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دانلود کتاب Auguste Renoir
دانلود کتاب آگوست رنوار
مشخصات کتاب
Auguste Renoir
ویرایش: نویسندگان: Brodskaya. Nathalia, Renoir. Auguste سری: The mega square series ISBN (شابک) : 9781781605936, 1781605939 ناشر: Parkstone Press International سال نشر: 2013 تعداد صفحات: 0 زبان: English فرمت فایل : EPUB (درصورت درخواست کاربر به PDF، EPUB یا AZW3 تبدیل می شود) حجم فایل: 8 مگابایت
قیمت کتاب (تومان) : 54,000
کلمات کلیدی مربوط به کتاب آگوست رنوار: رنوار، آگوست، -- 1841-1919.، کتاب های الکترونیکی.
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توضیحاتی درمورد کتاب به خارجی
Pierre-Auguste Renoir was born in Limoges on 25 February 1841.
In 1854, the boy's parents took him from school and found a
place for him in the Lv̌y brothers' workshop, where he was to
learn to paint porcelain. Renoir's younger brother Edmond had
this to say this about the move: "From what he drew in charcoal
on the walls, they concluded that he had the ability for an
artist's profession. That was how our parents came to put him to learn the
trade of porcelain painter." One of the Lv̌ys' workers, Emile
Laporte, painted in oils in his spare time. He suggested Renoir
makes use of his canvases and paints. This offer resulted in
the appearance of the first painting by the future
impressionist. In 1862, Renoir passed the examinations and
entered the Ecole des Beaux-Arts and, simultaneously, one of
the independent studios, where instruction was given by Charles
Gleyre, a professor at the Ecole des Beaux-Arts. The second,
perhaps even the first, great event of this period in Renoir's
life was his meeting, in Gleyre's studio, with those who were
to become his best friends for the rest of his days and who
shared his ideas about art. Much later, when he was already a
mature artist, Renoir had the opportunity to see works by
Rembrandt in Holland, Velz̀quez, Goya and El Greco in Spain,
and Raphael in Italy. However, Renoir lived and breathed ideas
of a new kind of art. He always found his inspirations in the
Louvre. "For me, in the Gleyre era, the Louvre was Delacroix,"
he confessed to Jean. For Renoir, the First Impressionist
Exhibition was the moment his vision of art and the artist was
affirmed. This period in Renoir's life was marked by one
further significant event. In 1873, he moved to Montmartre, to
the house at 35 Rue Saint-Georges, where he lived until 1884.
Renoir remained loyal to Montmartre for the rest of his life.
Here he found his "plein-air" subjects, his models, and even
his family. It was in the 1870s that Renoir acquired the
friends who would stay with him for the remainder of his days.
One of them was the art-dealer Paul Durand-Ruel, who began to
buy his paintings in 1872. In summer, Renoir continued to paint
a great deal outdoors together with Monet. He would travel out
to Argenteuil, where Monet rented a house for his family.
Edouard Manet sometimes worked with them too. In 1877, at the
Third Impressionist Exhibition, Renoir presented a panorama of
over twenty paintings. They included landscapes created in
Paris, on the Seine, outside the city and in Claude Monet's
garden; studies of women's heads and bouquets of flowers;
portraits of Sisley, the actress Jeanne Samary, the writer
Alphonse Daudet and the politician Spuller; and also The Swing
and The Ball at the Moulin de la Galette. Finally, in the 1880s
Renoir hit a "winning streak". He was commissioned by rich
financiers, the owner of the Grands Magasins du Louvre and
Senator Goujon. His paintings were exhibited in London and
Brussels, as well as at the Seventh International Exhibition
held at Georges Petit's in Paris in 1886. In a letter to
Durand-Ruel, then in New York, Renoir wrote: "The Petit
exhibition has opened and is not doing badly, so they say.
After all, it's so hard to judge about yourself. I think I have
managed to take a step forward towards public respect. A small
step, but even that is something." Read
more...
Abstract: Pierre-Auguste Renoir was born in Limoges on 25
February 1841. In 1854, the boy's parents took him from school
and found a place for him in the Lv̌y brothers' workshop, where
he was to learn to paint porcelain. Renoir's younger brother
Edmond had this to say this about the move: "From what he drew
in charcoal on the walls, they concluded that he had the
ability for an artist's profession. That was how our parents
came to put him to learn the trade of porcelain painter." One
of the Lv̌ys' workers, Emile Laporte, painted in oils in his
spare time. He suggested Renoir makes use of his canvases and
paints. This offer resulted in the appearance of the first
painting by the future impressionist. In 1862, Renoir passed
the examinations and entered the Ecole des Beaux-Arts and,
simultaneously, one of the independent studios, where
instruction was given by Charles Gleyre, a professor at the
Ecole des Beaux-Arts. The second, perhaps even the first, great
event of this period in Renoir's life was his meeting, in
Gleyre's studio, with those who were to become his best friends
for the rest of his days and who shared his ideas about art.
Much later, when he was already a mature artist, Renoir had the
opportunity to see works by Rembrandt in Holland, Velz̀quez,
Goya and El Greco in Spain, and Raphael in Italy. However,
Renoir lived and breathed ideas of a new kind of art. He always
found his inspirations in the Louvre. "For me, in the Gleyre
era, the Louvre was Delacroix," he confessed to Jean. For
Renoir, the First Impressionist Exhibition was the moment his
vision of art and the artist was affirmed. This period in
Renoir's life was marked by one further significant event. In
1873, he moved to Montmartre, to the house at 35 Rue
Saint-Georges, where he lived until 1884. Renoir remained loyal
to Montmartre for the rest of his life. Here he found his
"plein-air" subjects, his models, and even his family. It was
in the 1870s that Renoir acquired the friends who would stay
with him for the remainder of his days. One of them was the
art-dealer Paul Durand-Ruel, who began to buy his paintings in
1872. In summer, Renoir continued to paint a great deal
outdoors together with Monet. He would travel out to
Argenteuil, where Monet rented a house for his family. Edouard
Manet sometimes worked with them too. In 1877, at the Third
Impressionist Exhibition, Renoir presented a panorama of over
twenty paintings. They included landscapes created in Paris, on
the Seine, outside the city and in Claude Monet's garden;
studies of women's heads and bouquets of flowers; portraits of
Sisley, the actress Jeanne Samary, the writer Alphonse Daudet
and the politician Spuller; and also The Swing and The Ball at
the Moulin de la Galette. Finally, in the 1880s Renoir hit a
"winning streak". He was commissioned by rich financiers, the
owner of the Grands Magasins du Louvre and Senator Goujon. His
paintings were exhibited in London and Brussels, as well as at
the Seventh International Exhibition held at Georges Petit's in
Paris in 1886. In a letter to Durand-Ruel, then in New York,
Renoir wrote: "The Petit exhibition has opened and is not doing
badly, so they say. After all, it's so hard to judge about
yourself. I think I have managed to take a step forward towards
public respect. A small step, but even that is something."
