Alternative Shakespears 3 (New Accents)

BOOK COVER......Page 1
TITLE......Page 4
COPYRIGTH......Page 5
CONTENTS......Page 6
GENERAL EDITOR’S PREFACE......Page 8
CONTRIBUTORS......Page 10
ACKNOWLEDGMENTS......Page 11
1 INTRODUCTION......Page 12
2 “I DO, I WILL”: Hal, Falstaff and the Performative......Page 25
3 MEDIUM-SPECIFICITY AND OTHER CRITICAL SCRIPTS FOR SCREEN SHAKESPEARE 3 4 5 6......Page 45
4 SHAKESPEARE 3.0: Or Text Versus Performance, the Remix......Page 65
5 SHAKESPEARE FOR READERS......Page 89
6 CUTTING BOTH WAYS: Bloodletting, Castration/ Circumcision, and the “Lancelet” of The Merchant of Venice......Page 106
7 CYMBELINE, THE FONT OF HISTORY, AND THE MATTER OF BRITAIN: From Times New Roman to Italic Type......Page 130
8 PLAYING WITH CUPID: Gender, Sexuality and Adolescence......Page 149
9 DEATH BY NUMBERS: Counting and Accounting in The Winter’s Tale......Page 169
10 HAMLET, PRINCE: Tragedy, Citizenship, and Political Theology......Page 192
11 MEMORY, IDEOLOGY, TRANSLATION: King Lear Behind Bars and Before History......Page 215
12 THE MATERIALITY OF THE SCHOLARLY TEXT: What Our Books Reveal About Us......Page 232
13 ALTERNATIVE COLLABORATIONS: Shakespeare, Nahum Tate, Our Academy, and the Science of Probability......Page 254
14 AFTERWORD: Alternativity at the Theatrical Core......Page 275
BIBLIOGRAPHY......Page 282
INDEX......Page 312