American Impersonal: Essays with Sharon Cameron

FC\nHalf title\nTitle\nCopyright\nContents\nPreface\nIntroduction\n1 Being Singularly Impersonal: Jonathan Edwards and the Aesthetics of Consent—James D. Lilley\n2 Melville’s Creatures, or Seeing Otherwise—Colin Dayan\n3 On Ecstasy: Sharon Cameron’s Reading of Emerson—Paul Grimstad\n4 The Recognition of Emerson’s Impersonal: Reading Alternatives in Sharon Cameron—Johannes Voelz\n5 On the Matter of Thinking: Margaret Fuller’s Beautiful Work—Vesna Kuiken\n6 Thoreau’s Journal: Reading Nature—George Kateb\n7 What Music Shall We Have? Thoreau on the Aesthetics and Politics of Listening—Branka Arsic\n8 Hawthorne’s Fictional Commitments: The Early Tales—Kerry Larson\n9 Hawthorne’s Rage: On Form and the Dharma—Theo Davis\n10 Formal, New, and Relational Aesthetics: Dickinson’s Multitexts—Shira Wolosky\n11 Beyond Sense: Portraits and Objects in Henry James’s Late Writings—Michael Moon\n12 Believing in “Maud-Evelyn”: Henry James and the Obligation to Ghosts—Shari Goldberg\n13 The Ends of Imagination: Stevens’s Impersonal—Mark Noble\nContributors\nIndex