BRIDGING PEOPLE AND SOUND : 13th international symposium, cmmr 2016, sao

Front Matter ....Pages I-XI
Front Matter ....Pages 1-1
 deepGTTM-I&II: Local Boundary and Metrical Structure Analyzer Based on Deep Learning Technique  (Masatoshi Hamanaka, Keiji Hirata, Satoshi Tojo)....Pages 3-21
 Melody and Rhythm Through Network Visualization Techniques  (Guillaume Blot, Pierre Saurel, Francis Rousseaux)....Pages 22-40
 Music Generation with Relation Join  (Xiuyan Ni, Ligon Liu, Robert Haralick)....Pages 41-64
 The Framework of Copista: An OMR System for Historical Music Collection Recovery  (Marcos Laia, Flávio Schiavoni, Daniel Madeira, Dárlinton Carvalho, João Pedro Moreira, Júlio Resende et al.)....Pages 65-87
Front Matter ....Pages 89-89
 Recent Findings on Sound and Posture: A Position Paper  (Lennie Gandemer, Gaëtan Parseihian, Christophe Bourdin, Richard Kronland-Martinet)....Pages 91-108
 Eluding the Influence of Postural Constraints on Cellists’ Bowing Movements and Timbral Quality  (Jocelyn Rozé, Richard Kronland-Martinet, Mitsuko Aramaki, Christophe Bourdin, Sølvi Ystad)....Pages 109-124
 Eclipse: A Wearable Instrument for Performance Based Storytelling  (Ezgi Ucar)....Pages 125-133
Front Matter ....Pages 135-135
 Sound Interaction Design and Creation in the Context of Urban Space  (Julián Jaramillo Arango)....Pages 137-149
 Increasing Pleasantness and Security Using 3D-Sound Design in Public Transport  (Gaëtan Parseihian, Christophe Bourdin, Vincent Bréjard, Richard Kronland-Martinet)....Pages 150-168
Front Matter ....Pages 169-169
 Using Pure Data for Real-Time Granular Synthesis Control Through Leap Motion  (Damián Anache)....Pages 171-179
 Angkasa: A Software Tool for Spatiotemporal Granulation  (Muhammad Hafiz Wan Rosli, Andres Cabrera)....Pages 180-191
 User Experience in an Interactive Music Virtual Reality System: An Exploratory Study  (Thomas Deacon, Tony Stockman, Mathieu Barthet)....Pages 192-216
Front Matter ....Pages 217-217
 VORPAL: An Extensible and Flexible Middleware for Real-Time Soundtracks in Digital Games  (Wilson Kazuo Mizutani, Fabio Kon)....Pages 219-228
 New Atlantis: Audio Experimentation in a Shared Online World  (Peter Sinclair, Roland Cahen, Jonathan Tanant, Peter Gena)....Pages 229-246
 Estilhaço 1 and 2: Conversations Between Sound and Image in the Context of a Solo Percussion Concert  (Fernando Rocha, Eli Stine)....Pages 247-255
Front Matter ....Pages 257-257
 The Qualities of the Perceived Sound Forms: A Morphological Approach to Timbre Composition  (Danilo Rossetti)....Pages 259-283
 Event-Based Ubiquitous Music Interaction with MCMM: A Musical Communication Modeling Methodology  (Flávio Luiz Schiavoni)....Pages 284-298
Front Matter ....Pages 299-299
 A Virtual Musical Instrument for 3D Performance with Short Gestures: Exploring Mapping Strategies with Virtual Reality  (André Montes Rodrigues, Marcelo Knorich Zuffo, Olavo da Rosa Belloc, Regis Rossi Alves Faria)....Pages 301-315
 Using Sound to Enhance Taste Experiences: An Overview  (Felipe Reinoso Carvalho, Abdellah Touhafi, Kris Steenhaut, Raymond van Ee, Carlos Velasco)....Pages 316-330
 Revolt and Ambivalence: Music, Torture and Absurdity in the Digital Oratorio The Refrigerator  (Paulo C. Chagas)....Pages 331-346
 Dynamic Mapping Strategies Using Content-Based Classification: A Proposed Method for an Augmented Instrument  (Gabriel Rimoldi, Jônatas Manzolli)....Pages 347-356
 Prynth: A Framework for Self-contained Digital Music Instruments  (Ivan Franco, Marcelo M. Wanderley)....Pages 357-370
Back Matter ....Pages 371-371