3-DIY. Stereoscopic Moviemaking on an Indie Budget

Content: 
Front matter, Page i
Copyright, Page ii
Acknowledgments, Page v
About the Author, Page vii
Introduction: Do-It-Yourself 3D Movies, Pages viii-xxix
Chapter 1 - Eric Kurland: Shooting 720p 3D with Two Canon TX1 Consumer Cameras: Elevation (2009), White Knuckles (2010), Pages 0-13
Chapter 2 - Celine Tricart: Stereoscopic Storytelling: Reminiscence (2009), Inner Fire (2010), Pages 14-23
Chapter 3 - Alexander Lentjes: Creating a 3D Homage to Bad Films: The Incredible Invasion of the 20,000 Giant Robots from Outer Space (2000), Pages 24-41
Chapter 4 - Eric Deren: Shooting 3D Video in Freefall: Stereoscopic Skydiving (2007), Pages 42-47
Chapter 5 - Sean Isroelit and Jeff Amaral: Producing 3D with High-Tech Tools and Talents: The Caretaker 3D (2009), Pages 48-59
Chapter 6 - Jo Eldoen and Karl Bryhn: Creating Abstract CG Animation on the Z-Axis: Ztring Theory (2009), Pages 60-69
Chapter 7 - John Hart: Shooting Time-Lapse 3D Movies with Digital Still Cameras: FastLife (2009), Pages 70-81
Chapter 8 - Ryan Suits: Shooting Black Light in 3D: Plasticity 3D (2009), Pages 82-99
Chapter 9 - Santiago Caisedo: Inventing 3D Movies from Mixed Toolsets: Galaxy (2008), Moving Still (2008), Come Coco (2009), Pages 100-119
Chapter 10 - Stephen Les: Editing with CineForm Neo3D: Santa Monica Pier (2010), Pages 120-131
Chapter 11 - Takashi Sekitani: Getting Creative with Canine POV and Hyperstereo in 3D: Fireworks Symphony (2006), Doggycam Vista (2007), Pages 132-145
Chapter 12 - Zoe Beloff: Creating Apparitions in 3D: Shadow Land or Light from the Other Side (2000), The Somnambulists (2007), Pages 146-161
Chapter 13 - Bernard Mendiburu and Eric Kurland: The World's First 720p International Skype 3D: February 4, 2010, Pages 162-167
Chapter 14 - Tommy Tripodes: Building a 3D System in Film School: Thicker Than Water (2010), Pages 168-177
Chapter 15 - Tom Koester: Doing It All in 3D: Plane Fancy (2004), The Towers of Simon Rodia (2006), The Ennis House (2007), Slow Glass (2007), Whatever Happened to Ro-Man? (2009), Nature's Secret Mysteries (2010), Pages 178-201
Chapter 16 - Ray Zone: Making 3D Movies with a Stereo Club: Slow Glass (2007), Whatever Happened to Ro-Man? (2009), Pages 202-215
Chapter 17 - John E. Hart: Jesting with Urban Legends in the Short 3D Film: Ghost Car (2008), Doggone (2009), Pages 216-233
Chapter 18 - Ron Labbe: From the Computer Monitor to the Giant Screen: Mousetrapped (1999), A Better Mousetrap (2005), Pages 234-243
Chapter 19 - Phil McNally: Making a Short Film to Get a Job in Hollywood: Pump Action (1999), Pump Action 3D (2009), Pages 244-265
Chapter 20 - John Rupkalvis: Making 3D Camera Systems Smaller, Pages 266-277
Chapter 21 - Perry Hoberman: Performing and Inventing 3D, Pages 278-301
Chapter 22 - Stephen Gibson: Shooting and Finishing a 3D Feature Film on the Desktop: Jumpin' Jack Slash 3D (2011), Pages 302-337
Chapter 23 - Al Razutis: A Complete 3D Artist: Meditations (1996), Dean Fogal: Corporeal Art (1996–1997), Virtual Flesh (1996), France 97 (1997–1998), Statues (1997–1998), Nagual (1998), Pages 338-364
Index, Pages 365-378