Bakhtin and his Others : (Inter)subjectivity, Chronotope, Dialogism

Content: Half Title
 Title Page
 Copyright Page
 CONTENTS
 ACKNOWLEDGEMENTS
 TRANSLATION AND TRANSLITERATION
 Introduction THE ACTING SUBJECT OF BAKHTIN
 The Question of Subject(ivity)
 The Acting Subject
 Bakhtin and His Others
 Notes
 References
 Chapter 1 BAKHTIN AND LUKÁCS: SUBJECTIVITY, SIGNIFYING FORM AND TEMPORALITY IN THE NOVEL
 Introduction: Bakhtin and Lukács
 Subject and Signifying Form: The Early Bakhtin and the Early Lukács
 From the Quest for Totality to a Polyphony of Voices: Hegel, Lukács, Bakhtin
 Subjectivity and Temporality in the Novel
 Notes
 References. Chapter 2 BAKHTIN, WATT AND THE EARLY EIGHTEENTH-CENTURY NOVELNovelistic Turning Points and the Eighteenth-Century Novel According to Bakhtin
 The Early Eighteenth-Century Novel: Watt and Anglo-American Criticism
 Conclusion
 Notes
 References
 Chapter 3 CONCEPTS OF NOVELISTIC POLYPHONY: PERSON-RELATED AND COMPOSITIONAL-THEMATIC
 Introduction: Polyphonies of the Novel
 Bakhtin: Polyphony as Polysubjectivity
 The Romantic Idea of the Musical Composition of a Literary Work of Art: Friedrich Schlegel
 The Polyphonic Composition of Thomas Mann's Doctor Faustus. Polyphony as the Principle of Composition of a 'Novel in the Form of Variations': Milan KunderaNotes
 References
 Chapter 4 FAMILIAR OTHERNESS: PECULIARITIES OF DIALOGUE IN EZRA POUND'S POETICS OF INCLUSION
 Hieratic Head
 Encountering Hades
 Walking with Kung
 Guide to Otherness
 The Pattern Persists
 Conclusion
 Note
 References
 Chapter 5 AUTHOR AND OTHER IN DIALOGUE: BAKHTINIAN POLYPHONY IN THE POETRY OF PETER READING
 The Problem of Bakhtinian Terminology and Poetry
 Polyphony and the Poetic Text
 Peter Reading's Polyphonic Poetry
 Polyphony as Macroscopic Structure
 Notes
 References. Chapter 6 TRADITION AND GENRE: THOMAS KYD'S The Spanish TragedyThe Tradition of Neo-Latin Drama in Kyd's Time
 Source Study and 'Ideological Colloquy'
 Kyd, Speech Genres and Literary History
 The Spanish Tragedy and Conversation
 Notes
 References
 Chapter 7 BAKHTIN'S CONCEPT OF THE CHRONOTOPE: THE VIEWPOINT OF AN ACTING SUBJECT
 Bakhtin's Concept of Chronotope: An Epistemological Category?
 The Bildungsroman: Seeing the Acting Subject in History
 Chronotopes: Forms of the Time of Human Action as Conditioned by Concrete Circumstances
 Notes
 References. Chapter 8 THE PROVINCIAL CHRONOTOPE AND MODERNITY IN CHEKHOV'S SHORT FICTIONThe Provincial Chronotope and the Idyll
 The Provincial Poshlost
 Provincial Longing and Narrative (Un)predictability
 Notes
 References
 LIST OF CONTRIBUTORS.