front Matter ....Pages 61-61
 Women who rock: The memoir project  (Donna S. Parsons)....Pages 63-70
 Group listening, a typical practice of popular music applied to musician training  (Elina Goldsack)....Pages 71-79
 Curricular orientations of secondary school specializing in music in Argentina: Input for inserting popular music into educational institutions  (María Inés López)....Pages 81-90
 Studying listening to recorded popular music: A methodological overview and some suggestions for future research  (Marta García Quiñones)....Pages 91-100
 Pathways of pop: Arts and education policy, studieförbund and genre hierarchies  (Daniel Fredriksson)....Pages 101-108
Front Matter ....Pages 109-109
 Golfos, punkis, alternativos, indignados: Subterranean traditions of youth in Spain, 1960 ̶ 2015  (Paula Guerra, Carles Feixa)....Pages 111-126
 Heart of glass: Gender and domination in the early days of punk in Portugal  (Paula Guerra, Ana Oliveira)....Pages 127-136
 One struggle, one fight, all day, all night: Punk cartographies in the subway of São Paulo and Lisbon  (Débora Gomes dos Santos, Ana Oliveira, Paula Guerra)....Pages 137-146
Front Matter ....Pages 147-147
 On analyzing EDM DJ sets: Problems and perspectives for a sociology of sound  (José Gálvez)....Pages 149-159
 An ethnographic investigation into the culture and people of the UK Free Party (illegal rave) scene in the twenty first century  (Marianne L. Keeler)....Pages 161-169
Front Matter ....Pages 171-171
 Collaboration in semi-professional music groups  (Tobias Marx)....Pages 173-181
 Samba batucada: Flexibility and integration  (Francisco Assis Santana Mestrinel)....Pages 183-192
 “Sing to the Lord a new song”: The interaction of religion and popular music in the case of Posaunenchor in the protestant church in Germany  (Ryoto Akiyama)....Pages 193-201
 Musical formation of popular singers in Brazil: A case study with singers who sing in pairs música sertaneja – Brazilian country music  (Jaqueline Soares Marques, Jusamara Souza)....Pages 203-212
Front Matter ....Pages 213-213
 Rock music videos in Serbia since the 1990s: The curious case of Jarboli  (Ivana Medić)....Pages 215-224
 Queen Katy Patra represents ancient Egypt in pop music  (Yvonne Vosmann)....Pages 225-234
 Analysing the voice in popular music with categories of “voice”  (Fernand Hörner)....Pages 235-247
Front Matter ....Pages 249-249
 Researching popular music through transmedia festivals  (Bianca Ludewig)....Pages 251-257
 The underground, dispossession and positionality in Greek experimental music  (Danae Stefanou)....Pages 259-266
Front Matter ....Pages 267-267
 Just for the fun of it? Contemporary strategies for making, distributing and gifting music  (Chris Anderton)....Pages 269-277
 Towards posthegemonic popular music studies  (Artur Szarecki)....Pages 279-287
 “Party music”, expression of identities, aesthetics and power in the African diaspora  (Frank Marcon)....Pages 289-298
Back Matter ....Pages 299-299