African Cinema and Human Rights

Cover
Title
Copyright
Dedication
Contents
Acknowledgments
Filmmaking on the African Continent: On the Centrality of Human Rights Thinking
Part I: Perspectives
	1. Human Rights, Africa, and Film: A Cautionary Tale
	2. African Cinema: Perspective Correction
	3. Africa’s Gift to the World: An Interview with Gaston Kaboré
	4. Toward New African Languages of Protest: African Documentary Films and Human Rights
	5. Challenging Perspectives: An Interview with Jean-Marie Teno
	6. In Defense of Human Rights Filmmaking: A Response to the Skeptics, Based on Kenyan Examples
	7. The Zanzibar International Film Festival and Its Children Panorama: Using Films to Socialize Human Rights into the Educational Sector and a Wider Public Sphere
Part II: Cases
	8. Ousmane Sembène’s Moolaadé: Peoples’ Rights vs. Human Rights
	9. Haile Gerima’s Harvest: 3000 Years in the Context of an Evolving Language of Human Rights
	10. Abducted Twice? Difret (2015) and Schoolgirl Killer (1999)
	11. Timbuktu and “L’homme de haine”
	12. Beats of the Antonov: A Counternarrative of Endurance and Survival
	13. Human Rights Issues in the Nigerian Films October 1 and Black November
	14. The Antiecstasy of Human Rights: A Foray into Queer Cinema on “Homophobic Africa”
	15. Refugees from Globalization: “Clandestine” African Migration to Europe in a Human (Rights) Perspective
Index