Blake 2.0: William Blake in Twentieth-Century Art, Music and Culture

Front Matter....Pages i-xiii
Blake 2.0: Introduction....Pages 1-10
Front Matter....Pages 11-11
Mirrored Text/Infinite Planes: Reception Aesthetics in Blake’s Milton....Pages 13-26
‘Rouze up O Young Men of the New Age!’: William Blake, Theodore Roszak, and the Counter Culture of the 1960s–1970s....Pages 27-40
Digital Blake 2.0....Pages 41-55
‘Rob & Plunder … Translate & Copy & Buy & Sell & Criticise, but not Make’: Blake and Copyright Today....Pages 56-68
‘New matter’: Mona Wilson’s The Life of William Blake 85 Years On....Pages 69-88
Front Matter....Pages 89-89
Celebration and Censure: William Blake and Stories of Masterliness in the British Art World, 1930–59....Pages 91-101
Blake and Surrealism....Pages 102-119
‘The Sculptor Silent Stands before His Forming Image’: Blake and Contemporary Sculpture....Pages 120-131
‘Mental Joy & Mental Health / And Mental Friends & Mental Wealth’: Blake and Art Therapy....Pages 132-145
Front Matter....Pages 147-147
‘And did those feet’? Blake and the Role of the Artist in Post-War Britain....Pages 149-161
Film in a Time of Crisis: Blake, Dead Man, The New Math(s), and Last Days....Pages 162-174
‘The end of the world. That’s a bad thing right?’: Form and Function from William Blake to Alan Moore....Pages 175-186
Front Matter....Pages 187-187
Blake Set to Music....Pages 189-208
‘Only the wings on his heels’: Blake and Dylan....Pages 209-229
‘He Took a Face from the Ancient Gallery’: Blake and Jim Morrison....Pages 230-247
‘Hear the Drunken Archangel Sing’: Blakean Notes in 1990s Pop Music....Pages 248-262
Mental Fight, Corporeal War, and Righteous Dub: The Struggle for ‘Jerusalem’, 1979–2009....Pages 263-273
Back Matter....Pages 274-309