Arts, Entrepreneurship, and Innovation

Contents
Arts, Entrepreneurship, and Innovation
	Abstract
	1 Introduction
	2 Toward a definition of arts entrepreneurship
	3 The Articles
	References
Who is an artist? Heterogeneity and professionalism among visual artists
	Abstract
	1 Introduction
	2 Literature review
	3 The concept of professional artists
		3.1 Meeting high professional standards
		3.2 Arts as an occupation
		3.3 Arts education and human capital
	4 Methodology: finite mixture model
	5 Data and variables
	6 Results
	7 Interpretation of the latent classes
	8 Discussion and conclusion
	References
What Makes an Artrepreneur?
	Abstract
	1 Introduction
	2 Theoretical model and hypotheses
		2.1 Artistry
		2.2 Artrepreneurial passion
		2.3 Individual difference factors
	3 Methods and results
		3.1 Measures
		3.2 Data Collection
		3.3 Artistry
		3.4 Artrepreneurial Passion
		3.5 Artrepreneurship
	4 Discussion and conclusions
	References
Flocking to the crowd: Cultural entrepreneur mobility guided by homophily, market size, or amenities?
	Abstract
	1 Introduction
	2 Literature review
	3 Data
	4 Model and estimation methods
	5 Results
	6 Discussion
	7 Conclusion
	Acknowledgements
	References
Economies of scope in artists’ incubator projects
	Abstract
	1 Introduction
	2 Background and methodology
		2.1 Economies of scope and joint production
		2.2 Agglomeration and positive externalities of co-location
		2.3 Diversification of investment and risk pooling
		2.4 Competing definitions of value
	3 Summary of the case studies
	4 Analyzing applications of economies of scope
		4.1 Operational scope
		4.2 Scope risk and the Coasean firm
		4.3 Institutionally backed risk pooling
		4.4 Ground up risk pooling and collaborative investment trusts
	5 Managerial implications
	6 Conclusions
	Acknowledgements
	References
Direct memberships in foreign copyright collecting societies as an entrepreneurial opportunity for music publishers – needs, challenges, opportunities and solutions
	Abstract
	1 Introduction
	2 Economics of music copyright
	3 The direct membership – a universal economical remedy?
	4 Methodology
		4.1 Interviews
			4.1.1 Demography
			4.1.2 Limitations
		4.2 Key performance indicators
			4.2.1 Data preparation
			4.2.2 Limitations
		4.3 Process and data modeling
			4.3.1 Process modeling
			4.3.2 Data modeling
			4.3.3 Limitations
	5 Needs
	6 Challenges
		6.1 Organizational challenges
		6.2 Technological challenges
		6.3 Subjective challenges
	7 Opportunities
		7.1 Short-term view
		7.2 Long-term view
	8 Technology as a solution
		8.1 Use case “Evaluating CCS”
		8.2 Use case “Registering Works”
			8.2.1 CWR-Validator
			8.2.2 Evaluation
	9 Economic potential of technological solutions
	10 Conclusion and future perspectives
	References
Do museums foster innovation through engagement with the cultural and creative industries?
	Abstract
	1 Introduction
	2 CCIs, museums, and innovation
		2.1 CCI definitions and museums as a CCI
		2.2 Innovation: its definition and transmission channels involving the CCIs
		2.3 CCIs in the literature on innovation and development
	3 Outline of the present investigation
	4 Assessing museum relations with CCIs: a conceptual framework
	5 Evaluating museum relations with CCIs in terms of the potential for CCI innovation: the Polish case
		5.1 Contemporary visual arts and photography
		5.2 Performing arts
		5.3 Music
		5.4 Books and the publishing industry
		5.5 Film, TV, and advertising companies
		5.6 Radio stations, the press, and internet portals
		5.7 Design, fashion, artistic craft, and toy companies
	6 The need to reassess museums’ contributions to innovation through their traditional missions
	7 Conclusions
	Acknowledgement
	References
Innovation and diversity in the digital cultural and creative industries
	Abstract
	1 Introduction
	2 The creative economy, digitisation and innovation
		2.1 Digitisation, business models and innovation
		2.2 Diversity and innovation
			2.2.1 Disciplinary diversity: creative-digital skills and ‘fusion’
			2.2.2 Social diversity
	3 The CCIs in South Africa and the South African policy context
		3.1 The CCIs in South Africa
		3.2 Cultural policy and innovation in South Africa
	4 Research methods and context: the Cape Town fuse and the gaming and animation surveys
	5 Results and discussion: the Cape Town fuse
		5.1 Firm characteristics, business models and innovation
		5.2 Ownership, talent and diversity
		5.3 An econometric analysis of the determinants of growth
	6 Diversity and inclusion in South African gaming and animation firms
		6.1 Firm characteristics and the size of the sector
		6.2 Challenges and opportunities
	7 Concluding remarks
	References
Diana S. Greenwald: Painting by numbers—data-driven histories of nineteenth-century art, Princeton University Press, 2021
	References
List of Reviewers