Carl Schmitt and the Buribunks: Technology, Law, Literature

Cover
Half Title
Series Page
Title Page
Copyright Page
Table of Contents
List of illustrations
List of contributors
Preface
PART I: 
Introducing The Buribunks
	1. The Buribunks as law, technology and literature
	2. The Buribunks: An essay on the philosophy of history
	3. Behind the words of Die Buribunken: Translators’ comments
PART II: 
The Buribunks as typeset
	4. The Buribunks, post-truth and a tentative cartography of 
informational existence
	5. The theological-bureaucratic science fiction of Philip K. Dick and 
Carl Schmitt: An economic theology of omniscience in 
The Buribunks
	6. Inauthentic temporality and the age of hyperburibunkism
	7. Megarianism, emancipation and the (im)potentiality of political 
ontology: A commentary on freedom in Schmitt’s dystopia
	8. The challenges of anti-intellectual parody
	9. ‘Quantity turns into quality’: Breathing life into dead scholasticism
PART III: 
The Buribunks as writing
	10. On writing. Under control.: The Buribunks and the autographic 
society of control
	11. Modernist life-writing and early cinema in Carl Schmitt’s 
The Buribunks
	12. Die Buribunken – a pastiche: A mechanised modernity failing Hegel 
and Kierkegaard
	13. Sola scriptura: Doubling of life and critique of modernity in 
The Buribunks
	14. Schmitt’s Roman links in The Buribunks: Enriching the satire
PART IV: 
The Buribunks as part of Schmitt’s wider oeuvre
	15. Mephistophelean irony in Carl Schmitt’s Political Romanticism, 
The Buribunks and Ex Captivitate Salus
	16. Imagined facts, actual enemies: The Buribunks and the political
	17. Between The Buribunks and the Christian Epimetheus
	18. Schmitt’s life within the academy since 2001
Index