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ویرایش: نویسندگان: Lois Parkinson Zamora, Monika Kaup (eds.) سری: ISBN (شابک) : 9780822346425, 9780822346302 ناشر: Duke University Press سال نشر: 2010 تعداد صفحات: 690 زبان: English فرمت فایل : PDF (درصورت درخواست کاربر به PDF، EPUB یا AZW3 تبدیل می شود) حجم فایل: 8 مگابایت
در صورت تبدیل فایل کتاب Baroque New Worlds: Representation, Transculturation, Counterconquest به فرمت های PDF، EPUB، AZW3، MOBI و یا DJVU می توانید به پشتیبان اطلاع دهید تا فایل مورد نظر را تبدیل نمایند.
توجه داشته باشید کتاب جهان های جدید باروک: بازنمایی، فرافرهنگی، تسخیر متقابل نسخه زبان اصلی می باشد و کتاب ترجمه شده به فارسی نمی باشد. وبسایت اینترنشنال لایبرری ارائه دهنده کتاب های زبان اصلی می باشد و هیچ گونه کتاب ترجمه شده یا نوشته شده به فارسی را ارائه نمی دهد.
Baroque New Worlds traces the changing nature of Baroque representation in Europe and the Americas across four centuries, from its seventeenth-century origins as a Catholic and monarchical aesthetic and ideology to its contemporary function as a postcolonial ideology aimed at disrupting entrenched power structures and perceptual categories. Baroque forms are exuberant, ample, dynamic, and porous, and in the regions colonized by Catholic Europe, the Baroque was itself eventually colonized. In the New World, its transplants immediately began to reflect the cultural perspectives and iconographies of the indigenous and African artisans who built and decorated Catholic structures, and Europe’s own cultural products were radically altered in turn. Today, under the rubric of the Neobaroque, this transculturated Baroque continues to impel artistic expression in literature, the visual arts, architecture, and popular entertainment worldwide. Since Neobaroque reconstitutions necessarily reference the European Baroque, this volume begins with the reevaluation of the Baroque that evolved in Europe during the late nineteenth century and the early twentieth. Foundational essays by Friedrich Nietzsche, Heinrich Wölfflin, Walter Benjamin, Eugenio d’Ors, René Wellek, and Mario Praz recuperate and redefine the historical Baroque. Their essays lay the groundwork for the revisionist Latin American essays, many of which have not been translated into English until now. Authors including Alejo Carpentier, José Lezama Lima, Severo Sarduy, Édouard Glissant, Haroldo de Campos, and Carlos Fuentes understand the New World Baroque and Neobaroque as decolonizing strategies in Latin America and other postcolonial contexts. This collection moves between art history and literary criticism to provide a rich interdisciplinary discussion of the transcultural forms and functions of the Baroque.
Cover ......Page 1
Title page ......Page 4
Copyright page ......Page 5
Contents......Page 10
Illustrations ......Page 14
Acknowledgments ......Page 16
Lois Parkinson Zamora and Monika Kaup, "Baroque, New World Baroque, Neobaroque: Categories and Concepts" ......Page 18
Part One: Representation: Foundational Essays on Baroque Aethetics and Ideology ......Page 54
The European Baroque ......Page 56
Editors' Note to Chapter One......Page 58
1. Friedrich Nietzsche, "On the Baroque" (1878) ......Page 61
Editors' Note to Chapter Two......Page 63
2. Heinrich Wölfflin, Excerpt from the Introduction to "Principles of Art History: The Problem of the Development of Style in Later Art" (1915)......Page 66
Editors' Note to Chapter Three......Page 72
3. Walter Benjamin, Excerpts from "The Origin of German Tragic Drama" (1928) ......Page 76
Editors' Note to Chapter Four ......Page 92
4. Eugenio d'Ors, Excerpts from "The Debate on the Baroque in Pontigny" (1935) ......Page 95
Editors' Note to Chapter Five ......Page 110
5. René Wellek, Excerpts from "The Concept of Baroque in Literary Scholarship" (1945, rev. 1962) ......Page 112
Editors' Note to Chapter Six ......Page 132
6. Mario Praz, "Baroque in England" (1960) ......Page 136
Editors' Note to Chapter Seven ......Page 153
7. Christine Buci-Glucksmann, Chapter 2 from "La folie du voir", "The Work of the Gaze" (1986) ......Page 157
The New World Baroque and the NeoBaroque ......Page 176
Editors' Note to Chapter Eight ......Page 178
8. Alfonso Reyes, Excerpt from "Savoring Góngora" (1928) ......Page 182
Editors' Note to Chapter Nine ......Page 196
9. Ángel Guido, Chapter 1 from "Redescubrimienta de América en el arte, 'America's Relation to Europe in the Arts'" (1936) ......Page 200
Editors' Note to Chapter Ten ......Page 215
10. Pedro Henríquez Ureña, "The Baroque in America" (1940) ......Page 217
Editors' Note to Chapter Eleven ......Page 226
11. José Lezama Lima, Chapter 2 from "La expresión americana", 'Baroque Curiosity' (1957) ......Page 229
Editors' Note to Chapter Twelve and Thirteen ......Page 258
12. Alejo Carpentier, "The City of Columns" (1964) ......Page 261
13. Alejo Carpentier, Excerpt from "Questions Concerning the Contemporary Latin American Novel" (1964) ......Page 276
Editors' Note to Chapter Fourteen and Fifteen ......Page 282
14. Severo Sarduy, "The Baroque and the Neobaroque" (1972) ......Page 287
15. Severo Sarduy, Chapter 3 from "Barroco", "Baroque Cosmology: Kepler" (1974) ......Page 309
Editors' Note to Chapter Sixteen ......Page 333
16. Haroldo de Campos, "The Rule of Anthropophagy: Europe under the Sign of Devoration" (1981) ......Page 336
Part Two: Transculturation: Colonial Practice ......Page 358
17. Jorge Ruedas de la Serna, "Góngora in Spanish American Poetry, Góngora in Luso-Brazilian Poetry: Critical Parallels" ......Page 360
18. José Pascual Buxó, "Sor Juana and Luis de Góngora: The Poetics of 'Imitatio'" (2006) ......Page 369
19. Timothy J. Reiss, "American Baroque Histories and Geographies from Sigüenza y Góngora and Balbuena to Balboa, Carpentier, and Lezama" ......Page 411
20. William Childers, "Baroque Quixote: New World Writing and the Collapse of the Heroic Ideal" ......Page 432
21. Dorothy Z. Baker, "Baroque Self-Fashioning in Seventeenth-Century New France" ......Page 467
22. Leo Cabranes-Grant, "The Fold of Difference: Performing Baroque and Neobaroque Mexican Identities" ......Page 484
Part Three: Counterconquest: Postcolonial Positions ......Page 502
23. Gonzalo Celorio, Chapter 2 from "Ensayo de contraconquista", "From the Baroque to the Neobaroque" (2001) ......Page 504
24. Irlemar Chiampi, Chapter 1 from "Barroco y modernidad", "The Baroque at the Twilight of Modernity" (2000) ......Page 525
Editors' Note to Chapter......Page 546
25. Carlos Fuentes, "The Novel as Tragedy: William Faulkner" (1970) ......Page 548
26. Roberto González Echevarría, "Góngora’s and Lezama’s Appetites" (1978) ......Page 571
27. Maarten van Delden, "Europe and Latin America in José Lezama Lima" ......Page 588
28. Christopher Winks, "Seeking a Cuba of the Self: Baroque Dialogues between José Lezama Lima and Wallace Stevens" ......Page 614
Editors' Note to Chapter Twenty-Nine ......Page 639
29. Édouard Glissant, "Concerning a Baroque Abroad in the World" (1990) ......Page 641
Bibliography ......Page 644
Notes on Contributors ......Page 662
Index ......Page 668