Art and Copyright

Half Title Page......Page 1
Title Page......Page 3
Title verso......Page 4
Acknowledgements......Page 5
Table of Contents......Page 7
Frequently Cited Material......Page 11
Table of Cases......Page 17
Table of Legislation......Page 25
1.1 BACKGROUND AND SCOPE......Page 33
1.2 COPYRIGHT AND ART......Page 34
2.1 INTRODUCTION......Page 41
2.2 JUSTIFICATIONS FOR COPYRIGHT......Page 42
2.3 HISTORY OF COPYRIGHT......Page 55
3.1 BACKGROUND......Page 59
3.2 UK LAW......Page 61
4.1 MORAL RIGHTS......Page 97
4.2 IMPLICATIONS OF MORAL RIGHTS......Page 102
4.3 MORAL RIGHTS IN THE USA......Page 107
4.4 ARTIST’S RESALE RIGHT (DROIT DE SUITE)......Page 108
5.1 COPYRIGHT IN DIGITISED WORKS......Page 119
5.2 COPYRIGHT AND COMPUTER-GENERATED WORKS......Page 120
5.3 TRANSITORY COPYING AND THE INTERNET......Page 121
5.4 TRANSMISSION RIGHT......Page 125
5.6 DATABASE RIGHT......Page 126
5.7 IMPLICATIONS OF MORAL RIGHTS FOR THE DIGITALENVIRONMENT......Page 127
5.8 COPYRIGHT LEGISLATION AND THE DIGITAL FUTURE......Page 128
6.1 COPYRIGHT IN PHOTOGRAPHS......Page 133
6.2 COPYRIGHT AND VISUAL SEARCH ENGINES: FAIR USE AND FAIRDEALING IN THE ON-LINE ENVIRONMENT......Page 145
6.3 MODERN ART AND COPYRIGHT......Page 155
6.4 ABORIGINAL WORKS......Page 172
7.1 COPYRIGHT IN THE CONTEXT OF ART LOANS......Page 179
7.2 COPYRIGHT AND SETTING UP A WEBSITE: ACQUIRING AND USINGIMAGE RIGHTS......Page 182
7.3 THE USE OF IMAGES IN ART BOOKS: THE LIMITS OF FAIR DEALING......Page 184
7.4 COPYRIGHT IN COMMISSIONED ART WORKS......Page 188
8.1 BREACH OF CONFIDENCE......Page 193
8.2 PASSING OFF......Page 195
8.3 TRADE MARKS......Page 198
8.4 DOMAIN NAMES......Page 200
9.1 CATEGORIES OF “ART” AND THE SUBSISTENCE OF COPYRIGHT......Page 205
9.2 APPROPRIATING THE PUBLIC DOMAIN: IDEA VERSUS EXPRESSION......Page 208
9.3 THE DIGITAL FUTURE......Page 209
Index......Page 213