Art History For Dummies

Title Page
Copyright Page
Table of Contents
Introduction
	About This Book
	Foolish Assumptions
	Icons Used in This Book
	Beyond the Book
	Where to Go from Here
Part 
1 Getting Started with Art History
	Chapter 1 Art Tour through the Ages
		Connecting Art Divisions and Culture
		It’s Ancient History, So Why Dig It Up?
			Mesopotamian period (3500 bc–500 bc) and Egyptian period (3100 bc–332 bc)
			Ancient Greek period (c. 850 bc–323 bc) and Hellenistic period (323 bc–32 bc)
			Roman period (300 bc–ad 476)
		Did the Art World Crash When Rome Fell, or Did It Just Switch Directions?
			Byzantine period (ad 500–ad 1453)
			Islamic period (seventh century+)
			Medieval period (500–1400)
			High Renaissance (1495–1520) and Mannerism (1530–1580)
			Baroque period (1600–1750) and Rococo period (1715–1760s)
		In the Machine Age, Where Did Art Get Its Power?
			Neoclassicism (1765–1830)
			Romanticism (late 1700s–early 1800s)
		The Modern World and the Shattered Mirror
			Responding to modern pressures
			Conceptualizing the craft
			Expressing mixed-up times
	Chapter 2 Why People Make Art and What It All Means
		Focusing on the Artist’s Purpose
			Recording religion, ritual, and mythology
			Promoting politics and propaganda
			When I say jump: Art made for patrons
			Following a personal vision
		Detecting Design
			Perceiving pattern
			Rolling with the rhythm
			Weighing the balance
			Looking for contrast
			Examining emphasis
		Decoding Meaning
			The ABCs of visual narrative
			Sorting symbols
	Chapter 3 The Major Artistic Movements
		Distinguishing an Art Period from a Movement
		Tracking Major 19th-Century Art Movements
			Realism (1840s–1880s)
			Impressionism (1869–late 1880s)
			Post-Impressionism (1886–1892)
		Moving Off the Rails in the 20th Century
			Fauvism and Expressionism
				Fauvism (1905–1908)
				Expressionism (1905–1933)
			Cubism, Futurism, Dada, and Surrealism
				Cubism (1908–1920s)
				Futurism (1909–1940s)
				Dada (1916–1920)
				Surrealism (1924–1940s)
			Abstract Expressionism (1946–1950s)
			Pop Art (1960s)
			Conceptual art, performance art, and feminist art (late 1960s–1970s)
			Postmodernism (1970–)
Part 
2 From Caves to Colosseum: Ancient Art
	Chapter 4 Magical Hunters and Psychedelic Cave Artists
		Cool Cave Art or Paleolithic Painting: Why Keep It a Secret?
			Hunting on a wall
			Psychedelic shamans with paintbrushes
		Flirting with Fertility Goddesses
		Dominoes for Druids: Stonehenge, Menhirs, and Neolithic Architecture
			Living in the New Stone Age: Çatalhöyük, Göbekli Tepe, and Skara Brae
			Cracking the mystery of the megaliths and menhirs
				Describing a megalith
				Singling out Stonehenge
	Chapter 5 Fickle Gods, Warrior Art, and the Birth of Writing: Mesopotamian Art
		Climbing toward the Clouds: Sumerian Architecture
			Zigzagging to Heaven: Ziggurats
			The Tower of Babel
		The Eyes Have It: Scoping Out Sumerian Sculpture
			Worshipping graven images
			Stare-down with God: Statuettes from Abu Temple
		Playing Puabi’s Lyre
		Unraveling the Standard of Ur
		Stalking Stone Warriors: Akkadian Art
		Stamped in Stone: Hammurabi’s Code
		Unlocking Assyrian Art
		Babylon Has a Baby: New Babylon
	Chapter 6 One Foot in the Tomb: Ancient Egyptian Art
		Ancient Egypt 101
			Segmenting the Egyptian periods
			Thanking the Nile
		The Art of a Unified Egypt
			Depicting the unification
			Noting art as history in the Palette of Narmer
		The Egyptian Style: Proportion and Orientation
		Excavating Old Kingdom Architecture
			Early mastabas and step pyramids
			Turning to stone
			Making the architecture great
			Spending life preparing for death
		The In-Between Period and Middle Kingdom Realism
		New Kingdom Art
			Hatshepsut: A female phenom
			Akhenaten and Egyptian family values
			Raiding King Tut’s tomb treasures
			Admiring the world’s most beautiful dead woman’s tomb
			Decoding Books of the Dead
			Too-big-to-forget sculpture
	Chapter 7 Greek Art, the Olympian Ego, and the Inventors of the Modern World
		Mingling with the Minoans: Snake Goddesses, Minotaurs, and Bull Jumpers
		Greek Sculpture: Stark Symmetry to a Delicate Balance
			Kouros to Kritios Boy
				The Archaic period
				The Classical period
			Golden Age sculptors: Myron, Polykleitos, and Phidias
				Creating balance and proportion
				Sculpting art that is glorious and timeless
			Fourth-century sculpture
		Figuring Out Greek Vase Painting
			Cool stick figures: The geometric style
			Black-figure and red-figure techniques
		Rummaging through Ruins: Greek Architecture
		Greece without Borders: Hellenism
			Sculpting passion and struggle
			Honoring the classical in a new world
	Chapter 8 Etruscan and Roman Art: It’s All Greek to Me!
		The Mysterious Etruscans
			Temple to tomb: Greek influence
			Smiles in stone: The eternally happy Etruscans
		Infusing Art with Roman Influence
			Linking the territory that was Rome
			Art as mirror: Roman realism and Republican sculptural portraits
			Progressing on to propaganda
			Shirking idealism for authenticity
			Realism in painting
			Roman mosaics
		Revealing Roman Architecture: A Marriage of Style and Engineering
			Temple of Portunus
			Maison Carrée
			Roman aqueducts
			The Colosseum
			The Pantheon
Part 
3 Art after the Fall of Rome: ad 500–ad 1760
	Chapter 9 The Graven Image: Early Christian, Byzantine, and Islamic Art
		The Rise and Fall of Constantinople
			Christianizing Rome
			After the fall: Divisions and schisms
		Early Christian Art in the West
			Rejecting paganism
			Drawing on Roman art and culture
		Byzantine Art Meets Imperial Splendor
			Justinian and Early Byzantine architecture
				Fighting fire to build the Hagia Sophia
				Marrying round and square
			Amazing mosaics: Puzzle art
			San Vitale: Justinian and Theodora mosaics
				Deceptively simple architectural design
				Stunning mosaic art
				Mosaic tributes to Justinian and Theodora
			The mosaics of St. Mark’s Basilica, Venice, Italy (Middle Byzantine)
				Modeling design from other structures
				The Old and New Testaments on display
			Icons and iconoclasm
				Characteristics of icons
				The formulas governing icon symbolism
				Icon art style: Long-lived but somewhat pliable
		Islamic Art: Architectural Pathways to God
			The Mosque of Córdoba
			The dazzling Alhambra
			A temple of love: The Taj Mahal
	Chapter 10 Mystics, Marauders, and Manuscripts: Medieval Art
		Irish Light: Illuminated Manuscripts
			A unique Christian mission
			Browsing the Book of Kells, Lindisfarne Gospels, and other manuscripts
				Assessing the strictly Irish illuminated manuscripts
				Merging mirth and beliefs
			Drolleries and the fun style
		Charlemagne: King of His Own Renaissance
		Weaving and Unweaving the Battle of Hastings: The Bayeux Tapestry
			Providing a battle blueprint
			Portraying everyday life in medieval England and France
			Peddling political propaganda
			Making border crossings
		Romanesque Architecture: Churches That Squat
			St. Sernin
			Durham Cathedral
		Romanesque Sculpture
			Nightmares in stone: Romanesque relief
			Roman sculpture revival
		Relics and Reliquaries: Miraculous Leftovers
		Gothic Grandeur: Churches That Soar
			Building a church-and-state alliance
			Bigger and brighter
			Making something new from old parts
			Finishing touches and voilà!
			Expanding the Gothic dream
		Stained-Glass Storytelling
		Gothic Sculpture
		Italian Gothic
		Gothic Painting: Cimabue, Duccio, and Giotto
			Cimabue
			Duccio
			Giotto
		Tracking the Lady and the Unicorn: The Mystical Tapestries of Cluny
			Themes of love and desire?
			Themes with religious connotation?
			The questions remain
	Chapter 11 Born-Again Culture: The Early and High Renaissance
		The Early Renaissance in Central Italy
			The Great Door Contest: Brunelleschi versus Ghiberti — And the winner is!
				Celebrating the door-contest winner
				Admiring the achievements of the losers
			The Duomo of Florence
			Vanishing points and perspective
				Masaccio: Out of the fish’s mouth
				Andrea del Castagno: Another Last Supper
				Fra Angelico: He’s not a liqueur!
				Filippo Lippi: The wayward monk
			Sandro Botticelli: A garden-variety Venus
				A no-pasta primavera
				Interpreting the story depicted
			Donatello: Putting statues back on their feet
				Breathing life into church niches
				Reinstating the standing nude
		The High Renaissance
			Reviving self-respect
			Elevating humanity in art
			Leonardo da Vinci: Renaissance man
			Leonardo’s techniques
				Aerial perspective
				Sfumato
				Chiaroscuro
			Leonardo’s greatest works
				Behind Lady Lisa’s smile
				Decoding The Last Supper
				Leonardo’s supper scene versus others’
			Michelangelo: The main man
				Michelangelo’s technique
				Michelangelo’s style
			Michelangelo’s greatest works
				The Pietà
				David
				Sistine Chapel Ceiling
			Raphael: The prince of painters
				Raphael’s techniques
				Raphael’s greatest work
				Lessons from The School of Athens
	Chapter 12 Venetian Renaissance, Late Gothic, and the Renaissance in the North
		A Gondola Ride through the Venetian Renaissance
			First stop, Bellini
				Switching to oil for endless color choices
				Glittering effects and wavy lines tell the story
			A shortcut to Mantegna and Giorgione
				Mantegna’s focus on creating depth
				Giorgione’s soft and natural style
			Dürer’s Venice vacations
			Touring the 16th century with Titian
			The Venice of Veronese
				From reformations
				to stamping out heretical art
				to crafting a compromise
			Tintoretto and Renaissance ego
			La Tintoretta: Marietta Robusti
				A tale of devotion and tragedy
				Uncertain attributions
			Palladio: The king of classicism
		Late Gothic: Northern Naturalism
			Jan van Eyck: The Late Gothic ace
			Rogier van der Weyden: Front and center
		Northern Exposure: The Renaissance in the Netherlands and Germany
			Decoding Bosch
				The landscape
				The wildlife
				The food supply
				The eternal pain
			Deciphering the dark symbolism of Grünewald
				Depicting the Passion
				Exposing vicious demons
			Dining with Bruegel the Elder
				Arousing moods and seasons
				Taking on the dark side
	Chapter 13 Art That’ll Stretch Your Neck: Mannerism
		Detecting the Non-Rules of Mannerism
		Pontormo: Front and Center
		Bronzino’s Background Symbols and Scene Layering
		Parmigianino: He’s Not a Cheese!
			Contrasting proportions and balance
			A surreal feel
		Arcimboldo: À la Carte Art
		Sofonisba Anguissola (1532–1625): Invading Art History’s Guys’ Club
			Finding a place in the Spanish court
			Rubbing elbows with the court painters
		El Greco: Stretched to the Limit
			Evolving a unique Mannerist style
			Drawing inspiration from mysticism
			How unappreciated was El Greco?
		Lavinia Fontana: The First Professional Female Painter
			Applying a rich education and broad network
			Supplying the missing female storyline
			Endowing Jesus with more humanity
		Finding Your Footing in Giulio Romano’s Palazzo Te
			Architectural surprises outside
			An inside to die for
	Chapter 14 When the Renaissance Went Baroque
		Baroque Origin, Purpose, and Style
		Annibale Carracci: Heavenly Ceilings
		Shedding Light on the Subject: Caravaggio and His Followers
			Elements of Caravaggio style
			Caravaggio style applied
			Orazio Gentileschi: Baroque’s gentle side, more or less
			Shadow and light dramas: Artemisia Gentileschi
				Artemisia’s personal influence on art
				Artemisia and dad depicting Greek myth
		Elisabetta Sirani and an Art School for Women
			Sirani’s notable career
			Portraying brave and capable women
		The Ecstasy and the Ecstasy: Bernini Sculpture
		Embracing Baroque Architecture
			Maderno and the launch of Baroque architecture
			Bernini: Transforming St. Peter’s Basilica
			Baroque style migrates northward
			Fischer: Harmonizing Baroque style
		Dutch and Flemish Realism
			Rubens: Fleshy, flashy, and holy
			Rembrandt: Self-portraits and life in the shadows
			Laughing with Hals
			Bold Strokes: Judith Leyster
				Discovering fraudulent attribution
				Beaming self-portraiture
				Depicting and living with hardship
			Vermeer: Musicians, maids, and girls with pearls
		French Flourish and Baroque Light Shows
			Poussin the Perfect
			Candlelit reverie and Georges de La Tour
			Versailles: Architecture as propaganda and the Sun King
		In the Limelight with Caravaggio: The Spanish Golden Age
			Ribera and Zurbarán: In the shadow of Caravaggio
			Velázquez: Kings and princesses
	Chapter 15 Going Loco with Rococo
		What You Get in Rococo Art
		Breaking with Baroque: Antoine Watteau
		Fragonard and Boucher: Lush, Lusty, and Lavish
			François Boucher
			Jean-Honoré Fragonard
		Flying High: Giovanni Battista Tiepolo
		Rococo Lite: The Movement in England
			William Hogarth
			Thomas Gainsborough
			Sir Joshua Reynolds
				Founding the Royal Academy of Art
				Incorporating foreign elements in portraits
Part 
4 The Industrial Revolution Revs Up Art’s Evolution: 1760–1900
	Chapter 16 All Roads Lead Back to Rome and Greece: Neoclassical Art
		When Philosophers and Artists Join Forces
			The promotion of reason
			Enlightened views and political progress
		Angelica Kauffman: The Queen of Neoclassicism
			Focusing on women and brother- or sisterhood
			Not everyone loved the depictions
		Jacques-Louis David: The King of Neoclassicism
			Grand, formal, and retro
			Propagandist for all sides
		Jean Auguste Dominique Ingres: The Prince of Neoclassical Portraiture
		Élisabeth Vigée Le Brun: Portraitist of the Queen and Fashion Setter
			Illustrating fashion trends
			Fleeing for her life
		Adélaïde Labille-Guiard: From Ideal to Real and Royals to Revolutionaries
			Starting with socially acceptable miniatures
			Graduating to sizeable self-portraiture
			Working with the Revolutionaries
		Canova and Houdon: Greek Grace and Neoclassical Sculpture
			Antonio Canova: Ace 18th-century sculptor
			Jean-Antoine Houdon: In living stone
	Chapter 17 Romanticism: Reaching Within and Acting Out
		Kissing Isn’t Romantic, but Having a Heart Is
			Romancing independence
			Romancing spirituality
			Romancing the wild
		Far Out with William Blake and Henry Fuseli: Personal Mythologies
			Unifying body and soul
			Drawing on imagination
		Inside Out: Caspar David Friedrich
		The Revolutionary French Romantics: Gericault and Delacroix
			Théodore Gericault
				Portraying a tragic shipwreck
				Not everyone loved the message
			Eugène Delacroix
				Depicting liberty in art
				Action, color, and high energy catch the mood
		Francisco Goya and the Grotesque
		J. M. W. Turner Sets the Skies on Fire
	Chapter 18 What You See Is What You Get: Realism
		Rebels with a Cause
		Courbet and Daumier: Painting Peasants and Urban Blight
			Gustave Courbet
			Honoré Daumier: Guts and grit
		The Barbizon School and the Great Outdoors
			Jean-François Millet: The noble peasants
			Jean-Baptiste-Camille Corot: From naked truth to dressed-up reality
		Rosa Bonheur: From a Horse Fair to Buffalo Bill
			Portraying the Paris horse fair
			Gaining world-wide renown
		Keeping It Real in America
			Along came Thomas Cole
				Shunning civilization’s encroachment
				Contrasting progress and nature
			Westward ho! with Albert Bierstadt
			George Catlin, painter of western Indian tribes
			Edmonia Lewis
			Navigating sun, storm, and sea with Winslow Homer
			Boating through America with Thomas Eakins
		The Pre-Raphaelite Brotherhood: Medieval Visions and Painting Literature
			Dante Gabriel Rossetti: Leader of the Pre-Raphaelites
			Marie Spartali Stillman: From model to artist
			John Everett Millais and soft-spoken symbolism
		The Ten: America’s First Art Movement
			Celebrating the leisure class
			Creating art for art’s sake
		Ashcan Artists: Capturing the Grit of Urban Life
			Presenting the urban underbelly
			Illustrating the rough life
	Chapter 19 First Impressions: Impressionism
		M & M: Manet and Monet
			Édouard Manet: Breaking the rules
				Innovating with painting techniques
				Innovating the subject matter
			Claude Monet: From patches to flecks
				Capturing color and light
				Finding the freedom to prosper
		Pretty Women and Painted Ladies: Renoir and Degas
			Impressionists and the movement’s midlife crisis
			Pretty as a picture: Pierre-Auguste Renoir
				Dabbling in dappled light
				Impressionism’s midlife crisis: It may have hit Renoir hardest
			The dancers of Edgar Degas
				Planning the snapshots
				Changing style via the midlife crisis
		Cassatt, Morisot, and Other Female Impressionists
			Mary Cassatt
			Berthe Morisot
			Eva Gonzalès
		American Impressionism
			William Merritt Chase: An Impressionist with Realist ties
			Frieseke in the Giverny American Art Colony
			Jane Peterson
	Chapter 20 Making Their Own Impression: The Post-Impressionists
		You’ve Got a Point: Pointillism, Georges-Pierre Seurat and Paul Signac
			Observing the science of color
			Applying the science of color
		Red-Light Art: Henri de Toulouse-Lautrec
		Tracking the “Noble Savage”: Paul Gauguin
			Brittany paintings
			Tahiti paintings
			Gauguin’s influence
		Painting Energy: Vincent van Gogh
			Trading the ministry for art
			Expanding artistic energy
			Painting while confined
		Love Cast in Stone: Rodin and Claudel
			Auguste Rodin
				Hard times for The Thinker
				Eternal yearning with The Kiss
			Camille Claudel
		The Mask behind the Face: James Ensor
		The Hills Are Alive with Geometry: Paul Cézanne
		Art Nouveau: Curves, Swirls, and Asymmetry
			Art Nouveau: Not a painting style
			Making functionality pretty
		Fairy-Tale Fancies and the Sandcastle Cathedral of Barcelona: Antoni Gaudí
Part 
5 Twentieth and Twenty-First Century Art
	Chapter 21 From Fauvism to Expressionism
		Fauvism: Colors Fighting like Animals
			Henri Matisse
			André Derain
			Maurice de Vlaminck
		German Expressionism: Form Based on Feeling
			Die Brücke and World War I
				Developing Die Brücke style
				Ernst Ludwig Kirchner
				Erich Heckel
				Käthe Kollwitz
			Der Blaue Reiter
				Wassily Kandinsky: Symphonies of color
				Gabriele Münter: Painting “extracts”
				Franz Marc: Horses that harmonize with the landscape
		Austrian Expressionism: From Dream to Nightmare
			Gustav Klimt and his languorous ladies
			Egon Schiele: Turning the self inside out
			Oskar Kokoschka: Dark dreams and interior storms
	Chapter 22 Cubist Puzzles and Finding the Fast Lane with the Futurists
		Cubism: All Views At Once
			Pablo Picasso
			Analytic Cubism: Breaking things apart
			Synthetic Cubism: Gluing things together
			Fernand Léger: Cubism for the commoner
		Futurism: Art That Broke the Speed Limit
			Umberto Boccioni
			Gino Severini
		Precisionism: Geometry as Art
		The Harlem Renaissance and the Jazz Age
	Chapter 23 Nonobjective Art: Dada, Surrealism, and Abstract Expressionism
		Suprematism: Kazimir Malevich’s Reinvention of Space
			The path to Suprematism
			Reinventing the world in shape and color
		Constructivism: Showing Off Your Skeleton
			Tatlin’s Tower
			A dance between time and space: Naum Gabo
		Piet Mondrian and the De Stijl Movement
		Dada Turns the World on Its Head
			Dada, the ground floor, and Cabaret Voltaire
			Dada: Influencee and influencer
			Marcel Duchamp: Nudes, urinals, and hat racks
				Readymade art punks
				A tamer New York Dada
			Hans (Jean) Arp: In and out of Dadaland
		Surrealism and Disjointed Dreams
			Max Ernst and his alter ego, Loplop
			Salvador Dalí: Melting clocks, dreamscapes, and ants
			René Magritte: Help, my head’s on backwards!
			Dissecting Frida Kahlo
				Painting chronicles of life
				Kahlo’s conflicting personas
			Joan Miro
				Saving and salvaging art
				Finding patterns in the images
		My House Is a Machine: Modernist Architecture
			Frank Lloyd Wright: Bringing the outside in
				The organic home
				Inviting the outdoors in
			Bauhaus boxes: Walter Gropius
				Combining disciplines at Bauhaus
				Sowing Bauhaus seeds abroad
			Le Corbusier: Machines for living and Notre-Dame du Haut
		Abstract Expressionism: Fireworks on Canvas
			Arshile Gorky
			Jackson Pollock: Flick, fling, drip, splash, swirl — action painting
				Painting as therapy
				Painting large and in charge
			Lee Krasner: Almost patterns
			Willem de Kooning
	Chapter 24 Anything-Goes Art: Fab Fifties and Psychedelic Sixties
		Artsy Cartoons: Pop Art
			The many faces of Andy Warhol
			Blam! Comic books on canvas: Roy Lichtenstein
		Fantastic Realism
			Ernst Fuchs: The father of the Fantastic Realists
			Hundertwasser: Organic architecture and art
		Louise Nevelson: Picking up the Trash and Assemblage
		Louise Bourgeois: Sexualized sculpture
		Less-Is-More Art: Rothko, Newman, Stella, Frankenthaler, and Others
			Color Fields of dreams: Rothko and Newman
			Helen Frankenthaler
			Minimalism, more or less
		Photorealism
			Richard Estes: Always in focus
			Clinical close-ups: Chuck Close
			Helen Hardin: Native American Futurism
		Performance Art and Installations
			Fluxus: Intersections of the arts
			Joseph Beuys: Fanning out from Fluxus
			Carolee Schneemann: Body art and breaking taboos
	Chapter 25 Photography: From Science to Art
		The Birth of Photography
		Transitioning from Science to Art
			An early attempt to “artify” photography
			Focusing on documentary photography
		Alfred Stieglitz: Reliving the Moment
			Recognition for photography as high art
			Picturesque pictures
		Henri Cartier-Bresson’s uncanny eye
			From painting to photography
			Stealth and the “Decisive Moment”
		Group f/64: Edward Weston, Imogen Cunningham, and Ansel Adams
		Dorothea Lange: Depression to Dust Bowl
		Margaret Bourke-White: From Industrial Beauty to Political Statements
			Photographing for Fortune
			Photographing for Life
		Fast-Forward: The Next Generation
	Chapter 26 The New World: Postmodern Art
		From Modern Pyramids to Titanium Twists: Postmodern Architecture
			Viva Las Vegas!
			Chestnut Hill: Case in point
			Philip Johnson and urban furniture
			The prismatic architecture of I. M. Pei
			Deconstructivist architecture of Peter Eisenman, Frank Gehry, and Zaha Hadid
				Peter Eisenman (b. 1932)
				Frank Gehry (b. 1929)
				Zaha Hadid (1950–2016)
		Making It or Faking It? Postmodern Photography and Painting
			Cindy Sherman: Morphing herself
			Gerhard Richter: Reading between the layers
		Installation Art and Earth Art
			Judy Chicago: A dinner table you can’t sit at
			It’s a wrap: Christo and Jeanne-Claude
			Robert Smithson and earth art: Can you dig it?
		Glow-in-the-Dark Bunnies and Living, Genetic Art
Part 
6 The Part of Tens
	Chapter 27 Ten Must-See Art Museums
		The Louvre (Paris)
		The Uffizi (Florence)
		The Vatican Museums (Rome)
		The National Gallery (London)
		The Metropolitan Museum of Art (NYC)
		The Prado (Madrid)
		The National Gallery of Art (D.C.)
		The Rijksmuseum (Amsterdam)
		British Museum (London)
		The Kunsthistorisches Museum (Vienna)
	Chapter 28 Ten Great Books by Ten Great Artists
		On Painting, by Leonardo da Vinci
		Lives of the Most Eminent Painters, Sculptors, and Architects, by Giorgio Vasari
		Complete Poems and Selected Letters of Michelangelo
		The Journal of Eugène Delacroix
		Van Gogh’s Letters
		Rodin on Art, by Paul Gsell
		Der Blaue Reiter Almanac, edited by Wassily Kandinsky and Franz Marc
		Concerning the Spiritual in Art, by Wassily Kandinsky
		The Diary of Frida Kahlo: An Intimate Self-Portrait
		Hundertwasser Architecture: For a More Human Architecture in Harmony with Nature, by Friedensreich Hundertwasser
		And Others
Index
EULA