Beyond Media Borders, Volume 2: Intermedial Relations among Multimodal Media

Foreword: Mediations of Method
Preface
Acknowledgements
About the Book
Contents
Notes on Contributors
List of Figures
Part I: Media Transformation
	Chapter 1: Finding Meaning in Intermedial Gaps
		1.1 Introduction
		1.2 Ventriloquism with No Voice
		1.3 Silent Film with No Image
		1.4 Opera with No Song
		1.5 Speaking in Another Language
		1.6 Conclusion
		References
	Chapter 2: Transferring Handmaids: Iconography, Adaptation, and Intermediality
		2.1 Introduction
		2.2 Intermediality, Iconography, and Transfer
		2.3 Mediation in The Handmaid’s Tale (1985)
		2.4 The Handmaid: Establishing a Network of Iconography
		2.5 Print-Based Movement: Illustration and Graphic Novel
		2.6 Motion-Based Transfer
		2.7 Transfer and Networks
		References
	Chapter 3: Building Bridges: The Modes of Architecture
		3.1 Assembling Foundations
		3.2 Setting Up the Piers, or the Modes of Architecture
		3.3 Adding Girders: Embodiment and Perspective
		3.4 The Deck, or Architecture’s Medial Traits
		References
	Chapter 4: Media Representation and Transmediation: Indexicality in Journalism Comics and Biography Comics
		4.1 Introduction
		4.2 A Short History of Comics as a Qualified Media Type
		4.3 Media Representation and Transmediation in Journalism Comics and Biography Comics
			4.3.1 Simple Media Representations
			4.3.2 Complex Media Representations
			4.3.3 Transmediations
		4.4 Conclusion
		References
	Chapter 5: Towards an Intermedial Ecocriticism
		5.1 Introduction
		5.2 Sketching the Background
			5.2.1 Three Basic Intermedial Points—And the Question of Representation
			5.2.2 Intermedial Ecocriticism: A Methodological Suggestion
				Step 1
				Step 2
				Step 3
		5.3 Comparative Case Study
			5.3.1 A CarbonBrief Article
				Step 1
				Step 2
			5.3.2 Charlotte Weitze’s Novel Den afskyelige (The Abominable)
				Step 1
				Step 2
			5.3.3 Comparison of Article and Novel
				Research Question 1 (Representation of Science)
				Research Question 2 (Scientific Results and Everyday Experience)
		5.4 Concluding Remarks
		References
	Chapter 6: Metalepsis in Different Media
		6.1 Introduction
		6.2 Metalepsis in Literature
		6.3 Metalepsis in Film
			6.3.1 Metalepsis Through Narrative Voice in Film
			6.3.2 Metalepsis Without Narrative Voice in Film
		6.4 Conclusion
		References
	Chapter 7: Seeing the Landscape Through Textual and Graphical Media Products
		7.1 Introduction: Being in the World
		7.2 Descriptions of Landscapes
			7.2.1 Written Texts
			7.2.2 Map Documents
			7.2.3 Oral Texts
		7.3 Geocommunication
		7.4 References Between Maps and Texts
		7.5 On the Realism of Landscapes
		7.6 Maps Are Not Texts, But Neither Are Texts
		7.7 Interpretative Journeys
		7.8 Modelling and Media Transformations
		7.9 Landscape, Space, Reality, and the Virtual
		7.10 Being in a Virtual World, Experiencing Space Real and Unreal
		7.11 Conclusion
		References
Part II: The Model Applied
	Chapter 8: Summary and Elaborations
		8.1 Summary
		8.2 Adaptation
		8.3 Narration
		8.4 Language
		References
Index