Audiovisual Translation Through a Gender Lens

Audiovisual Translation through a Gender Lens
Contents
List of figures
List of tables
Acknowledgements
Note to the reader
Introduction
	Preliminary considerations
	The corpus
	Aims and structure of the book
1 The relevance of interdisciplinary research
	1.1 Gender Studies
		1.1.1 Preliminary considerations about the study of gender
		1.1.2 Gynocriticism, Gay Studies, Queer Studies
		1.1.3 Post-colonial Studies
	1.2 Translation Studies
		1.2.1 Translation as a cultural space
		1.2.2 Translation as identity
	1.3 Gender and translation
		1.3.1 The why and how of placing gender in translation
		1.3.2 Gender visibility in post-colonial translation
		1.3.3 Attempting gay/queer visibility in translation
		1.3.4 Final remarks
	1.4 Audiovisual translation
		1.4.1 Preliminary considerations about audiovisual translation
		1.4.2 Dubbing
		1.4.3 The case of audiovisual translation in Spain and Italy
		1.4.4 The state of affairs of AVT research
	1.5 Gender and audiovisual translation
2 Sexism and gender stereotypes
	2.1 Sexism versus stereotyping
	2.2 Sexism
		2.2.1 Linguistic sexism
			2.2.1.1 Communicative gendered strategies
		2.2.2 The side effects of linguistic sexism on behaviour
			2.2.2.1 Women’s and men’s language
			2.2.2.2 Feminine and masculine behavioural practices
	2.3 Gender stereotypes
		2.3.1 Gender stereotypes in society
		2.3.2 Gender stereotypes on the screen
			2.3.2.1 Female stereotypes in Western cinema
			2.3.2.2 Male stereotypes in Western cinema
3 Multiple portrayals of gender in Anglo-American cinema
	3.1 Overview
	3.2 Visual representation
		3.2.1 Images on the screen
		3.2.2 The use of covers
			3.2.2.1 Titles
		3.2.3 The roles
	3.3 Acoustic representation
4 Representation of gender in speech
	4.1 General considerations
	4.2 Topics in same-sex and mixed talk
	4.3 Interactive forms in compliments and verbal insults
	4.4 Swearwords
	4.5 Final remarks
Conclusions
References
Filmography