کلمات کلیدی مربوط به کتاب پل رویاها: مجموعه هنر ژاپنی مری گریگز برک: هنر و نقد هنر، فرهنگ هنر جهانی (MHK)
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توجه داشته باشید کتاب پل رویاها: مجموعه هنر ژاپنی مری گریگز برک نسخه زبان اصلی می باشد و کتاب ترجمه شده به فارسی نمی باشد. وبسایت اینترنشنال لایبرری ارائه دهنده کتاب های زبان اصلی می باشد و هیچ گونه کتاب ترجمه شده یا نوشته شده به فارسی را ارائه نمی دهد.
New York: Metropolitan Museum of Art. 2000. — 466 p. —
ISBN-0-87099-941-9
"The beauty of the Japanese aesthetic
first struck me when I saw my mother's kimono, a padded winter
garment of black silk with a bold design of twisted pine
branches covered with snow... I can remember putting it on and
letting it trail behind me. It was then, I believe, that a
future collector of Japanese art was born."
The woman who wrote these words, Mary
Griggs Burke, did indeed go on to become a collector of
Japanese art. Thirty years later she visited Japan at the
suggestion of the architect Walter Gropius, and "profoundly
moved by the beauty of the paintings and sculpture that I
saw...I fell in love with Japan." In the 1960s, she and her
husband, Jackson, began to form their collection. The Mary
Griggs Burke Collection, represented in this volume and in the
exhibition it accompanies, is a testimony to the intensity and
selectivity of Mrs. Burke's collecting, guided by a discerning
eye, a deep affection for Japan, and an appreciation of the
country's cultural heritage. In 1985, the Japanese government
invited her to exhibit the collection at the Tokyo National
Museum and two years later, in gratitude for her activities in
support of Japanese art and all facets of Japanese culture,
conferred on her the honorary medal of Sacred Treasure, Gold
and Silver Star, Second Degree, a rare honor for a foreigner to
receive.
Long recognized as one of the finest
collections of Japanese art in private hands, the Mary Griggs
Burke Collection is the largest and most comprehensive outside
Japan. The present selection, arranged chronologically,
includes an astonishing ceramic vessel from the prehistoric
Jomon period, rare examples of Shinto gods from the tenth
century, and a recently acquired early depiction, dated 1278,
of the Zen theme of the Ten Ox-Herding Songs, a metaphor for
the quest for enlightenment. The Japanese genius for dramatic
narrative is strongly represented by several seventeenth- and
eighteenth-century works depicting scenes from The Tale of
Genji, the classic by Lady Murasaki Shikibu that tells the
story of Genji, the Shining Prince. Other highlights are
Willows and Bridge, an extraordinary pair of folding screens
that exemplify the taste of the Momoyama period (1573-1615),
and Women Contemplating Floating Fans, an important example of
genre painting in the late sixteenth and early seventeenth
centuries.
While it provides a historical
overview of the development of Japanese art, the collection
illustrates as well Japan's capacity to foster divergent
artistic traditions both from other cultures and from those
that reflect indigenous tastes. It also demonstrates the
profound impact of Buddhism on Japanese culture, the tastes and
values of the courtly and military elite, and the interests of
patrons who range from Sinophile rulers and scholars to
pleasure-seeking urbanites.