A Dialogical Approach to Creativity

Preface
Contents
Notes on Contributors
1: Introduction
	References
2: Creativity and Dialogism
	What Creativity Are We Talking About?
		Creating Is a Psychological, Social and Material Phenomenon
		Creating Is a Collective Act That Only Occurs in Alterity
		Creating Is a Culturally Mediated Act
		Creating Is a Situated, Contextualized and Perspective Phenomenon
		Creating Is a Dialogical Process
	Regarding the Bakhtinian Dialogism
	Final Considerations
	References
3: Dialogical Intersubjectivity in Creative Processes: A Theoretical Reflection
	Introduction: Creativity Is Intersubjective
	Otherness and Intersubjectivity: A Starting Point
	Bakhtinian Foundations for the Epistemology of Intersubjectivity
	Bakhtin in Dialogue: Contributions of Merleau-Ponty’s Phenomenology to the Dialogical Foundations of Intersubjectivity
	Trust, Corporeality and Signification: Intersubjectivity in the Psychic Dynamics of Creativity
	Corporeality and Perspective: Sensitivity as the Basis of Perspectivation of the World
	The Dynamics of Meaning in the Self-Other-World Relationship
	Affectivity and Trust in Creative Intersubjectivity
	For the Sake of an Illustration: The Confinement Diaries of the Ingra Case
	References
4: Creativity as Resistance for Survival: The Anticolonial Indigenous Rap Group “Oz Guarani”
	Intro
	Circumstances and Objective
	Theoretical Background
	Jaraguá Indigenous Land Context
	(Indigenous) Rap
	Birth of the Oz Guarani Group
	Discussion
	Final Considerations
	References
5: The Birth of Metaphors in the Northeastern Repente Music: A Proposal for Dialogical Analysis in the Study of Creative Processes
	The Repente Music as an Object of Study of Creative Processes in Psychology
	Viola Singing as a Poetic Dialogue
	A Discussion on Metaphor for the Study of the Emergence of the Novelty
	The Construction of the Empirical Data in the Life Context of the Repentista
	The Four-Axis Analysis Proposal
	Excerpt from the Pre-Singing Interview
		Excerpt from the Commented Exhibition Interview—Post-singing
	Final Considerations
	References
6: Creativity, Self-Development and Human Values: A Dialogical Perspective on Promoting a Democratic World
	Culture and Creativity
	Culture, Dialogical Self System and Ontogenesis of Values: The Role of Hypergeneralized Affective-Semiotic Fields
		The Dialogical Self System and its Development
		Hypergeneralized Affective-Semiotic Fields: Values and Prejudices
	Creativity, Affect and Motivation
	Autonomy, Cooperation and Agency: The Power of a Dialogical Paradigm
	Creativity, Values, and the Dialogical Self: Pathways for the Co-Construction of Democracies
	Conclusions
	References
7: The Soul of the Creative Process: A Commentary by a Cannibal
	Conclusion: Creativity Requires Disorganization in Order to Arrive at New Organization
	References
8: Deepening the Dimensions of Dialogism: Conceptual Linkages
	I
	II
	III
	IV
	V
	References
Index